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Office of Research Annual Report 2011; Institute for Creativity, Arts, and Technology
(The Research Institutes of Virginia Tech: Institute for Creativity, Arts, and Technology, 2011-08-01)
Office of Research Annual Report 2012: Institute for Creativitiy, Arts, and Technology
(The Research Institutes of Virginia Tech: Institute for Creativitiy, Arts, and Technology, 2012)
Creating Biosignal Algorithms for Musical Applications from an Extensive Physiological Database
(NIME, 2015)
Previously the design of algorithms and parameter calibration for biosignal music performances has been based on testing with a small number of individuals - in fact usually the performer themselves. This paper uses the ...
Inner-Active Art: An examination of aesthetic and mapping issues in physiologically based artworks
(ISEA, 2009)
Much art seeks to describe or stimulate the feelings and emotions of the viewer, through both abstract and literal representation. With the exponential increase in computing power over recent years we also seek new ways ...
Affective Feedback in a Virtual Reality based Intelligent Supermarket
(ACM, 2017)
The probabilistic nature of the inferences in a context-aware intelligent environment (CAIE) renders them vulnerable to erroneous decisions resulting in wrong services. Learning to recognize a user’s negative reactions to ...
Creating a Network of Integral Music Controllers
(NIME, 2006)
In this paper, we describe the networking of multiple Integral Music Controllers (IMCs) to enable an entirely new method for creating music by tapping into the composite gestures and emotions of not just one, but many ...
Biosignal-driven Art: Beyond biofeedback
(CMMAS, 2011)
Biosignal monitoring in interactive arts, although present for over forty years, remains a relatively little known field of research within the artistic community as compared to other sensing technologies. Since the early ...
AffecTech-an affect-aware interactive AV Artwork
(ISEA International, 2009)
New developments in real-time computing and body-worn sensor technology allow us to explore not just visible gestures using inertial sensors, but also invisible changes in an individual’s physiological state using bio-sensors ...
The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music
(NIME, 2012)
In order to further understand our emotional reaction to music, a museum-based installation was designed to collect physiological and self-report data from people listening to music. This demo will describe the technical ...
Emotion in Motion: A Reimagined Framework for Biomusical/Emotional Interaction
(NIME, 2015)
Over the past four years Emotion in Motion, a long running experiment, has amassed the world’s largest database of human physiology associated with emotion in response to the presentation of various selections of musical ...