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dc.contributor.authorFinney, Timothy Johnen_US
dc.date.accessioned2014-03-14T20:31:47Z
dc.date.available2014-03-14T20:31:47Z
dc.date.issued2003-06-23en_US
dc.identifier.otheretd-02152007-193250en_US
dc.identifier.urihttp://hdl.handle.net/10919/31237
dc.description.abstractArchitecture is visuality. Its object is what Norman Bryson has referred to as a screen of signs. â Between subject and the world is inserted the entire sum of discourses which make up visuality, that cultural construct, and make visuality different from vision, the notion of unmediated visual experience. Between retina and the world is inserted a screen of signs, a screen consisting of all the multiple discourses on vision built into the social arena.â (Norman Bryson, from Practice; Architecture, Technique, and Representation, by Stan Allen)

Architecture and representation are integral to the screen.

How do we make architecture?

Is the act of making architecture a montage?

Can architecture be made through montage?

What is the role of montage in an architecture for life and death?

The process of making architecture is not a prescribed methodology with a predetermined outcome. Architecture, crafted by the hand of the architect, is a divine act of assemblage of subconscious allegorical thought, image, and tectonics. Through this art of assemblage, an architecture is born capable of instigating a narrative of metaphor and memory. Metaphorical narrative has the innate ability of summoning memory, and is critical in an architecture for life and death. Architecture is the only total sensory means of narrative.

en_US
dc.publisherVirginia Techen_US
dc.relation.hasparttjf_thesis_etd_300.pdfen_US
dc.rightsI hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Virginia Tech or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.en_US
dc.subjectmaterialityen_US
dc.subjectcavityen_US
dc.subjectrecorded constructionen_US
dc.subjectcypress treeen_US
dc.subjectweatheringen_US
dc.subjectexpirationen_US
dc.subjectplaceen_US
dc.subjectarchitectureen_US
dc.subjectmontageen_US
dc.subjectdepartureen_US
dc.subjectbrainen_US
dc.subjectdeathen_US
dc.subjectlifeen_US
dc.subjecthospiceen_US
dc.subjectmemoryen_US
dc.subjectfrontis pieceen_US
dc.subjectpatient beden_US
dc.subjectcosmosen_US
dc.titleUrban Hospice: A Montage of Expiration and Memoryen_US
dc.typeThesisen_US
dc.contributor.departmentArchitectureen_US
dc.description.degreeMaster of Architectureen_US
thesis.degree.nameMaster of Architectureen_US
thesis.degree.levelmastersen_US
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen_US
thesis.degree.disciplineArchitectureen_US
dc.contributor.committeechairPiedmont-Palladino, Susan C.en_US
dc.contributor.committeememberEmmons, Paul F.en_US
dc.contributor.committeememberFrascari, Marcoen_US
dc.identifier.sourceurlhttp://scholar.lib.vt.edu/theses/available/etd-02152007-193250/en_US
dc.date.sdate2007-02-15en_US
dc.date.rdate2007-05-23
dc.date.adate2007-05-23en_US


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