930 sqft of Architecture
|dc.contributor.author||Clark, David Bradley||en_US|
|dc.description.abstract||There is no primacy to Architecture.
For centuries architects have posited formulaic approaches to creating spatial environments. Bold maxims for design have defined entire periods and styles of architecture, and each subsequent postulation attempts to disprove the former by challenging its theories against imperfect realizations. Yet nearly all have the same fault; they prioritize characteristics of architecture, attempting to design according to absolutisms of thought and process. I believe this to be a dangerous mode of operation, as absolutisms can be extremely complex and difficult to grasp conceptually, let alone to manifest into realities. Reducing architecture to processes of selection, generalization, singularities, and priorities is just clever ways of dealing with complexity in an attempt to make the intangible tangible. This â reductionâ and â simplificationâ can only hold value as a tool for the study and analysis of architecture, not its practice and execution. Although architecture is universally conditional, it has been assigned universal qualities over time in theory and practice. I believe time requires that those qualities be subject to change and reinterpretation so that architecture may maintain proper relevance, barring one constant: all qualities must exist by virtue of the others and cannot be seen independently; one quality is no more than an aspect of the others.
To better explore this notion, three criteria (qualities, generators) have been identified as a measure for critical analysis of three architectural research projects. They are built from a history of pre-defined criterion, named and redefined in an attempt to elevate a personal study and practice of architecture at a period in time. These projects have a high degree of personal influence and involvement, and so this becomes in a way a self-analysis in the study and practice of architecture. The intention of this compendium is to gain insight towards a personal definition of architecture through an analysis of architectural theory and precedence in comparison to work that is reflective of personal architectonics. In time, I hope it will have continued to develop.
|dc.rights||I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Virginia Tech or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.||en_US|
|dc.title||930 sqft of Architecture||en_US|
|dc.description.degree||Master of Architecture||en_US|
|thesis.degree.name||Master of Architecture||en_US|
|thesis.degree.grantor||Virginia Polytechnic Institute and State University||en_US|
|dc.contributor.committeechair||Dunay, Robert J.||en_US|
|dc.contributor.committeemember||Schubert, Robert P.||en_US|
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