WEBVTT

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go ahead and get started. So we're recording now

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I'm gonna ask you questions and I cut myself out

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. So if you can sort of restating something as

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I say, when did you come here? You

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say I came here, that kind of thing and

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just talk to me, not the camera and we're

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good. Actually, there's an out. Can I

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shift you sure this way? Do you want me

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to move to the chair? So you never see

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those things to the last one? Okay. Mhm

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. This chair. Yeah. Yeah. Actually let

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me slide you back. We'll just kind of split

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the difference between those two positions. Maybe I can

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block out the outlet. Exactly. That's what I'm

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thinking. Okay. Okay. Can I get you

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a little bit more that way? Okay. Excellent

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. Okay, great. So have you already done

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Jean Egger? Yes, I did, Jean and

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I talked for two. I'm sure that was amusing

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. It was great. Well, I actually was

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here as a freshman in 95. Okay. And

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then I left and went to communion and okay.

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Went into film and left architecture. So I remember

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jean from way back. So we, yeah,

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that's good that you want to close this door before

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you start because it could be saved. Somebody coming

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through there just making noise. Mm. I have

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interviewed the marshall. Oh, have you? Okay

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. Good. Yeah. Great. That he is

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, He's amazing fellow. Great stories. Yeah,

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bringing virtual here. Right. Well, he did

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. He basically, I asked, I heard that

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. Yeah. He said to virtue word, I

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want to top architecture school, do whatever you need

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to do. And then they had the money.

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All right, we'll start off just with you as

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a student. So what brought you to target check

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your school here? Well, I came, um

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, two tech in 19 in the fall of 1965

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and I had since very early on in life decided

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that I wanted to be an architect not knowing fully

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what that meant. But it turned out that what

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architecture was was something I thoroughly enjoyed. And so

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that's how it all got started. And White White

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Tech. Well, we had the best school in

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the state at the time. So this was 65

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. That was prior to Ferrari. I think Ferrari

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perhaps came maybe the year. Well, no,

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I think he was here when I was a freshman

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. Okay. Yeah. Yeah. As a matter

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of fact, I remember in the, some of

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the design labs, you put your projects out there

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and uh, we have, you know, the

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faculty would walk around and then, you know,

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we didn't have facilities like we have today. I

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think we were in the basement of what was in

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the old military building and you had to carry your

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drawing board and everything with you to class every time

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you didn't have a permanent desk, even so,

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particularly in the winter when you were walking across the

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drill field, you felt like a sailboat because the

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wind was so much, it would take your drawing

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board and sort of blow it out perpendicular to where

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you were walking. Quite a different scene than what

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we experienced today. So Koga was built while you

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were here. Yeah. We moved into Kogel probably

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in my fourth year of architecture or something like that

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. And I remember there was not enough money to

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finish the building. So the ground floor where the

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shops and things were, I was left as dirt

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because there was not enough money to even put the

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bottom floor in. So wow. But it was

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still a big improvement compared to what we had before

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. So what a nice opportunity to get to see

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that. Oh, sure, Absolutely. So from

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everyone I've spoken to and that really seems like the

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heyday of the school where there were just seemed like

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they were incredible things happening with Burchard and Ferrari and

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when curry. Well, I certainly think the school

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has subsequently gone on to do some extraordinary things.

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But I think I was lucky to come at a

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period where there was a sort of renaissance going on

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and we had extraordinary faculty from all over the world

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. And when you're just beginning, we didn't,

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I didn't really realize the a level of talent that

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I was exposed to as a student, but we

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had David Greene and Michael Webb from the Arche Graham

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group had Herbert crumble from the th we had Ferrari

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from the Home School of Design, Miguel Gaston,

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people like that who were also young but extraordinarily dynamic

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teachers. And for me, it was just a

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wonderful experiences. It's difficult to describe how exciting it

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was. And the fact that, you know,

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on saturday nights we were in the design. Hello

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, So exit. It also seems like that was

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a change in sort of education. One of how

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it kid an architect, Well ours was not the

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conventional one. Mm you know, we didn't do

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a lot of copying of greek columns and poaching walls

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and whatever else. It was really not only a

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change in terms of what you did, but it

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was a change in the paradigm of architectural education.

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And I think that was the part that was the

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most stimulating in the part that sustains our graduates over

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time as they move forward in their careers and that

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that still exists today. Oh, yes, I

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think, you know, we had the ideas which

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perhaps we're not as well developed at the time,

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but we didn't have the facilities to go along with

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them. And if you take, for example,

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you know, what are we, what are we

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trying to do? What we're trying to educate all

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dimensions of the intellect of our students. And so

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in addition to reading and writing and whatever, the

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experiential process, the tactile nature of materials and all

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that were key to developing architects whose talent would sustain

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them over time. But of course when I started

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, I think our entire shop facilities consisted of a

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table saw and a screwdriver. And we have nothing

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that compares to other students have today. So now

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with the computer uh controlled machine tools and all that

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, what we're able to do in architecture and industrial

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design or whatever is quantum leap over what students could

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do before Now. Since you mentioned industrial design,

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uh, I've heard from several people that Ferrari in

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particular would be very would have been very excited to

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see that come to fruition. Right. Maybe some

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of those other programs and how well I think we

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always viewed design education in a holistic manner, whether

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it was from the scale of the individual object all

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the way up to urban design. But still,

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when you look at what we've been able to achieve

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an industrial design today, there is a certain in

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significant technical component to it that we didn't have before

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. So when I was dean, we started the

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industrial design program. These things take a while to

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get them through the bureaucracy and whatever else. But

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we always had the roots of that scale of design

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activity and the appreciation of materials and the elegance of

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operation and all that that was embedded really and the

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aesthetic of the curriculum as it moved forward. I'm

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curious about just sort of what with the educational model

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was like me. I keep hearing about these these

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personalities that were seemingly larger than life. Can you

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can you talk to me about you know, what's

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your memory of your studio classes and having these people

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as professors? Well, they all had and they

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were different in personality, but all had very strong

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personalities and had this enormous ability to uh find what

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motivated the individual student in terms of asking the right

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question. They would never as we don't today,

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they would never come in and say, well that's

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wrong, do it this way. Their approach was

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really to help you to learn how to think and

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how to explore on your own with some guidance when

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it's appropriate to come up with the solution. And

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so you had people who had these qualities but they

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manifest themselves in different ways. For example Herbert Cromwell

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who was my principal professor when I was in the

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second year was very much focused on design methods and

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logical ways of problem solving. Whereas Olivio Ferraro is

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much more intuitive in nature. They both resulted in

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their students doing wonderful work but they went about it

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in different ways and that's really that diversity made it

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interesting and then you had you know Dave Green and

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others who were sort of iconoclastic folks who challenge the

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existing establishment, the idea of plug in city that

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cedric price and all these people. So you had

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those guys having input to you as well. And

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the challenge was of course As you know 18 or

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19 years old is trying to figure all this out

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. What did you really mean? And how did

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you incorporate those kinds of perspectives into your own design

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philosophy? Yeah. And if you're drawn to to

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1/1 method over another, Working all right. Um

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Well let me let me see that I'm very curious

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about, since you did end up coming back 16

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, I've I've heard the this has almost become like

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a saying, a lot of people have said it

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the same way that you couldn't have had Ferrari without

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birch tree. And after talking to the martial heart

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, all it seems like you couldn't have maybe had

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burchard without a strong president. Um So from your

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perspective as a former dean and current president, would

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you did you see that? Is that accurate?

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I didn't, you know, as a beginning student

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, I had no idea, but later on I

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do think it's an accurate statement because when I looked

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at, you know, I got to know all

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of these people very well became my Ferrari and Burchard

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and how all of my friends and I got to

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know them very well. The thing was, I

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think Olivia was one of the most extraordinary basic design

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teachers I have ever encountered anywhere in the world.

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And I've been, I've been most every place to

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schools of architecture and he did not fit the normal

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mold. So he needed someone to create an environment

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where he could function. And I think two things

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were present there. one uh, he had to

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have the intellectual vitality and the capacity to make it

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work and to motivate the students in which he was

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extraordinarily gifted. But also Burchard was able to understand

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the pedagogical model and certainly contribute to it. But

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you know, Burchard had taught with Gropius at Harvard

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and Han brought him in to, he was the

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first dean of Architecture to really shake things up.

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And he was extraordinarily skilled uh, in the,

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you know, the diplomacy of being a deem and

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interacting with the central administration and being able to project

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an image of the institution across the country. I

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mean, we were, you know, famous after

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he was only there a couple of years when in

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fact, you know what he was talking about having

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, he didn't exist yet. He was building it

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, but it built enough enthusiasm and excitement that enabled

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him then to continue to attract other gifted faculty and

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the reality took care of itself. And then of

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course Marshall Han who was also a very gifted President

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. You know, he was president of tech in

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his early 30's while the youngest presidents of any major

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university in America. And he was extremely good at

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working with state government with hiring the right people and

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helping them to realize their vision and without the resources

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and the tolerance really that he provided the college couldn't

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have flourished. Burchard always went over his budgets by

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january here. So you know, and han always

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helped them now today, that simply is not possible

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. You know, the resources are not there for

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that to happen. So that style of operation.

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But Burchard was able to articulate the vision of the

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school in a way that very few people could.

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And so uh, he understood what Ferrari was doing

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. He really served as a translator to the outside

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world and managed the whole thing. And Ferrari of

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course, uh, was the guy on the line

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, the classroom we had, as I say,

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Cromelin other gets a lot of very gifted faculty,

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but Olivia was the leader later tom Reagan, Jean

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, Egger, Bill Brown and all those people,

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I'll contributed to that. So yeah. Well,

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I think there's their seemingly right people said that there's

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really a tradition of strong beans and that's been critical

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and noise talks about here. Well, it was

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interesting. I'll tell you a little story about this

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when Charles burchard decided that he was going to retire

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and I think 12 or 13 years as dean,

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uh, and john Wilson, who was the provost

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when I was appointed Dean, told me this years

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later, but he said he's walking across the drill

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field with Burchard. And he said, well,

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he said, Charles, do you, you know

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, is there anybody in the college you think maybe

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it could be your successor? And so Bircher told

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them that I possibly could do that. And Wilson

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told me, he said, I thought the man

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had lost his mind because I was only 29 years

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old or something like this. I had just come

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back to the tech after being in practice for a

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while, but Wilson said, I thought he lost

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his mind. But later, of course, a

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couple of years later I was appointed and oh and

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well, yeah, I got the GT award.

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Okay. He said that you know, that they

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were all quite sure that you well, I was

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very fortunate to have the opportunity. I think I

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was the youngest dean of Architecture in America at the

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time, but it couldn't have succeeded without the support

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of everybody there. You know, it's it's uh

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it's a team effort and I was lucky to have

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these wonderful faculty and alumni like GT board who really

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helped me in every endeavor. And the college went

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on to do extremely and is doing extremely well.

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So I'm very proud of what everybody has done.

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Was that strange to come back and I'll be Dean

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over your. It was, it was, but

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I came back to get my PhD here and I

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taught and then I was department had for a little

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while and then dean. So, you know,

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I've been around a couple of years before all that

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happened. But yeah, it was a little bit

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of a change of pace, but it was fun

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. I have no regrets. There seems to be

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a strong interest in education from the people that were

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students during that time. And I think, I

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mean it seems clear that these people were so innovative

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and exciting that you couldn't help but maybe get interested

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. Is that what got you interested in coming back

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in teaching or was it just sort of a store

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your pathway well? And it was only after I

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came back and was teaching that others? I mean

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I taught as an adjunct for a little bit before

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that, but it was, my class was like

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friday nights after I finish up on a project or

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something, but I'd always had the intellectually the interest

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in the whole teaching learning process and you know,

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what goes on in the university, but the thing

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that differentiated our college from others and is present today

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, you're looking at a holistic model of education which

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we try to promote in the university as a whole

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. You know, you not only want to graduate

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students with high competence in their profession, but they

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have to you want people who have a broader view

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of the world, who are able to integrate knowledge

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and who developed a set of values and concepts and

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the capacity to think critically, that will enable them

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to be productive citizens of democratic society. So,

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you know, one of the things that characterizes what

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we do is that within the disciplines or in a

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profession there is the generation of new knowledge and that's

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very important in biology or whatever else. And in

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a professional school, the there is the obligation uh

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to be prescriptive in that there is a problem and

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as a professional architect or whatever you have to decide

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, prescribe what to do about it, you know

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? And but then we had something beyond that,

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which is a synthetic component of how to integrate knowledge

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from these various disciplines. And so you have this

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synthetic and prescriptive role of the person that we're graduating

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, which is not always present in every other place

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around the country. And so you see that happening

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from the very first days in the basic design lab

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, you know, you're looking at it holistically but

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the circle is small and it's really not a circle

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, it's sort of a growing helix says each time

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you cycle through the design process of analyzing and coming

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up posing some solution, the complexity grows over time

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. So you get this sort of helix that grows

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and the students learn how to integrate and they learn

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how to use different dimensions of their intellect. Because

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in working through designs, you know, you can't

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sort of draw every possibility you would be here till

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the end of the universe literally if you did that

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. So you have to develop other types of intellectual

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abilities and that is to recognize patterns and in complex

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settings where there's high uncertainty. These are the types

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of skills that make it give a designer of the

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capacity to synthesize and integrate and then therefore, and

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be able to prescribe, you know what's going on

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. You can't know everything but you got to know

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what those critical structuring variables are and they change depending

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on the problem. So yeah hans talk about these

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core principles. Key. Yeah. Well I can

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save me now that I have Children. Yeah,

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I can't think of anything better than no matter what

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they want to do right, make them good architecture

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, right? You know? Well people have asked

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me, he said well how did you know being

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an architect prepare you to be president of the university

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and I said I use it every day because your

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face, you know you're not necessarily dealing with particular

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buildings or spaces or whatever but you're dealing with creative

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problem solving where there is high uncertainty, you don't

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know all the variables and yet you have to make

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decisions and so you have to learn develop to develop

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not only the your deductive skills and whatever, but

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your intuition and intuition is not just sort of what

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you dreamed of last night. It comes from experience

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over time and the insight that you gain from that

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experience and you have to bring them all to bear

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. Because some days you can't you can't wait three

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weeks, you have to decide today. And so

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you need every uh capacity for insight that you have

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to arrive at those decisions in a creative way because

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often you have constraints that you sometimes can't live with

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and yet you know, go on and survive for

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another day. Yeah. I mean I think I've

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gotten very interested in classical education because it just doesn't

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exist anymore. And again with Children, these things

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start to, but if you do it right,

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if you sparked that curiosity and you helped the student

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understand that it's not the sort of one way transfer

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of information that that is your eye obligation. If

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you don't know something to find it out, then

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the dimensions of understanding architecture, history and theory and

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whatever else, you know, you have to put

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out a lot of efforts yourself. I spent years

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reading books and architectural history and theory because it was

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something I didn't know enough about. Uh, and

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it, but it helped me to understand other things

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. I also went through the philosophy program at the

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same time and that was a great tool for me

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and learning how to think. That's why I had

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a similar went from architecture to film and philosophy,

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philosophy and then who's making films for years. And

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I mean this is the strongest endorsement to the squad

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and you have And I was here for a year

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when I was 18 Have to go to cooper and

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then took a strange different path. And when I

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decided I wanted to go back, I missed,

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I really felt like that was an open loop in

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my life. This is the only place I wanted

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to come. You miss it. And you know

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, when that spark is struck, you love it

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. You know, there's nothing more that you'd rather

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do than to do what you're doing. You know

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, and that's a great situation to be in.

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There's something very special about Virginia tech. You know

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, I know that there are other programs that maybe

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you have similar models, but I think maybe part

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of it is geography. There's not a lot around

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here. I think that's true that you focus in

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orderly and I think it has to do with the

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culture of the school and the culture of the institution

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. Yeah. There's a lot of shared values and

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a lot of commitments and students amongst their colleagues,

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They always set the bar higher than anybody else.

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They keep raising what they and we have very good

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students and they can do well, it's not,

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you know, they raise the standard, but they

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can meet it. And some remarkable what they've been

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able to accomplish. Talking to GT Award was really

412
00:24:14.359 --> 00:24:17.519 A:middle L:90%
very interesting because he was here when I forget the

413
00:24:17.519 --> 00:24:18.180 A:middle L:90%
number. He said how many students were here,

414
00:24:18.180 --> 00:24:22.180 A:middle L:90%
but it was nothing. That's right. He was

415
00:24:22.180 --> 00:24:23.849 A:middle L:90%
here in the 50s and then hearing him talk about

416
00:24:23.859 --> 00:24:26.079 A:middle L:90%
how it grew and grew and grew. And I

417
00:24:26.079 --> 00:24:30.089 A:middle L:90%
just think that's something again, maybe not unique,

418
00:24:30.099 --> 00:24:33.910 A:middle L:90%
but something special about tech. Well, if it

419
00:24:33.910 --> 00:24:37.490 A:middle L:90%
weren't for GT Ward and Tia carter and Henry's driver

420
00:24:37.490 --> 00:24:41.240 A:middle L:90%
and lots of folks like that, we wouldn't have

421
00:24:41.240 --> 00:24:45.089 A:middle L:90%
the european studies centre in Riva san vitale. They

422
00:24:45.089 --> 00:24:47.599 A:middle L:90%
are the folks, I mean, we remember putting

423
00:24:47.599 --> 00:24:52.640 A:middle L:90%
together this advisory committee which every college has one now

424
00:24:52.640 --> 00:24:53.700 A:middle L:90%
, but we were really one of the first to

425
00:24:53.700 --> 00:24:57.180 A:middle L:90%
do that. And we had our first meeting at

426
00:24:57.190 --> 00:25:00.839 A:middle L:90%
bus feel that europe outside of Zurich where they would

427
00:25:00.839 --> 00:25:03.359 A:middle L:90%
take the students in the summer. And we talked

428
00:25:03.359 --> 00:25:07.380 A:middle L:90%
about acquiring a place and in all that, which

429
00:25:07.380 --> 00:25:10.900 A:middle L:90%
then we had no money. We had a vision

430
00:25:11.440 --> 00:25:14.150 A:middle L:90%
. But if it weren't for those guys it wouldn't

431
00:25:14.150 --> 00:25:17.019 A:middle L:90%
have happened. They were a great force. Can

432
00:25:17.019 --> 00:25:18.839 A:middle L:90%
you imagine, you know, telling the president of

433
00:25:18.839 --> 00:25:21.660 A:middle L:90%
the Governor that we want to buy a villa in

434
00:25:21.660 --> 00:25:26.269 A:middle L:90%
Switzerland when they were cutting the budgets, literally.

435
00:25:26.640 --> 00:25:30.640 A:middle L:90%
I remember we were in the midst of trying to

436
00:25:30.650 --> 00:25:36.710 A:middle L:90%
get a facility over there and the governor was the

437
00:25:36.710 --> 00:25:41.190 A:middle L:90%
budgets are being cut next president at the time.

438
00:25:41.190 --> 00:25:42.339 A:middle L:90%
And I understood his political dilemma. It wasn't that

439
00:25:42.339 --> 00:25:44.529 A:middle L:90%
he didn't want to do it, but he said

440
00:25:44.529 --> 00:25:45.789 A:middle L:90%
, you know, I know you've worked hard on

441
00:25:45.789 --> 00:25:48.920 A:middle L:90%
this, but we just can't go forward. Can

442
00:25:48.920 --> 00:25:52.779 A:middle L:90%
you imagine the problems we have spending money in Switzerland

443
00:25:52.779 --> 00:25:55.769 A:middle L:90%
and whatever else? So I understood that. So

444
00:25:55.769 --> 00:25:56.630 A:middle L:90%
I said, what if I can keep this thing

445
00:25:56.630 --> 00:26:02.240 A:middle L:90%
alive? Not using any resources from the state of

446
00:26:02.240 --> 00:26:04.240 A:middle L:90%
course, or the Foundation. So I call the

447
00:26:04.240 --> 00:26:07.769 A:middle L:90%
same people. I just mentioned. Bill Jamerson was

448
00:26:07.769 --> 00:26:10.630 A:middle L:90%
another one and said, look, you know,

449
00:26:10.630 --> 00:26:14.809 A:middle L:90%
I need I forget what it was 35 or$40,000

450
00:26:14.809 --> 00:26:18.269 A:middle L:90%
to by a purchase option on this property. And

451
00:26:18.740 --> 00:26:21.970 A:middle L:90%
and not a single person turned me down. I

452
00:26:21.970 --> 00:26:25.019 A:middle L:90%
put up money to do it. And we kept

453
00:26:25.019 --> 00:26:27.390 A:middle L:90%
the thing alive until the politics improved and then we

454
00:26:27.390 --> 00:26:30.859 A:middle L:90%
could renew our efforts and otherwise we would have lost

455
00:26:30.539 --> 00:26:32.920 A:middle L:90%
. And those are little things, you know,

456
00:26:32.920 --> 00:26:34.509 A:middle L:90%
that most people never hear about because you don't want

457
00:26:34.509 --> 00:26:37.569 A:middle L:90%
anybody to know that. I'm really kind of going

458
00:26:37.569 --> 00:26:41.720 A:middle L:90%
around what what was the prescribed thing? But that's

459
00:26:41.720 --> 00:26:44.049 A:middle L:90%
the way some of these things happen. You say

460
00:26:44.049 --> 00:26:45.220 A:middle L:90%
you had a vision. I mean, I think

461
00:26:45.220 --> 00:26:48.470 A:middle L:90%
that's that's amazing piece that, you know, you

462
00:26:48.470 --> 00:26:52.470 A:middle L:90%
really you all understood, you had an idea of

463
00:26:52.470 --> 00:26:55.950 A:middle L:90%
what needed to happen to make better architects. Well

464
00:26:55.950 --> 00:27:00.440 A:middle L:90%
, it's so important for students to experience. Yeah

465
00:27:00.039 --> 00:27:03.220 A:middle L:90%
. The changes, you know, the nature of

466
00:27:03.220 --> 00:27:04.349 A:middle L:90%
the space and the texture of the materials and the

467
00:27:04.349 --> 00:27:08.579 A:middle L:90%
landscape and be able to understand operate and read a

468
00:27:08.579 --> 00:27:11.470 A:middle L:90%
different culture. If they can't do that, they're

469
00:27:11.470 --> 00:27:15.039 A:middle L:90%
not going to be very good architects. And so

470
00:27:15.039 --> 00:27:18.400 A:middle L:90%
it's really essential to their education to make these opportunities

471
00:27:18.400 --> 00:27:21.799 A:middle L:90%
possible for them and today's global society, it's even

472
00:27:21.799 --> 00:27:26.910 A:middle L:90%
more important than it was then great. Um and

473
00:27:26.910 --> 00:27:30.509 A:middle L:90%
you wanted the only stories about any of these folks

474
00:27:30.509 --> 00:27:34.170 A:middle L:90%
that you want to share, any, I don't

475
00:27:34.170 --> 00:27:40.319 A:middle L:90%
know. It's if I tell about one, I

476
00:27:40.319 --> 00:27:41.450 A:middle L:90%
have to tell about all of them probably in the

477
00:27:41.460 --> 00:27:48.650 A:middle L:90%
process. one of the things that we did accomplish

478
00:27:49.240 --> 00:27:53.720 A:middle L:90%
that has set the foundation for the solar decathlon accomplishments

479
00:27:53.720 --> 00:27:56.769 A:middle L:90%
and all that is that when we started, when

480
00:27:56.769 --> 00:28:00.869 A:middle L:90%
I started, we research and architecture pretty much didn't

481
00:28:00.869 --> 00:28:04.829 A:middle L:90%
exist. And yet we knew that in order to

482
00:28:04.839 --> 00:28:07.940 A:middle L:90%
advance the state of the art, there had to

483
00:28:07.940 --> 00:28:11.130 A:middle L:90%
be a lot of you had to move the compass

484
00:28:11.140 --> 00:28:15.420 A:middle L:90%
, move the needle so that new types of knowledge

485
00:28:15.420 --> 00:28:18.049 A:middle L:90%
could come in to help us understand new materials.

486
00:28:18.059 --> 00:28:22.720 A:middle L:90%
For example, even in accounting principles, you know

487
00:28:22.720 --> 00:28:26.160 A:middle L:90%
how you depreciate the difference between equipment and the building

488
00:28:26.230 --> 00:28:30.069 A:middle L:90%
, changed what got built. And I didn't think

489
00:28:30.069 --> 00:28:32.880 A:middle L:90%
it was very good to have accountants making design decisions

490
00:28:32.880 --> 00:28:34.539 A:middle L:90%
, but the fact that they were so we were

491
00:28:34.539 --> 00:28:37.559 A:middle L:90%
able and we did a lot of work and into

492
00:28:37.559 --> 00:28:41.980 A:middle L:90%
our air quality and with the masonry materials are,

493
00:28:41.990 --> 00:28:45.410 A:middle L:90%
you know, research demo facility months that was donated

494
00:28:45.420 --> 00:28:49.059 A:middle L:90%
by the masonry industry and the space, the frame

495
00:28:49.059 --> 00:28:52.700 A:middle L:90%
space frameless, there was donated to us and everything

496
00:28:52.339 --> 00:28:56.460 A:middle L:90%
. So we move from really not being a player

497
00:28:56.839 --> 00:29:00.539 A:middle L:90%
to probably, I think second or so in terms

498
00:29:00.539 --> 00:29:04.000 A:middle L:90%
of research of all architecture schools in America and it

499
00:29:04.009 --> 00:29:07.029 A:middle L:90%
it did create sort of a cultural change. And

500
00:29:07.029 --> 00:29:08.670 A:middle L:90%
I think a lot of the things that we enjoy

501
00:29:08.670 --> 00:29:11.619 A:middle L:90%
today with a tremendous success of the solar decathlon,

502
00:29:11.619 --> 00:29:14.319 A:middle L:90%
I mean really, you know, that was a

503
00:29:14.319 --> 00:29:15.430 A:middle L:90%
little bit of the foundation they built upon and they've

504
00:29:15.430 --> 00:29:18.960 A:middle L:90%
taken a much farther and they've done a wonderful job

505
00:29:18.539 --> 00:29:21.789 A:middle L:90%
. But it was those sorts of things that often

506
00:29:21.789 --> 00:29:23.809 A:middle L:90%
don't get too much visibility, you know, I'll

507
00:29:23.809 --> 00:29:26.619 A:middle L:90%
tell you one other little thing that we tried to

508
00:29:26.619 --> 00:29:30.430 A:middle L:90%
do, we wanted the environment in the college to

509
00:29:30.440 --> 00:29:36.380 A:middle L:90%
feel like a special place where excuse me, unusual

510
00:29:36.380 --> 00:29:37.990 A:middle L:90%
things happens. And one of the things that we

511
00:29:37.990 --> 00:29:41.539 A:middle L:90%
did on a fairly regular basis, we had a

512
00:29:41.549 --> 00:29:45.450 A:middle L:90%
chamber music group, the Autobahn Quartet at the time

513
00:29:45.140 --> 00:29:48.650 A:middle L:90%
and I would arrange sometimes a year in advance for

514
00:29:48.650 --> 00:29:51.109 A:middle L:90%
them to come over and give a concert. But

515
00:29:51.109 --> 00:29:52.890 A:middle L:90%
there was never announced, you know, because we

516
00:29:52.890 --> 00:29:56.109 A:middle L:90%
had to work it in their schedule. But when

517
00:29:56.109 --> 00:29:57.009 A:middle L:90%
we did the day we did it, they just

518
00:29:57.009 --> 00:30:00.730 A:middle L:90%
came in, set the risers up and You know

519
00:30:00.730 --> 00:30:03.170 A:middle L:90%
, they showed up about 3:00 and played a concert

520
00:30:03.740 --> 00:30:06.200 A:middle L:90%
and they would not be dressed in tuxedos but in

521
00:30:06.200 --> 00:30:07.619 A:middle L:90%
their blue jeans and they would talk about the music

522
00:30:07.619 --> 00:30:11.420 A:middle L:90%
and whatever in the lobby of Koga was always packed

523
00:30:11.430 --> 00:30:14.150 A:middle L:90%
. There was one in the music is beautiful and

524
00:30:14.150 --> 00:30:17.440 A:middle L:90%
it was always wonderful. So you enjoyed it at

525
00:30:17.440 --> 00:30:19.609 A:middle L:90%
that level. But my, the underlying reason for

526
00:30:19.609 --> 00:30:23.150 A:middle L:90%
doing it is I wanted to create this environment that

527
00:30:23.150 --> 00:30:26.480 A:middle L:90%
the college was a very special place. That unusual

528
00:30:26.480 --> 00:30:30.220 A:middle L:90%
things would happen and therefore we expect you to do

529
00:30:30.220 --> 00:30:33.410 A:middle L:90%
unusual things, you know, just to kind of

530
00:30:33.410 --> 00:30:37.269 A:middle L:90%
build that sense of that. That's okay. Mhm

531
00:30:37.809 --> 00:30:40.559 A:middle L:90%
. That you can do something that's never been done

532
00:30:40.559 --> 00:30:44.789 A:middle L:90%
before. Remember when john Cage died? some students

533
00:30:44.789 --> 00:30:48.279 A:middle L:90%
came, they were sitting outside my office seven something

534
00:30:48.279 --> 00:30:49.940 A:middle L:90%
in the morning when I came in and they said

535
00:30:51.180 --> 00:30:52.289 A:middle L:90%
, K just died. And they said, we

536
00:30:52.289 --> 00:30:56.460 A:middle L:90%
want to Bringing a piano and put some of his

537
00:30:56.460 --> 00:30:57.349 A:middle L:90%
scores. Of course he would go for 20 minutes

538
00:30:57.349 --> 00:31:02.089 A:middle L:90%
without playing a note, you know, up to

539
00:31:02.099 --> 00:31:06.220 A:middle L:90%
recognize his contribution. And so I said, okay

540
00:31:06.230 --> 00:31:07.910 A:middle L:90%
, we'll do that. So we paid to have

541
00:31:07.910 --> 00:31:10.910 A:middle L:90%
a grand piano brought over and whatever. Now that

542
00:31:10.910 --> 00:31:14.490 A:middle L:90%
in itself is fine. But what was important to

543
00:31:14.490 --> 00:31:18.380 A:middle L:90%
me was that the students felt they could come in

544
00:31:18.380 --> 00:31:21.119 A:middle L:90%
and make such a request and it wouldn't be considered

545
00:31:21.119 --> 00:31:22.690 A:middle L:90%
or you guys are crazy. You know, why

546
00:31:22.690 --> 00:31:23.619 A:middle L:90%
should you do that? You know, I said

547
00:31:23.619 --> 00:31:26.740 A:middle L:90%
, okay, we'll do it. And we did

548
00:31:26.980 --> 00:31:27.480 A:middle L:90%
. And so, you know, hundreds of things

549
00:31:27.480 --> 00:31:30.089 A:middle L:90%
like that happen, not just with me, with

550
00:31:30.089 --> 00:31:32.849 A:middle L:90%
the faculty, with everybody else, but we wanted

551
00:31:32.849 --> 00:31:37.829 A:middle L:90%
to sort of liberation of the intellect of motivated students

552
00:31:37.240 --> 00:31:40.789 A:middle L:90%
, Uh, to create this next generation of folks

553
00:31:40.789 --> 00:31:44.839 A:middle L:90%
who between now 2050, The world is going to

554
00:31:44.839 --> 00:31:48.279 A:middle L:90%
have nine billion people, you know, and where

555
00:31:48.279 --> 00:31:51.119 A:middle L:90%
they're going to live and what, what will the

556
00:31:51.119 --> 00:31:53.599 A:middle L:90%
cities look like? Energy consumption patterns can't be the

557
00:31:53.599 --> 00:31:56.480 A:middle L:90%
same. All this is going to change. And

558
00:31:56.480 --> 00:32:00.009 A:middle L:90%
we've got to have people who have the intellectual ability

559
00:32:00.009 --> 00:32:05.170 A:middle L:90%
, that professional preparation and the capacity for thinking innovatively

560
00:32:05.170 --> 00:32:07.710 A:middle L:90%
in a critical way, uh, to help solve

561
00:32:07.710 --> 00:32:09.069 A:middle L:90%
this problem or otherwise, the world is in for

562
00:32:09.069 --> 00:32:14.890 A:middle L:90%
a disaster. Not that you did you realize all

563
00:32:14.890 --> 00:32:15.900 A:middle L:90%
of these things about architecture when you're underground? I

564
00:32:15.900 --> 00:32:17.970 A:middle L:90%
know the education, I think that's what's tremendous about

565
00:32:17.970 --> 00:32:21.960 A:middle L:90%
our is that it's a lifelong education. You never

566
00:32:21.960 --> 00:32:23.099 A:middle L:90%
stop. You do, but not at the same

567
00:32:23.099 --> 00:32:25.730 A:middle L:90%
depth of understanding. I mean, after you've had

568
00:32:25.730 --> 00:32:28.920 A:middle L:90%
a decade or so to think about it changes a

569
00:32:28.920 --> 00:32:31.400 A:middle L:90%
little bit. Sure, but I have to say

570
00:32:31.400 --> 00:32:34.089 A:middle L:90%
from my own point of view, you never lose

571
00:32:34.089 --> 00:32:37.920 A:middle L:90%
your enthusiasm. You know, that's kind of the

572
00:32:37.930 --> 00:32:38.759 A:middle L:90%
joy of it, you know, that's what keeps

573
00:32:38.759 --> 00:32:44.579 A:middle L:90%
you going okay. I, you know, unless

574
00:32:44.579 --> 00:32:47.769 A:middle L:90%
there's anything else you Yes, thank you. Right

575
00:32:50.240 --> 00:32:52.009 A:middle L:90%
. Yeah. The only other thing I'm just kind

576
00:32:52.009 --> 00:32:55.180 A:middle L:90%
of curious about, it's just and you touched on

577
00:32:55.180 --> 00:32:58.190 A:middle L:90%
a little bit, but just so you were here

578
00:32:58.190 --> 00:33:00.470 A:middle L:90%
for your undergrad and you went into practice and then

579
00:33:00.470 --> 00:33:02.089 A:middle L:90%
you came back if you can just sort of talk

580
00:33:02.089 --> 00:33:05.490 A:middle L:90%
about, you know, maybe a little bit about

581
00:33:05.500 --> 00:33:07.880 A:middle L:90%
practice and then, well, I was here,

582
00:33:07.880 --> 00:33:10.440 A:middle L:90%
I got my bachelors and Architecture and a Masters in

583
00:33:10.450 --> 00:33:14.440 A:middle L:90%
Urban design. Then I went to work for a

584
00:33:14.440 --> 00:33:19.160 A:middle L:90%
private firm and I was again extremely lucky to get

585
00:33:19.640 --> 00:33:22.960 A:middle L:90%
a lot of responsibility very soon, and I got

586
00:33:22.960 --> 00:33:27.220 A:middle L:90%
to design some pretty large projects. Um and it

587
00:33:27.220 --> 00:33:30.529 A:middle L:90%
gave me tremendous experience. In fact, we were

588
00:33:30.539 --> 00:33:32.859 A:middle L:90%
this was in the 60s when the environmental movement was

589
00:33:32.859 --> 00:33:36.269 A:middle L:90%
really, you know, the National Environmental Protection Act

590
00:33:36.269 --> 00:33:38.420 A:middle L:90%
was passed in 65. And we were doing all

591
00:33:38.420 --> 00:33:45.089 A:middle L:90%
these projects and I came to the conclusion that nobody

592
00:33:45.089 --> 00:33:47.900 A:middle L:90%
knew much about ecological systems and all this sort of

593
00:33:47.900 --> 00:33:51.769 A:middle L:90%
stuff. And I decided to go back to get

594
00:33:51.769 --> 00:33:54.980 A:middle L:90%
my PhD in environmental science, which I did not

595
00:33:54.980 --> 00:33:58.069 A:middle L:90%
to be a scientist and not to be a professor

596
00:33:58.069 --> 00:33:59.849 A:middle L:90%
, but to be a better architect and planner.

597
00:34:00.640 --> 00:34:02.829 A:middle L:90%
And that's why I did it and learn a bit

598
00:34:02.829 --> 00:34:07.690 A:middle L:90%
about mhm Organic chemistry and microbiology and all those things

599
00:34:08.440 --> 00:34:12.619 A:middle L:90%
so that I could better understand how we integrated the

600
00:34:12.619 --> 00:34:17.309 A:middle L:90%
man built environment with the natural environment without destroying things

601
00:34:17.840 --> 00:34:20.590 A:middle L:90%
. So that was kind of the root of it

602
00:34:20.599 --> 00:34:23.139 A:middle L:90%
, the process. But I was very fortunate to

603
00:34:23.210 --> 00:34:27.550 A:middle L:90%
work with some great people who were extremely kind to

604
00:34:27.550 --> 00:34:29.789 A:middle L:90%
me, even when I came back to school.

605
00:34:29.789 --> 00:34:30.800 A:middle L:90%
they, at the time, this is a very

606
00:34:30.800 --> 00:34:34.079 A:middle L:90%
high tech piece of equipment. I remember they provided

607
00:34:34.079 --> 00:34:36.869 A:middle L:90%
me with an IBM Selectric typewriter, you know,

608
00:34:36.869 --> 00:34:38.050 A:middle L:90%
with a little ball that moved around. That was

609
00:34:38.050 --> 00:34:42.420 A:middle L:90%
state of the art stuff, you know, so

610
00:34:42.429 --> 00:34:45.349 A:middle L:90%
they were very understanding and very supportive and I to

611
00:34:45.349 --> 00:34:47.969 A:middle L:90%
this day appreciate what they did. Some thank you

612
00:34:49.340 --> 00:34:50.500 A:middle L:90%
. Just want to follow up with one of the

613
00:34:50.500 --> 00:34:52.650 A:middle L:90%
question because I think this is interesting. There's a

614
00:34:52.650 --> 00:34:59.360 A:middle L:90%
lot of hiring back of former graduates. It seemed

615
00:34:59.940 --> 00:35:01.460 A:middle L:90%
times I thought had a nice take on this.

616
00:35:01.460 --> 00:35:06.369 A:middle L:90%
I'm curious how you would describe just that, you

617
00:35:06.369 --> 00:35:08.559 A:middle L:90%
know, the educational model here is so special and

618
00:35:09.210 --> 00:35:12.139 A:middle L:90%
that you want to, you want to carry it

619
00:35:12.139 --> 00:35:15.840 A:middle L:90%
on continuing well, I would agree with hans on

620
00:35:15.840 --> 00:35:17.719 A:middle L:90%
that because I know we're often in accreditation visits and

621
00:35:17.719 --> 00:35:22.309 A:middle L:90%
things they raise this as an issue. But if

622
00:35:22.309 --> 00:35:25.510 A:middle L:90%
you have not experienced the educational model, it is

623
00:35:25.510 --> 00:35:29.780 A:middle L:90%
very difficult to understand. You can talk about it

624
00:35:29.780 --> 00:35:30.579 A:middle L:90%
, but it's not the same thing as having gone

625
00:35:30.579 --> 00:35:34.159 A:middle L:90%
through it. And I think having are people who

626
00:35:34.159 --> 00:35:37.559 A:middle L:90%
come back and have had experience elsewhere when it's possible

627
00:35:37.239 --> 00:35:40.030 A:middle L:90%
, really does strengthen that and kind of and they

628
00:35:40.039 --> 00:35:43.659 A:middle L:90%
redefine it in their own way, but it's still

629
00:35:43.659 --> 00:35:46.690 A:middle L:90%
the central tenets of the pedagogy are preserved in the

630
00:35:46.690 --> 00:35:51.070 A:middle L:90%
process. And I'm not sure that that's true in

631
00:35:51.070 --> 00:35:52.849 A:middle L:90%
lots of other places. The only other thing I'd

632
00:35:52.849 --> 00:35:55.380 A:middle L:90%
mention is that we did that I thought was it

633
00:35:55.380 --> 00:35:59.829 A:middle L:90%
continues to be successful, is starting the center in

634
00:35:59.829 --> 00:36:04.320 A:middle L:90%
alexandria. You know, that was fun. I

635
00:36:04.320 --> 00:36:07.500 A:middle L:90%
remember going up there with john Holt and I went

636
00:36:07.500 --> 00:36:10.610 A:middle L:90%
up and remember we at least a townhouse for the

637
00:36:10.610 --> 00:36:15.070 A:middle L:90%
faculty to stay in and we getting facilities. And

638
00:36:15.090 --> 00:36:17.250 A:middle L:90%
then we came back and talked to the provost and

639
00:36:17.250 --> 00:36:20.440 A:middle L:90%
he said, well, you know, what are

640
00:36:20.440 --> 00:36:22.579 A:middle L:90%
you gonna need to get these facilities on us?

641
00:36:22.579 --> 00:36:23.159 A:middle L:90%
We said, well, we already leased them.

642
00:36:23.630 --> 00:36:27.980 A:middle L:90%
Uh huh. Yeah. And I did it ourselves

643
00:36:27.980 --> 00:36:30.650 A:middle L:90%
. And but it's turned out to be a great

644
00:36:30.650 --> 00:36:35.199 A:middle L:90%
asset because it gives our students a chance to live

645
00:36:35.199 --> 00:36:37.289 A:middle L:90%
and work in an urban area as well as the

646
00:36:37.289 --> 00:36:39.670 A:middle L:90%
environment here. And so both of those things have

647
00:36:39.670 --> 00:36:45.150 A:middle L:90%
come together to add considerable strength to the educational experience

648
00:36:45.530 --> 00:36:46.750 A:middle L:90%
for our graduates were very, I'm very proud of

649
00:36:47.130 --> 00:36:51.809 A:middle L:90%
. So last question, I'll ask you, where

650
00:36:51.809 --> 00:36:54.530 A:middle L:90%
do you see the school going in the future that

651
00:36:54.530 --> 00:37:00.710 A:middle L:90%
architecture school that is a continuation of the same pedagogical

652
00:37:00.710 --> 00:37:07.239 A:middle L:90%
model that was more focused on on technological or?

653
00:37:07.929 --> 00:37:10.590 A:middle L:90%
Well, I think two things 1 is the need

654
00:37:10.590 --> 00:37:15.690 A:middle L:90%
for critical thinking and creative thinking is not going to

655
00:37:15.690 --> 00:37:19.300 A:middle L:90%
go away in. The basic structure of the human

656
00:37:19.300 --> 00:37:22.309 A:middle L:90%
brain hasn't changed that much in the last couple of

657
00:37:22.309 --> 00:37:25.250 A:middle L:90%
1000 years, You know, so that's that's set

658
00:37:25.829 --> 00:37:30.340 A:middle L:90%
those skills is going to be necessary. The questions

659
00:37:30.349 --> 00:37:35.119 A:middle L:90%
of society that motivate the inquiry in the desire for

660
00:37:35.119 --> 00:37:37.349 A:middle L:90%
action and some solutions are going to change over time

661
00:37:38.030 --> 00:37:42.610 A:middle L:90%
and increasingly, because of the energy problems and other

662
00:37:42.619 --> 00:37:45.840 A:middle L:90%
environmental problems and things, the solutions are going to

663
00:37:45.840 --> 00:37:49.380 A:middle L:90%
be very different than what we envisioned, particularly with

664
00:37:49.380 --> 00:37:52.960 A:middle L:90%
regard to technology and materials, to looking at life

665
00:37:52.960 --> 00:37:55.559 A:middle L:90%
cycle costing of buildings, the total energetic models that

666
00:37:55.559 --> 00:37:59.329 A:middle L:90%
look at the not only what the building consumes but

667
00:37:59.329 --> 00:38:00.250 A:middle L:90%
the material, the energy it took to create the

668
00:38:00.250 --> 00:38:06.590 A:middle L:90%
building itself and then dealing with the changing patterns of

669
00:38:06.590 --> 00:38:08.820 A:middle L:90%
development and urbanization. So they're going to require us

670
00:38:08.820 --> 00:38:13.869 A:middle L:90%
to rethink how we practice architecture and planet. In

671
00:38:13.869 --> 00:38:15.550 A:middle L:90%
fact the whole practice model is going to change,

672
00:38:16.030 --> 00:38:21.179 A:middle L:90%
but it's not going to replace the ability to think

673
00:38:21.179 --> 00:38:23.750 A:middle L:90%
creatively to be able to synthesize the critical information you

674
00:38:23.750 --> 00:38:27.039 A:middle L:90%
need at the time and the desire to make a

675
00:38:27.039 --> 00:38:29.599 A:middle L:90%
contribution to society. So you really you have to

676
00:38:29.599 --> 00:38:34.170 A:middle L:90%
be both steadfast and your desire and flexible in your

677
00:38:34.179 --> 00:38:38.320 A:middle L:90%
capacity to implement it. Perfect. Okay. Uh

678
00:38:38.320 --> 00:38:40.960 A:middle L:90%
huh. Super excited and happy.

