Show simple item record

dc.contributor.authorCarraway, Carmen Thorntonen_US
dc.date.accessioned2018-02-17T09:00:33Z
dc.date.available2018-02-17T09:00:33Z
dc.date.issued2018-02-16en_US
dc.identifier.othervt_gsexam:14314en_US
dc.identifier.urihttp://hdl.handle.net/10919/82153
dc.description.abstractCette thèse analysera les façons diverses qu’Ousmane Sembène a mélangé la distinction binaire entre victime et oppresseur, femme et opposant, à travers des intrigues, des personnages, des symboles visuels, et des scènes allégoriques dans ses deux derniers films ; Faat Kiné et Moolaadé.en_US
dc.format.mediumETDen_US
dc.publisherVirginia Techen_US
dc.rightsThis item is protected by copyright and/or related rights. Some uses of this item may be deemed fair and permitted by law even without permission from the rights holder(s), or the rights holder(s) may have licensed the work for use under certain conditions. For other uses you need to obtain permission from the rights holder(s).en_US
dc.subjectOusmane Sembèneen_US
dc.titleLes Quatre « montagnes » transformées: La Perspective d’Ousmane Sembène envers l’occident, la tradition, les hommes et les femmes dans Faat Kiné et Moolaadéen_US
dc.typeThesisen_US
dc.contributor.departmentForeign Languages, Cultures, and Literaturesen_US
dc.description.degreeMaster of Artsen_US
thesis.degree.nameMaster of Artsen_US
thesis.degree.levelmastersen_US
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen_US
thesis.degree.disciplineForeign Languages, Cultures, and Literaturesen_US
dc.contributor.committeechairGueye, Medouneen_US
dc.contributor.committeememberWatson, Ronda J.en_US
dc.contributor.committeememberMishra, Sulagnaen_US


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record