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dc.contributor.authorOrtiz, Miguel
dc.contributor.authorCoghlan, Niall
dc.contributor.authorJaimovich, Javier
dc.contributor.authorKnapp, R. Benjamin
dc.date.accessioned2017-11-29T13:51:16Z
dc.date.available2017-11-29T13:51:16Z
dc.date.issued2011
dc.identifier.urihttp://hdl.handle.net/10919/80527
dc.description.abstractBiosignal monitoring in interactive arts, although present for over forty years, remains a relatively little known field of research within the artistic community as compared to other sensing technologies. Since the early 1960s, an ever-increasing number of artists have collaborated with neuroscientists, physicians and electrical engineers, in order to devise means that allow for the acquisition of the minuscule electrical potentials generated by the human body. This has enabled direct manifestations of human physiology to be incorporated into interactive artworks. This paper presents an introduction to this field of artistic practice and scientific research that uses human physiology as its main element. A brief introduction to the main concepts and history of biosignal-driven art is followed by a review of various artworks and scientific enquiry developed by the authors. This aims at giving a complete overview of the various strategies developed for biosignal-driven interactive art.
dc.language.isoen_US
dc.publisherCMMAS
dc.titleBiosignal-driven Art: Beyond biofeedback
dc.typeArticle
dc.title.serialIdeas Sonica/Sonic Ideas
dc.identifier.volume3
dc.identifier.issue2


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