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Creating Biosignal Algorithms for Musical Applications from an Extensive Physiological Database
Previously the design of algorithms and parameter calibration for biosignal music performances has been based on testing with a small number of individuals - in fact usually the performer themselves. This paper uses the ...
Emotion in Motion: A Reimagined Framework for Biomusical/Emotional Interaction
Over the past four years Emotion in Motion, a long running experiment, has amassed the world’s largest database of human physiology associated with emotion in response to the presentation of various selections of musical ...
Contagion of Physiological Correlates of Emotion between Performer and Audience: An Exploratory Study
Musical and performance experiences are often described as evoking powerful emotions, both in the listener/observer and player/performer. There is a significant body of literature describing these experiences along with ...
Biosignal-driven Art: Beyond biofeedback
Biosignal monitoring in interactive arts, although present for over forty years, remains a relatively little known field of research within the artistic community as compared to other sensing technologies. Since the early ...
AffecTech-an affect-aware interactive AV Artwork
(ISEA International, 2009)
New developments in real-time computing and body-worn sensor technology allow us to explore not just visible gestures using inertial sensors, but also invisible changes in an individual’s physiological state using bio-sensors ...
The Emotion in Motion Experiment: Using an Interactive Installation as a Means for Understanding Emotional Response to Music
In order to further understand our emotional reaction to music, a museum-based installation was designed to collect physiological and self-report data from people listening to music. This demo will describe the technical ...