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dc.contributor.authorMcCloud, Jennifer Sinken_US
dc.date.accessioned2006-01-06en_US
dc.date.accessioned2014-03-14T20:50:04Z
dc.date.available2009-01-06en_US
dc.date.available2014-03-14T20:50:04Z
dc.date.issued2005-12-02en_US
dc.date.submitted2005-12-16en_US
dc.identifier.otheretd-12162005-180342en_US
dc.identifier.urihttp://hdl.handle.net/10919/36199
dc.description.abstract

The indigenous of the Amazon region of Ecuador unite against the petroleum industry and destructive resource extraction practices in order to preserve environment and indigenous cultures. Since the 1990s, the indigenous movement of Ecuador has played out in the international arena and become a transnational movement, which includes social actors from the international legal, human rights, and environmental communities. This transnational movement exemplifies identity politics through the projection of ethnicity and essentialized signifiers of indigenousness. Indigenous actors, Ecuadoran nongovernmental organizations, international filmmakers, and US nongovernmental organizations all use ethnic identity and signifiers via documentaries and cyberspace as symbolic resources to represent the movement.

This thesis explores the intersection of external actors (international community of filmmakers and NGOs) and internal actors' (the indigenous themselves and Ecuadoran NGOs) projection of ethnicity as symbolic resource. Utilizing resource mobilization theory and new social movement theory as a syncretic to understand the movement and theoretical contributions of identity and representation to explore the process of mobilization, the study explores the question of ethnic identity as symbolic resource in four documentaries and on fifteen websites. The discourse analysis of the four documentaries and content analysis of the fifteen websites illustrate that there is consistency in the message within the transnational social movement community of actors who strive to work for and on behalf of the indigenous of the Ecuadoran Amazon.

en_US
dc.publisherVirginia Techen_US
dc.relation.haspartJenniferMcCloudThesis3.pdfen_US
dc.rightsI hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Virginia Tech or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.en_US
dc.subjectNew Social Movement Theoryen_US
dc.subjectindigenous rightsen_US
dc.subjectAmazonen_US
dc.subjectrepresentationen_US
dc.subjectResource Mobilization theoryen_US
dc.subjectethnicityen_US
dc.titleFace Paint & Feathers: Ethnic Identity as Symbolic Resource in the Indigenous Movement of Ecuadoren_US
dc.typethesisen_US
dc.contributor.departmentHistoryen_US
thesis.degree.nameMaster of Artsen_US
thesis.degree.levelmastersen_US
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen_US
dc.contributor.committeechairArnold, Linda J.en_US
dc.contributor.committeememberScarpaci, joseph L. Jr.en_US
dc.contributor.committeememberBixler, Jacqueline E.en_US
dc.identifier.sourceurlhttp://scholar.lib.vt.edu/theses/available/etd-12162005-180342/en_US


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