WEBVTT 1 00:00:02.339 --> 00:00:14.759 A:middle L:90% Okay. Okay. Yeah. So let's get started 2 00:00:15.240 --> 00:00:18.940 A:middle L:90% . Uh, we're going to talk about copyright. 3 00:00:18.949 --> 00:00:22.120 A:middle L:90% We'll talk through, um, some facts about open 4 00:00:22.120 --> 00:00:25.870 A:middle L:90% licensing through Creative Commons. Look at some actual creative 5 00:00:25.870 --> 00:00:29.100 A:middle L:90% Commons licenses. How to use this kind of work 6 00:00:29.100 --> 00:00:32.280 A:middle L:90% . In other words, how to attribute finding openly 7 00:00:32.280 --> 00:00:34.539 A:middle L:90% license work, which is a little bit tricky. 8 00:00:34.539 --> 00:00:36.850 A:middle L:90% And then, um, why, you might consider 9 00:00:37.039 --> 00:00:39.859 A:middle L:90% uh huh. Openly licensing work that you create. 10 00:00:40.340 --> 00:00:44.200 A:middle L:90% How many of you are familiar with the division between 11 00:00:44.200 --> 00:00:47.450 A:middle L:90% what can be copyrighted and what cannot be copyrighted? 12 00:00:47.939 --> 00:00:50.700 A:middle L:90% Okay. All right. So, um, there 13 00:00:50.700 --> 00:00:53.250 A:middle L:90% are works that can be copyrighted. They tend to 14 00:00:53.250 --> 00:00:56.240 A:middle L:90% be creative works. There are original works. They 15 00:00:56.240 --> 00:00:59.130 A:middle L:90% are fixed. Works, Um, works that cannot 16 00:00:59.140 --> 00:01:03.850 A:middle L:90% be copyrighted. Include common knowledge ideas. Um, 17 00:01:03.540 --> 00:01:07.010 A:middle L:90% facts, For example, who is the president of 18 00:01:07.010 --> 00:01:11.829 A:middle L:90% the United States? Who was the 35th president of 19 00:01:11.829 --> 00:01:14.370 A:middle L:90% the United States? This information, as well as 20 00:01:14.379 --> 00:01:19.609 A:middle L:90% measures and standards cannot be methods cannot be copyrighted. 21 00:01:19.620 --> 00:01:23.560 A:middle L:90% Some of those things can be patented. Uh, 22 00:01:23.840 --> 00:01:29.379 A:middle L:90% processes can be patented. Uh huh. So a 23 00:01:29.390 --> 00:01:33.519 A:middle L:90% very large number of things on both sides, some 24 00:01:33.519 --> 00:01:36.659 A:middle L:90% that can, and some that cannot be copyrighted. 25 00:01:37.239 --> 00:01:42.959 A:middle L:90% Um, how many of your copyright holders. Okay 26 00:01:42.439 --> 00:01:47.930 A:middle L:90% , so how many of you have written have taken 27 00:01:47.939 --> 00:01:53.760 A:middle L:90% pictures, okay, and maybe written, you know 28 00:01:53.239 --> 00:01:57.849 A:middle L:90% , a letter or a summary of some of your 29 00:01:57.849 --> 00:02:00.750 A:middle L:90% work in class or some of your work for teaching 30 00:02:00.140 --> 00:02:04.019 A:middle L:90% . Okay, so you have created original work, 31 00:02:04.019 --> 00:02:06.560 A:middle L:90% so you are, by default a copyright holder. 32 00:02:06.939 --> 00:02:09.289 A:middle L:90% Um, even, um though maybe you might not 33 00:02:09.300 --> 00:02:12.789 A:middle L:90% know it when I tell students this, they get 34 00:02:12.789 --> 00:02:15.870 A:middle L:90% very excited thinking. Oh, we're copyright holders. 35 00:02:15.900 --> 00:02:19.889 A:middle L:90% This is That's really, really exciting. So as 36 00:02:19.889 --> 00:02:23.669 A:middle L:90% a copyright holder, as a copyright owner, you 37 00:02:23.669 --> 00:02:27.969 A:middle L:90% have the exclusive right to do all of these things 38 00:02:27.979 --> 00:02:30.960 A:middle L:90% with your work for your lifetime. And your heirs 39 00:02:30.240 --> 00:02:34.610 A:middle L:90% carry that, um, privilege for 70 years after 40 00:02:34.620 --> 00:02:38.430 A:middle L:90% you pass. Um, so you have the exclusive 41 00:02:38.430 --> 00:02:42.159 A:middle L:90% right to reproduce, to distribute, to perform, 42 00:02:42.169 --> 00:02:47.590 A:middle L:90% display, transmit and create derivative works. Of course 43 00:02:49.039 --> 00:02:51.629 A:middle L:90% , I can ask you when I do this with 44 00:02:51.629 --> 00:02:53.020 A:middle L:90% your work, or I can find an exemption in 45 00:02:53.020 --> 00:02:55.270 A:middle L:90% the law, or I can do a fair use 46 00:02:55.270 --> 00:03:01.759 A:middle L:90% analysis, which may give me permission to use that 47 00:03:01.770 --> 00:03:07.680 A:middle L:90% use your work. So this should actually say employee 48 00:03:07.689 --> 00:03:10.650 A:middle L:90% VT employees. But, um, as employees of 49 00:03:10.650 --> 00:03:15.360 A:middle L:90% the university, you're also bound by policy 13,000. 50 00:03:15.370 --> 00:03:19.039 A:middle L:90% Um, and this means that you own the copyright 51 00:03:19.039 --> 00:03:22.520 A:middle L:90% to your work. But the university retains certain rights 52 00:03:22.530 --> 00:03:29.340 A:middle L:90% , um, to free use in teaching research extension 53 00:03:29.349 --> 00:03:31.280 A:middle L:90% forever. So the works that you create as an 54 00:03:31.280 --> 00:03:37.180 A:middle L:90% employee, um, are something that the university may 55 00:03:37.189 --> 00:03:40.050 A:middle L:90% use, um, in teaching research, etcetera. 56 00:03:42.069 --> 00:03:47.060 A:middle L:90% This is not something that tends to be instituted. 57 00:03:47.069 --> 00:03:51.669 A:middle L:90% Uh, there's no place where where actually, there 58 00:03:51.669 --> 00:03:53.430 A:middle L:90% is a place, the institutional repository. But there 59 00:03:53.430 --> 00:03:55.780 A:middle L:90% isn't a standard place where faculties say I'm going to 60 00:03:55.780 --> 00:03:58.969 A:middle L:90% put all of my things here so everyone can use 61 00:03:58.969 --> 00:04:00.789 A:middle L:90% them. Um, when faculty want to share, 62 00:04:00.789 --> 00:04:02.949 A:middle L:90% we'd love to see more of that. Uh, 63 00:04:05.139 --> 00:04:09.240 A:middle L:90% yeah. Anyway, I'll just stop stop there with 64 00:04:09.250 --> 00:04:10.729 A:middle L:90% that idea. We can come back to that if 65 00:04:10.729 --> 00:04:14.750 A:middle L:90% you like. So, um, as an employee 66 00:04:15.340 --> 00:04:18.079 A:middle L:90% , um, you own the copyright unless you sign 67 00:04:18.079 --> 00:04:21.250 A:middle L:90% your rights away. So if you have published had 68 00:04:21.250 --> 00:04:25.829 A:middle L:90% a book published by commercial publisher, you've published a 69 00:04:25.829 --> 00:04:30.699 A:middle L:90% journal article. Um, chances are that you have 70 00:04:30.709 --> 00:04:35.709 A:middle L:90% been asked to that you've been asked to give away 71 00:04:35.720 --> 00:04:39.990 A:middle L:90% some of your rights or all of your copyrights for 72 00:04:39.990 --> 00:04:42.949 A:middle L:90% work. So if you have done that, that 73 00:04:42.949 --> 00:04:46.449 A:middle L:90% means that you've lost control of that work, you 74 00:04:46.449 --> 00:04:47.389 A:middle L:90% would have to treat it like any other work. 75 00:04:47.389 --> 00:04:48.920 A:middle L:90% If you want to use it in your class, 76 00:04:48.930 --> 00:04:50.649 A:middle L:90% if you want to upload it to scholar, if 77 00:04:50.649 --> 00:04:56.430 A:middle L:90% you want to put it on your website. So 78 00:04:56.709 --> 00:04:58.540 A:middle L:90% if this is an interest, I'd love to talk 79 00:04:58.550 --> 00:05:01.860 A:middle L:90% with you later about it. But we suggest that 80 00:05:02.339 --> 00:05:05.920 A:middle L:90% authors, um submit an author Dunham and try to 81 00:05:05.920 --> 00:05:11.980 A:middle L:90% negotiate these rights with publishers to retain some of their 82 00:05:11.980 --> 00:05:14.040 A:middle L:90% rights. Um, so that you can use the 83 00:05:14.040 --> 00:05:15.259 A:middle L:90% work that you've created, um, so that you 84 00:05:15.259 --> 00:05:18.459 A:middle L:90% can share the work that you've created, according to 85 00:05:18.839 --> 00:05:21.500 A:middle L:90% , um, What what you're hoping to do with 86 00:05:21.500 --> 00:05:25.879 A:middle L:90% it also. All right, so in, um 87 00:05:25.889 --> 00:05:28.279 A:middle L:90% , the U. S. And I should say 88 00:05:28.279 --> 00:05:29.850 A:middle L:90% at this point, I am not an attorney, 89 00:05:30.240 --> 00:05:32.110 A:middle L:90% just not legal advice. Um, in the U 90 00:05:32.110 --> 00:05:35.610 A:middle L:90% . S. Works are divided into three basic categories 91 00:05:35.629 --> 00:05:43.439 A:middle L:90% . So public domain public domain is where copyrighted works 92 00:05:43.449 --> 00:05:46.709 A:middle L:90% go when they have are no longer copyrighted. Materials 93 00:05:46.720 --> 00:05:50.629 A:middle L:90% that are published prior to 1923 are in the public 94 00:05:50.639 --> 00:05:54.790 A:middle L:90% domain. Most U. S. Government works. 95 00:05:54.800 --> 00:05:57.910 A:middle L:90% If, for example, if you worked for the 96 00:05:57.920 --> 00:06:00.399 A:middle L:90% National Park Service and part of your job was to 97 00:06:00.410 --> 00:06:02.100 A:middle L:90% take pictures. Those pictures would be in the public 98 00:06:02.110 --> 00:06:06.730 A:middle L:90% domain. Not all U S. Government works are 99 00:06:06.740 --> 00:06:10.720 A:middle L:90% in the public domain because there are a lot of 100 00:06:10.730 --> 00:06:14.620 A:middle L:90% contracting, Um, Texas situations where someone is not 101 00:06:14.629 --> 00:06:16.459 A:middle L:90% a government employee and they're creating works for the government 102 00:06:17.139 --> 00:06:21.230 A:middle L:90% . Anyway, um, so their works by copyright 103 00:06:21.230 --> 00:06:24.509 A:middle L:90% , that are owned by someone else and works that 104 00:06:24.519 --> 00:06:27.279 A:middle L:90% are protected by copyright that are owned by you. 105 00:06:27.290 --> 00:06:30.879 A:middle L:90% Because you've either retain copyright or, um, you 106 00:06:30.879 --> 00:06:33.680 A:middle L:90% have, um you have not allowed anyone else to 107 00:06:33.680 --> 00:06:38.029 A:middle L:90% use it. How many of you are in the 108 00:06:38.029 --> 00:06:43.600 A:middle L:90% classroom from time to time? Thanks. So s 109 00:06:43.779 --> 00:06:46.529 A:middle L:90% And then how many of you publish things from time 110 00:06:46.529 --> 00:06:47.459 A:middle L:90% to time? Right. Okay, good. We 111 00:06:47.459 --> 00:06:54.209 A:middle L:90% have a good mix, so teachers and authors may 112 00:06:54.209 --> 00:06:57.529 A:middle L:90% want to use somebody else's material. You might want 113 00:06:57.529 --> 00:07:00.439 A:middle L:90% to use an image. You may want to use 114 00:07:00.439 --> 00:07:01.949 A:middle L:90% a quote. You might want to, um, 115 00:07:02.839 --> 00:07:08.269 A:middle L:90% display something in a presentation. Either at the university 116 00:07:08.269 --> 00:07:12.259 A:middle L:90% or in public. You might want to transmit a 117 00:07:12.269 --> 00:07:14.449 A:middle L:90% clip, an audio clip or a video clip. 118 00:07:14.939 --> 00:07:17.259 A:middle L:90% You might want to create derivatives of something. Um 119 00:07:17.639 --> 00:07:21.379 A:middle L:90% , what are what are the steps were for doing 120 00:07:21.379 --> 00:07:27.050 A:middle L:90% this. So there are several ways that we can 121 00:07:27.050 --> 00:07:30.829 A:middle L:90% legally respond. Um, first is to obtain permission 122 00:07:30.839 --> 00:07:33.959 A:middle L:90% . Um, that's not Doesn't just mean ask for 123 00:07:33.959 --> 00:07:39.000 A:middle L:90% permission. It means get permission. So, um 124 00:07:39.009 --> 00:07:42.689 A:middle L:90% , you can obtain permission. Sometimes this is difficult 125 00:07:42.699 --> 00:07:45.680 A:middle L:90% . It takes time. Um, you can identify 126 00:07:45.680 --> 00:07:48.160 A:middle L:90% an exempt or a fair use under U. S 127 00:07:48.160 --> 00:07:51.040 A:middle L:90% copyright law, and I should mention that there's a 128 00:07:51.040 --> 00:07:55.160 A:middle L:90% fair use workshop. If you're interested in how to 129 00:07:55.160 --> 00:07:57.670 A:middle L:90% do a fair use analysis, there's a workshop coming 130 00:07:57.670 --> 00:08:01.160 A:middle L:90% up in March or you can identify an exempt use 131 00:08:01.360 --> 00:08:07.550 A:middle L:90% . There are all kinds of, um, exemptions 132 00:08:07.310 --> 00:08:11.060 A:middle L:90% . There are many exemptions for face to face teaching 133 00:08:11.660 --> 00:08:16.170 A:middle L:90% , and there are exemptions in distance learning. There's 134 00:08:16.170 --> 00:08:18.759 A:middle L:90% some exemptions for libraries, exemptions for architectural works. 135 00:08:22.339 --> 00:08:26.420 A:middle L:90% We suggest that if you choose to use copyrighted work 136 00:08:26.430 --> 00:08:30.560 A:middle L:90% that you maintain documentation. What exemption were you thinking 137 00:08:30.569 --> 00:08:33.889 A:middle L:90% ? I'm using this exemption when you were when you 138 00:08:33.889 --> 00:08:37.720 A:middle L:90% decided to use the work. Um, so we're 139 00:08:37.720 --> 00:08:41.769 A:middle L:90% not going to go in great detail into fair use 140 00:08:41.940 --> 00:08:46.220 A:middle L:90% into these particular exemptions, because it's not our focus 141 00:08:46.220 --> 00:08:48.799 A:middle L:90% , but that's I was wondering if you were planning 142 00:08:48.799 --> 00:08:50.620 A:middle L:90% to talk at all about copyrighted works where you can 143 00:08:50.629 --> 00:08:54.830 A:middle L:90% actually get in touch with or identify people's copyright right 144 00:08:54.960 --> 00:08:58.179 A:middle L:90% ? Orphan works is what they tend to be called 145 00:08:58.190 --> 00:09:03.080 A:middle L:90% , and that is an ongoing problem. The US 146 00:09:03.080 --> 00:09:11.559 A:middle L:90% Copyright Office is addressing actively working on what to do 147 00:09:11.639 --> 00:09:13.570 A:middle L:90% . I don't have an answer for you, but 148 00:09:13.580 --> 00:09:16.279 A:middle L:90% that's definitely I Thank you for bringing up that issue 149 00:09:16.279 --> 00:09:18.600 A:middle L:90% . That's definitely a problem right now. When you 150 00:09:18.600 --> 00:09:22.070 A:middle L:90% can't find a person or you know who the person 151 00:09:22.070 --> 00:09:28.179 A:middle L:90% is and they have no errors, you don't basically 152 00:09:30.340 --> 00:09:31.039 A:middle L:90% , as far as I know, the way the 153 00:09:31.039 --> 00:09:35.110 A:middle L:90% law stance is that you cannot use the work without 154 00:09:35.110 --> 00:09:37.230 A:middle L:90% permission, even if there's no one to ask permission 155 00:09:37.230 --> 00:09:41.389 A:middle L:90% from. So, um, okay, a few 156 00:09:41.389 --> 00:09:46.870 A:middle L:90% other solutions that our legal ways to respond um, 157 00:09:46.879 --> 00:09:52.200 A:middle L:90% you can link to material that is, um, 158 00:09:52.210 --> 00:09:56.110 A:middle L:90% subscribed by the library. You can put your own 159 00:09:56.110 --> 00:09:58.750 A:middle L:90% material or library material on reserve or the reserve. 160 00:10:01.340 --> 00:10:07.759 A:middle L:90% Uh huh. Libraries enjoy special dispensation from, uh 161 00:10:09.539 --> 00:10:13.929 A:middle L:90% , within US copyright law, so libraries are allowed 162 00:10:13.929 --> 00:10:20.799 A:middle L:90% to create reserves to upload materials to to our servers 163 00:10:20.809 --> 00:10:24.470 A:middle L:90% . Um, this is not the same as uploading 164 00:10:24.470 --> 00:10:26.840 A:middle L:90% content to scholar. Um, if you want to 165 00:10:26.840 --> 00:10:31.860 A:middle L:90% upload content to scholar, we would really suggest you 166 00:10:31.870 --> 00:10:35.860 A:middle L:90% start with using library resources, and then, if 167 00:10:35.860 --> 00:10:37.679 A:middle L:90% you feel like that's insufficient, um, come talk 168 00:10:37.679 --> 00:10:39.169 A:middle L:90% to us. We can show you how to do 169 00:10:39.169 --> 00:10:41.389 A:middle L:90% a fair use analysis. It's not something we can 170 00:10:41.399 --> 00:10:45.039 A:middle L:90% do for you. Um, but we can show 171 00:10:45.039 --> 00:10:46.210 A:middle L:90% you how to do it and how to make the 172 00:10:46.220 --> 00:10:52.730 A:middle L:90% decision regarding what is fair and what's infringing. Um 173 00:10:52.740 --> 00:10:54.240 A:middle L:90% , so forth. Way to legally respond. Use 174 00:10:54.240 --> 00:10:56.600 A:middle L:90% material from the public domain. And fifth way, 175 00:10:56.610 --> 00:11:01.500 A:middle L:90% use openly licensed material. How many of you are 176 00:11:01.500 --> 00:11:05.730 A:middle L:90% familiar with open, open licensing? Okay. All 177 00:11:05.730 --> 00:11:09.309 A:middle L:90% right. So a little bit, um what is 178 00:11:09.360 --> 00:11:13.769 A:middle L:90% open licensing? Um, this is a six minute 179 00:11:13.769 --> 00:11:16.480 A:middle L:90% video. It's really fun. It's openly licensed. 180 00:11:16.490 --> 00:11:18.450 A:middle L:90% Um, and I'm going to show it to you 181 00:11:18.450 --> 00:11:22.940 A:middle L:90% because it explains in six minutes. Um, what 182 00:11:22.950 --> 00:11:24.549 A:middle L:90% I would take 20 minutes to explain, and it's 183 00:11:24.549 --> 00:11:28.429 A:middle L:90% really fun. So we're going to take a little 184 00:11:28.440 --> 00:11:31.480 A:middle L:90% detour for this. Sorry about that. Yeah, 185 00:11:31.490 --> 00:11:41.460 A:middle L:90% there's my my big screen. Okay. Yeah. 186 00:11:43.039 --> 00:11:50.230 A:middle L:90% Okay. These are Jack and make quite also known 187 00:11:50.230 --> 00:11:54.110 A:middle L:90% as the White Surprise. They're a band from Detroit 188 00:11:54.120 --> 00:11:56.000 A:middle L:90% . They make rock and roll without a bass guitarist 189 00:11:58.240 --> 00:12:01.519 A:middle L:90% . Mhm. This is speaking McDonald veteran band Red 190 00:12:01.519 --> 00:12:05.429 A:middle L:90% Cross. Steve thought White Stripes could use a bass 191 00:12:05.429 --> 00:12:09.509 A:middle L:90% player, so he appointed himself. He took the 192 00:12:09.509 --> 00:12:13.480 A:middle L:90% website album or point blood cells, and we recorded 193 00:12:13.480 --> 00:12:15.850 A:middle L:90% it, laying a bass track down on every song 194 00:12:16.440 --> 00:12:18.179 A:middle L:90% . Then he released the results as MP three's on 195 00:12:18.179 --> 00:12:20.710 A:middle L:90% Red Cross, his website. He even made up 196 00:12:20.710 --> 00:12:24.730 A:middle L:90% a new album, Cover and title read. Let's 197 00:12:24.730 --> 00:12:30.340 A:middle L:90% Have MacDonald began putting these copyrighted songs online without permission 198 00:12:30.340 --> 00:12:33.179 A:middle L:90% from the White Stripes for their record label. During 199 00:12:33.179 --> 00:12:35.220 A:middle L:90% the project, he bumped into Jack White, who 200 00:12:35.220 --> 00:12:39.889 A:middle L:90% gave him spoken assent to continue. It can be 201 00:12:39.899 --> 00:12:46.990 A:middle L:90% that easy when you skip the intermediaries collaboration across space 202 00:12:46.000 --> 00:12:50.750 A:middle L:90% and time created co authorship with people you've never met 203 00:12:50.639 --> 00:12:54.350 A:middle L:90% standing on the shoulders of your peers. It's what 204 00:12:54.350 --> 00:12:58.710 A:middle L:90% the Internet is all about. It can be that 205 00:12:58.720 --> 00:13:03.830 A:middle L:90% easy. Skip Intermediate. Okay, but couldn't it 206 00:13:03.840 --> 00:13:07.029 A:middle L:90% be easier? Still, not many of us are 207 00:13:07.029 --> 00:13:09.610 A:middle L:90% liable just to talk into Jack White and get the 208 00:13:09.610 --> 00:13:11.559 A:middle L:90% green light. And he's not gonna let just anyone 209 00:13:11.559 --> 00:13:13.620 A:middle L:90% play the bass over his songs in any case. 210 00:13:13.629 --> 00:13:18.129 A:middle L:90% But what about other artists who might want even for 211 00:13:18.129 --> 00:13:20.299 A:middle L:90% me to play along? Shouldn't we be able to 212 00:13:20.309 --> 00:13:24.960 A:middle L:90% if they don't mind. Enter one of the Internet's 213 00:13:24.960 --> 00:13:28.889 A:middle L:90% most famous citizens. Face familiar the world over a 214 00:13:28.899 --> 00:13:31.860 A:middle L:90% public identity rivaled only by a handful of corporate giants 215 00:13:31.860 --> 00:13:35.559 A:middle L:90% and global superstars. A big copyright. C. 216 00:13:35.940 --> 00:13:39.389 A:middle L:90% Everyone knows what Big C stands for Big C means 217 00:13:39.399 --> 00:13:45.149 A:middle L:90% all rights reserved. Big C Means asked permission. 218 00:13:46.039 --> 00:13:48.629 A:middle L:90% Big C protects copyright owners and notifies the rest of 219 00:13:48.629 --> 00:13:52.220 A:middle L:90% us of their own ship. Time was when you 220 00:13:52.230 --> 00:13:54.399 A:middle L:90% had to put a big C on anything we wanted 221 00:13:54.399 --> 00:13:56.519 A:middle L:90% copyright or else it entered the public domain, the 222 00:13:56.519 --> 00:14:01.029 A:middle L:90% Commons of Information, where nothing is owned and all 223 00:14:01.039 --> 00:14:03.659 A:middle L:90% is permitted. You have to put the world on 224 00:14:03.659 --> 00:14:07.090 A:middle L:90% notice to one that was Pixies job, and it 225 00:14:07.090 --> 00:14:11.200 A:middle L:90% was a useful one. What changed the law? 226 00:14:11.210 --> 00:14:11.990 A:middle L:90% By the late 19 eighties, U. S law 227 00:14:11.990 --> 00:14:18.049 A:middle L:90% had changed so that works become copyrighted automatically the moment 228 00:14:18.049 --> 00:14:20.940 A:middle L:90% they're made. The moment you hit save on that 229 00:14:20.940 --> 00:14:24.629 A:middle L:90% research paper. The second shut up snaps closed. 230 00:14:24.659 --> 00:14:26.350 A:middle L:90% The instant you let your pen from that cocktail napkin 231 00:14:26.350 --> 00:14:30.940 A:middle L:90% doodle, your creation is copyrighted. Where the big 232 00:14:30.940 --> 00:14:33.480 A:middle L:90% C makes a cameo or not. So suddenly there's 233 00:14:33.480 --> 00:14:37.690 A:middle L:90% no quick way of knowing whether something's owned or not 234 00:14:37.500 --> 00:14:39.509 A:middle L:90% . The new rules make it clear about how you 235 00:14:39.519 --> 00:14:41.840 A:middle L:90% get to own work. You don't have to do 236 00:14:41.840 --> 00:14:45.750 A:middle L:90% anything, but they say nothing at all about how 237 00:14:45.750 --> 00:14:48.750 A:middle L:90% you should go about announcing that you want to allow 238 00:14:48.779 --> 00:14:52.559 A:middle L:90% certain uses of your work. So what? Well 239 00:14:52.570 --> 00:14:54.269 A:middle L:90% , if you're a digital filmmaker whose every frame must 240 00:14:54.279 --> 00:14:56.870 A:middle L:90% be cleared by an army of lawyers before making a 241 00:14:56.879 --> 00:15:00.669 A:middle L:90% cut, or if you're in a band whose label 242 00:15:00.679 --> 00:15:01.960 A:middle L:90% won't let you put a song on a file sharing 243 00:15:01.960 --> 00:15:05.049 A:middle L:90% network, or if you're a professor trying to put 244 00:15:05.049 --> 00:15:09.639 A:middle L:90% together online course materials or if you're a DJ chasing 245 00:15:09.639 --> 00:15:13.129 A:middle L:90% down permission to use every snippet of song in your 246 00:15:13.129 --> 00:15:16.389 A:middle L:90% sonic collage, if you're one of these people, 247 00:15:16.730 --> 00:15:22.009 A:middle L:90% then you know so what we interrupt this brainstorm to 248 00:15:22.009 --> 00:15:24.080 A:middle L:90% call the lawyers. You drop what you're doing and 249 00:15:24.080 --> 00:15:26.379 A:middle L:90% call all the lawyers. You asked for permission. 250 00:15:26.690 --> 00:15:28.500 A:middle L:90% Even use the word Author doesn't mind if you use 251 00:15:28.500 --> 00:15:31.149 A:middle L:90% it because you have no idea what the authors in 252 00:15:31.149 --> 00:15:35.230 A:middle L:90% 10 years you ask for permission, even share some 253 00:15:35.230 --> 00:15:39.899 A:middle L:90% of your rights or you venture forward, unsure what 254 00:15:39.909 --> 00:15:43.059 A:middle L:90% your risks and rights are exactly, or in a 255 00:15:43.059 --> 00:15:46.419 A:middle L:90% haze of legal talent, you do nothing. The 256 00:15:46.429 --> 00:15:50.710 A:middle L:90% bottom line. Big C is out of a job 257 00:15:50.740 --> 00:15:54.529 A:middle L:90% . A little men are not mhm. Enter Creative 258 00:15:54.539 --> 00:15:58.580 A:middle L:90% Commons. Creative Commons wanted to find an easy way 259 00:15:58.580 --> 00:16:00.480 A:middle L:90% to help people tell the world up front that they 260 00:16:00.490 --> 00:16:04.370 A:middle L:90% want to allow some uses of their work. We 261 00:16:04.370 --> 00:16:07.950 A:middle L:90% call the experts the U. S Copyright Office for 262 00:16:07.950 --> 00:16:11.149 A:middle L:90% advice. Their response. There's no real answer. 263 00:16:11.210 --> 00:16:15.899 A:middle L:90% Get creative. So we've got a creative how our 264 00:16:15.899 --> 00:16:18.389 A:middle L:90% CC brand marks works but are governed by Creative Commons 265 00:16:18.399 --> 00:16:23.480 A:middle L:90% licenses instead of standardized copyright licenses available free of charge 266 00:16:23.490 --> 00:16:27.100 A:middle L:90% on our website, we wrote these licenses so that 267 00:16:27.110 --> 00:16:30.779 A:middle L:90% lawyers and courts could read them. Then we translated 268 00:16:30.779 --> 00:16:34.009 A:middle L:90% them into a language you can read, and then 269 00:16:34.009 --> 00:16:38.740 A:middle L:90% we translated them into language. Computers can be now 270 00:16:38.750 --> 00:16:41.309 A:middle L:90% see, see is meant for people to calculate. 271 00:16:41.460 --> 00:16:45.480 A:middle L:90% But the count it allows you to retain your copyright 272 00:16:45.629 --> 00:16:48.340 A:middle L:90% while granting the World Commission to make certain uses of 273 00:16:48.340 --> 00:16:52.990 A:middle L:90% it upon certain conditions. If the big seems like 274 00:16:52.990 --> 00:16:55.360 A:middle L:90% a red light, then CC is a green light 275 00:16:56.350 --> 00:16:59.340 A:middle L:90% . But the Big C says no trespassing. Double 276 00:16:59.340 --> 00:17:02.149 A:middle L:90% C says, Please come in. If the big 277 00:17:02.149 --> 00:17:06.710 A:middle L:90% C says all rights reserved, Sisi says, some 278 00:17:06.710 --> 00:17:10.460 A:middle L:90% rights reserved so you can use the powers of the 279 00:17:10.460 --> 00:17:14.730 A:middle L:90% Net to find works free to share and build upon 280 00:17:14.740 --> 00:17:18.339 A:middle L:90% and to invite other people to transform or trade yours 281 00:17:18.349 --> 00:17:22.130 A:middle L:90% so that you can get creative Not only what you 282 00:17:22.130 --> 00:17:25.369 A:middle L:90% make, how you make it available so you can 283 00:17:25.369 --> 00:17:27.829 A:middle L:90% collaborate across space and time. So you can be 284 00:17:27.829 --> 00:17:30.559 A:middle L:90% a co author with someone you've never met. So 285 00:17:30.559 --> 00:17:34.009 A:middle L:90% you can stand on the shoulders of your peers all 286 00:17:34.009 --> 00:17:38.549 A:middle L:90% without asking permission. Because permission has already been granted 287 00:17:38.940 --> 00:17:45.109 A:middle L:90% Creative Commons get created. It's easy when you skip 288 00:17:45.150 --> 00:17:56.190 A:middle L:90% the intermediate. Yeah. Okay. I love to 289 00:17:56.190 --> 00:17:57.240 A:middle L:90% hear your thoughts on that. I think first of 290 00:17:57.240 --> 00:18:00.119 A:middle L:90% all, it's really fun. Um, what was 291 00:18:00.119 --> 00:18:03.849 A:middle L:90% striking to you? What was new? Yes, 292 00:18:06.039 --> 00:18:08.950 A:middle L:90% I asked Jack Would Was the song I was? 293 00:18:10.839 --> 00:18:23.380 A:middle L:90% Yeah. Points. Uh huh. Mhm. Good 294 00:18:23.390 --> 00:18:26.779 A:middle L:90% . Good. Comment? Yes. In that case 295 00:18:26.779 --> 00:18:30.049 A:middle L:90% was also a verbal permission. So on the line 296 00:18:30.440 --> 00:18:33.930 A:middle L:90% . Uh huh. Document. This is a very 297 00:18:33.930 --> 00:18:37.759 A:middle L:90% These are very advanced remarks. Yes. Okay. 298 00:18:37.769 --> 00:18:44.170 A:middle L:90% Yeah. Good. So documentation did the person actually 299 00:18:44.180 --> 00:18:47.190 A:middle L:90% own the work? Who gave permission to use it 300 00:18:47.200 --> 00:18:52.930 A:middle L:90% ? Good questions, Other thoughts? Yes. I 301 00:18:52.930 --> 00:18:56.299 A:middle L:90% didn't know that the second hit save or whatever that 302 00:18:56.299 --> 00:19:03.859 A:middle L:90% it's automatically cooperate your video? Uh huh, Yeah 303 00:19:03.869 --> 00:19:06.089 A:middle L:90% , yeah, That's, um, that's how it 304 00:19:06.089 --> 00:19:07.809 A:middle L:90% works. It's pretty amazing. So everything from your 305 00:19:07.809 --> 00:19:11.410 A:middle L:90% grocery list two notes that you might take during a 306 00:19:11.410 --> 00:19:15.980 A:middle L:90% meeting are copyrighted, unless you say otherwise. So 307 00:19:15.990 --> 00:19:19.569 A:middle L:90% it's great on one hand, and on another hand 308 00:19:19.579 --> 00:19:23.450 A:middle L:90% , it's, um, difficult. If most of 309 00:19:23.450 --> 00:19:29.059 A:middle L:90% the things that we create our copyrighted in questions, 310 00:19:29.440 --> 00:19:32.230 A:middle L:90% I'm curious. If you have copyrighted works that you 311 00:19:32.240 --> 00:19:33.730 A:middle L:90% retain all the rights to and you want to move 312 00:19:33.730 --> 00:19:37.759 A:middle L:90% to a creative Commons license, what you would have 313 00:19:37.769 --> 00:19:41.039 A:middle L:90% to do is there anything except create a new version 314 00:19:41.039 --> 00:19:42.670 A:middle L:90% of it that has been Creative Commons. Information on 315 00:19:42.910 --> 00:19:48.009 A:middle L:90% that is what you would have to do. If 316 00:19:48.009 --> 00:19:49.490 A:middle L:90% you own all the rights, then it is yours 317 00:19:49.490 --> 00:19:52.450 A:middle L:90% to do what you would like with it. It's 318 00:19:52.450 --> 00:19:56.349 A:middle L:90% just the people who might have all Pepper. They 319 00:19:56.349 --> 00:19:59.380 A:middle L:90% wouldn't know. I get the same question when people 320 00:19:59.380 --> 00:20:03.089 A:middle L:90% say, if I release something with the C C 321 00:20:03.099 --> 00:20:04.430 A:middle L:90% . A Creative Commons license on it and there are 322 00:20:04.440 --> 00:20:07.119 A:middle L:90% several different kinds will look at the different licenses. 323 00:20:07.240 --> 00:20:12.140 A:middle L:90% Can I take the license off? And the answer 324 00:20:12.140 --> 00:20:17.160 A:middle L:90% is sort of, but not really, um, 325 00:20:17.170 --> 00:20:19.309 A:middle L:90% those items that are out there, um, that 326 00:20:19.309 --> 00:20:22.220 A:middle L:90% you've openly licensed that people have. They are free 327 00:20:22.220 --> 00:20:25.750 A:middle L:90% to redistribute them and to do all of the things 328 00:20:25.750 --> 00:20:29.690 A:middle L:90% that you found so that they could do. But 329 00:20:29.690 --> 00:20:30.619 A:middle L:90% in your new copy, you can put a copyright 330 00:20:30.630 --> 00:20:33.099 A:middle L:90% notice on it. There's a book company that's actually 331 00:20:33.109 --> 00:20:37.539 A:middle L:90% done this called Flat World that moved from a Creative 332 00:20:37.539 --> 00:20:41.940 A:middle L:90% Commons license back to charge to copyrighting their material and 333 00:20:41.940 --> 00:20:45.740 A:middle L:90% charging for it as a way to have a more 334 00:20:45.740 --> 00:20:49.680 A:middle L:90% sustainable business model. Very controversial. Oh, action 335 00:20:49.680 --> 00:20:53.059 A:middle L:90% , of course. But no. Any other thoughts 336 00:20:56.440 --> 00:20:57.160 A:middle L:90% ? One of the things that people tell me when 337 00:20:57.160 --> 00:21:00.779 A:middle L:90% they see this video is Oh, So instead of 338 00:21:00.789 --> 00:21:03.119 A:middle L:90% the sea, do we put the CC on on 339 00:21:03.119 --> 00:21:07.180 A:middle L:90% the work? Um, the work is still copyrighted 340 00:21:07.180 --> 00:21:10.799 A:middle L:90% . You still own it, but you would make 341 00:21:10.799 --> 00:21:15.630 A:middle L:90% mention of which license you've added. You've applied to 342 00:21:15.640 --> 00:21:18.099 A:middle L:90% the work and you'll see these in a number of 343 00:21:18.099 --> 00:21:23.420 A:middle L:90% places. Sometimes you'll see just the logo. Um 344 00:21:23.430 --> 00:21:26.769 A:middle L:90% , sometimes you'll just see one of these logos. 345 00:21:26.789 --> 00:21:33.519 A:middle L:90% Um, sometimes you'll see. You'll see them written 346 00:21:33.519 --> 00:21:36.640 A:middle L:90% out, for example, of the work will say 347 00:21:36.650 --> 00:21:41.630 A:middle L:90% , this work is licensed with an attribution only four 348 00:21:41.630 --> 00:21:42.950 A:middle L:90% point Oh no, license. Um, so these 349 00:21:42.950 --> 00:21:47.009 A:middle L:90% are really just three ways of talking about the licenses 350 00:21:47.019 --> 00:21:51.480 A:middle L:90% , the picture, the attribution license or the nickname 351 00:21:51.490 --> 00:21:52.940 A:middle L:90% , as I like to call it, um CC 352 00:21:52.940 --> 00:21:56.650 A:middle L:90% by Sisi by s A So I'd like to show 353 00:21:56.650 --> 00:22:02.059 A:middle L:90% you, um, these are the six elements. 354 00:22:02.069 --> 00:22:03.480 A:middle L:90% Sorry. The four elements, um, that make 355 00:22:03.480 --> 00:22:07.400 A:middle L:90% up the licenses. All of them have the attribution 356 00:22:07.400 --> 00:22:11.539 A:middle L:90% element this allows people to copy, distribute, display 357 00:22:11.549 --> 00:22:15.799 A:middle L:90% , perform there. There's some familiar. All those 358 00:22:15.799 --> 00:22:18.390 A:middle L:90% things that you were your exclusive rights as a copyright 359 00:22:18.390 --> 00:22:22.730 A:middle L:90% owner these address and say please do this. Um 360 00:22:22.740 --> 00:22:26.160 A:middle L:90% , the other ones, um, will somehow limit 361 00:22:26.170 --> 00:22:29.759 A:middle L:90% how open something is. Um, if you say 362 00:22:29.759 --> 00:22:33.839 A:middle L:90% no derivative works, that means someone can copy and 363 00:22:33.839 --> 00:22:36.710 A:middle L:90% distribute your work, but they can't change anything. 364 00:22:36.720 --> 00:22:40.519 A:middle L:90% Can't change the font. They can't translate it. 365 00:22:40.529 --> 00:22:42.559 A:middle L:90% Um, they can't change the graphics. Um, 366 00:22:45.339 --> 00:22:47.930 A:middle L:90% it has to stay as is. So that's That's 367 00:22:47.940 --> 00:22:52.420 A:middle L:90% a kind of an equivalent to free online. Um 368 00:22:52.430 --> 00:22:55.670 A:middle L:90% , except most most things free online. Er anyway 369 00:22:56.240 --> 00:23:02.430 A:middle L:90% , retract. Um, that's the most limited one 370 00:23:02.440 --> 00:23:04.369 A:middle L:90% . No derivative course. Um, Cheryl Lake requires 371 00:23:04.369 --> 00:23:08.049 A:middle L:90% you if you are embedding somebody's work in your own 372 00:23:08.539 --> 00:23:11.720 A:middle L:90% to share your created work with the same license. 373 00:23:12.140 --> 00:23:17.759 A:middle L:90% Um, and then noncommercial doesn't apply to a whether 374 00:23:17.759 --> 00:23:18.390 A:middle L:90% or not you work in a company, but it 375 00:23:18.390 --> 00:23:21.650 A:middle L:90% applies to whether or not you're actually making money off 376 00:23:21.650 --> 00:23:26.809 A:middle L:90% of something. So these are combined into six different 377 00:23:26.809 --> 00:23:32.029 A:middle L:90% licenses. The top four are considered open licenses. 378 00:23:32.039 --> 00:23:36.400 A:middle L:90% The bottom two are not considered to not be open 379 00:23:36.400 --> 00:23:41.079 A:middle L:90% licenses. So the top license being the most open 380 00:23:41.089 --> 00:23:45.319 A:middle L:90% license allows you, allows you telling others or others 381 00:23:45.319 --> 00:23:49.259 A:middle L:90% telling you you can distribute this you can remix tweak 382 00:23:49.269 --> 00:23:51.950 A:middle L:90% . You can build on this, but you have 383 00:23:51.950 --> 00:23:55.710 A:middle L:90% to credit me. You can also make money off 384 00:23:55.710 --> 00:23:59.349 A:middle L:90% of it. Um, which is a really kind 385 00:23:59.349 --> 00:24:00.990 A:middle L:90% of novel thing that people would give their work away 386 00:24:02.000 --> 00:24:03.680 A:middle L:90% , Um, and allow others to make money off 387 00:24:03.680 --> 00:24:06.720 A:middle L:90% of it. The books that you see over here 388 00:24:06.720 --> 00:24:08.779 A:middle L:90% are actually licensed CC by, um, I think 389 00:24:08.779 --> 00:24:14.380 A:middle L:90% that the the the publisher, which is out of 390 00:24:14.380 --> 00:24:18.839 A:middle L:90% Rice University, um, the open stacks college program 391 00:24:18.849 --> 00:24:22.480 A:middle L:90% , um believes that none of the commercial publishers will 392 00:24:22.480 --> 00:24:25.109 A:middle L:90% come along and put their cover on on the works 393 00:24:25.109 --> 00:24:27.349 A:middle L:90% and sell it because probably they have already done that 394 00:24:27.359 --> 00:24:30.559 A:middle L:90% . Um, but they have a lot of really 395 00:24:30.559 --> 00:24:33.170 A:middle L:90% interesting partnerships. As a result of the CCB license 396 00:24:33.170 --> 00:24:37.359 A:middle L:90% , they can work with commercial partners. Um, 397 00:24:37.039 --> 00:24:40.700 A:middle L:90% a little bit more limited is the CC by s 398 00:24:40.700 --> 00:24:42.789 A:middle L:90% A. This tells people, okay, you can 399 00:24:42.789 --> 00:24:45.569 A:middle L:90% do all the things that you can do with the 400 00:24:45.569 --> 00:24:51.849 A:middle L:90% CCB license you must attribute. But if you create 401 00:24:51.849 --> 00:24:53.380 A:middle L:90% something, you have to share it with the same 402 00:24:53.380 --> 00:24:56.579 A:middle L:90% license. So cc by SA means that your work 403 00:24:56.589 --> 00:24:59.410 A:middle L:90% , which is derived from there's, needs to have 404 00:24:59.410 --> 00:25:03.349 A:middle L:90% the same license. Any questions about the S A 405 00:25:04.240 --> 00:25:07.519 A:middle L:90% . Okay, um, since he by M. 406 00:25:07.519 --> 00:25:12.500 A:middle L:90% C um, you can share it. Uh, 407 00:25:12.509 --> 00:25:17.279 A:middle L:90% this tells people that you want them to their allowed 408 00:25:17.279 --> 00:25:22.769 A:middle L:90% to modify, to redistribute, to display, perform 409 00:25:22.779 --> 00:25:25.259 A:middle L:90% . Um, but they can't make money off of 410 00:25:25.259 --> 00:25:27.759 A:middle L:90% it, so kind of shuts the door on that 411 00:25:29.140 --> 00:25:30.890 A:middle L:90% . And then, um, the noncommercial share, 412 00:25:30.890 --> 00:25:34.710 A:middle L:90% like is a combination of of the two immediately above 413 00:25:34.710 --> 00:25:40.609 A:middle L:90% licenses. So this reinforces, um, the non 414 00:25:40.609 --> 00:25:45.150 A:middle L:90% commercial and the okay to make derivatives, but not 415 00:25:45.150 --> 00:25:48.700 A:middle L:90% in a commercial sort of way. Um, these 416 00:25:48.700 --> 00:25:52.849 A:middle L:90% are really complicated to think through. Um, I 417 00:25:52.849 --> 00:25:56.690 A:middle L:90% think the main takeaway I would have you walk away 418 00:25:56.690 --> 00:26:00.240 A:middle L:90% with for this is to know that each of these 419 00:26:00.240 --> 00:26:03.170 A:middle L:90% require attribution. You need to say, What is 420 00:26:03.170 --> 00:26:06.869 A:middle L:90% the name of the work that you used? If 421 00:26:06.869 --> 00:26:08.880 A:middle L:90% you, uh, are exciting, something with the 422 00:26:08.880 --> 00:26:12.859 A:middle L:90% CC by or you're reusing something. What license was 423 00:26:12.859 --> 00:26:15.859 A:middle L:90% it under And ideally, where you found it. 424 00:26:15.740 --> 00:26:22.059 A:middle L:90% Mhm So and then the last two are no derivatives 425 00:26:22.069 --> 00:26:26.309 A:middle L:90% and non commercial, No derivatives. Um, So 426 00:26:26.309 --> 00:26:27.339 A:middle L:90% how do you cite something like this? You can 427 00:26:27.339 --> 00:26:30.099 A:middle L:90% cite it in a really messy way. So this 428 00:26:30.099 --> 00:26:33.900 A:middle L:90% is the title of the work Copyright camp by gross 429 00:26:33.930 --> 00:26:37.180 A:middle L:90% Great Gross. Meyer. Here's where the link is 430 00:26:37.190 --> 00:26:37.730 A:middle L:90% . Here is the name of a license. Here 431 00:26:37.730 --> 00:26:40.890 A:middle L:90% is the link for the license. Okay, that's 432 00:26:40.890 --> 00:26:45.079 A:middle L:90% pretty ugly. So I would rather use copyright camp 433 00:26:45.079 --> 00:26:48.769 A:middle L:90% with the hyper linked the author's name and then the 434 00:26:48.769 --> 00:26:52.339 A:middle L:90% type of license with the hyperlink back to the license 435 00:26:52.349 --> 00:26:56.109 A:middle L:90% . Um, that gives us all the information we 436 00:26:56.109 --> 00:26:57.740 A:middle L:90% would need to find. The original work credits the 437 00:26:57.750 --> 00:27:00.339 A:middle L:90% author as they wanted to be credited. And it 438 00:27:00.339 --> 00:27:04.089 A:middle L:90% tells people on what the licenses that you under which 439 00:27:04.089 --> 00:27:08.039 A:middle L:90% you use this the second license. Our second forum 440 00:27:08.049 --> 00:27:11.759 A:middle L:90% video works, though if you've got it online. 441 00:27:11.140 --> 00:27:17.109 A:middle L:90% Yeah, credit for that person, right? Yeah 442 00:27:17.140 --> 00:27:19.049 A:middle L:90% , because otherwise, particularly the link to where you 443 00:27:19.049 --> 00:27:22.460 A:middle L:90% got the original. You can you should. Did 444 00:27:22.460 --> 00:27:27.559 A:middle L:90% you see some people site found in flicker? Or 445 00:27:29.240 --> 00:27:32.490 A:middle L:90% , um, I think the best practice is to 446 00:27:32.500 --> 00:27:37.950 A:middle L:90% use all of the information rather than not a lot 447 00:27:37.950 --> 00:27:40.460 A:middle L:90% of people ask, Where do I include this? 448 00:27:40.839 --> 00:27:42.730 A:middle L:90% Okay, put it where your works cited or your 449 00:27:42.730 --> 00:27:47.559 A:middle L:90% bibliography or your list of references. Um, is 450 00:27:47.569 --> 00:27:52.509 A:middle L:90% , um, if you're using a medium that uses 451 00:27:52.509 --> 00:27:55.759 A:middle L:90% this kind of that format, um, do you 452 00:27:55.759 --> 00:27:57.289 A:middle L:90% have an audio medium? Put it at the beginning 453 00:27:57.299 --> 00:28:00.130 A:middle L:90% , but at the end, are you creating an 454 00:28:00.140 --> 00:28:03.589 A:middle L:90% image? You can go in the caption go at 455 00:28:03.589 --> 00:28:04.920 A:middle L:90% the end of a document. If your images embedded 456 00:28:04.920 --> 00:28:07.160 A:middle L:90% in the document, um, you can put it 457 00:28:07.160 --> 00:28:11.599 A:middle L:90% in credits of the film. Um, so lots 458 00:28:11.599 --> 00:28:15.519 A:middle L:90% of different places where to put these this credit? 459 00:28:15.529 --> 00:28:18.930 A:middle L:90% Um, one other thing. I, I think 460 00:28:18.930 --> 00:28:22.779 A:middle L:90% it's hopeful, is to know that there are three 461 00:28:22.779 --> 00:28:26.779 A:middle L:90% different levels of layers of licenses. There's one that 462 00:28:26.789 --> 00:28:30.619 A:middle L:90% is legally defensible. There's one that is plain language 463 00:28:30.630 --> 00:28:34.180 A:middle L:90% , and there's a machine readable version. Um, 464 00:28:34.190 --> 00:28:37.269 A:middle L:90% the reason that you might want to make things machine 465 00:28:37.269 --> 00:28:41.500 A:middle L:90% readable is so that people can find them. So 466 00:28:41.680 --> 00:28:45.359 A:middle L:90% there is no one central place for openly licensed work 467 00:28:45.740 --> 00:28:48.779 A:middle L:90% . People ask this. Where do I go? 468 00:28:48.779 --> 00:28:51.150 A:middle L:90% Where's the one place? And there isn't a one 469 00:28:51.150 --> 00:28:55.259 A:middle L:90% place. There are many different places. Uh huh 470 00:28:55.640 --> 00:28:57.920 A:middle L:90% . So if you are creating openly license works, 471 00:28:59.740 --> 00:29:03.190 A:middle L:90% make sure that their machine readable and they will be 472 00:29:03.190 --> 00:29:06.460 A:middle L:90% easier for other people to find and use. Um 473 00:29:06.470 --> 00:29:10.269 A:middle L:90% , so that brings us to where Where do I 474 00:29:10.269 --> 00:29:12.269 A:middle L:90% find these kinds of things? What's available? Oh 475 00:29:12.940 --> 00:29:19.670 A:middle L:90% , many types of media, um, images sound 476 00:29:21.039 --> 00:29:25.589 A:middle L:90% , um, moving pictures. Texts, of course 477 00:29:26.240 --> 00:29:30.250 A:middle L:90% . The example of, um, textbooks over here 478 00:29:30.259 --> 00:29:33.230 A:middle L:90% . Um, simulations, interactive materials. There are 479 00:29:33.240 --> 00:29:37.359 A:middle L:90% a lot of educational resources that are openly licensed. 480 00:29:37.740 --> 00:29:45.180 A:middle L:90% Um, some of my favorites are looking at images 481 00:29:45.190 --> 00:29:49.049 A:middle L:90% through on flicker. People have put up some really 482 00:29:49.049 --> 00:29:53.539 A:middle L:90% beautiful things. Um, if you go to this 483 00:29:53.539 --> 00:29:56.319 A:middle L:90% top page, which is search dot creative commons dot 484 00:29:56.329 --> 00:29:59.140 A:middle L:90% org and I'll make sure you have a link to 485 00:29:59.140 --> 00:30:03.769 A:middle L:90% this presentation. Um, you can use the different 486 00:30:03.769 --> 00:30:06.980 A:middle L:90% licenses. You can check the boxes at the top 487 00:30:06.990 --> 00:30:07.950 A:middle L:90% to say what kind of license you want, and 488 00:30:07.950 --> 00:30:11.200 A:middle L:90% then in the box, you type what you're looking 489 00:30:11.200 --> 00:30:12.589 A:middle L:90% for, and click on any of the buttons for 490 00:30:12.589 --> 00:30:15.369 A:middle L:90% the type of source you want to look for, 491 00:30:15.369 --> 00:30:18.170 A:middle L:90% and it will automatically do the search for you. 492 00:30:18.839 --> 00:30:21.569 A:middle L:90% Um, so as I mentioned, there's music if 493 00:30:21.569 --> 00:30:23.859 A:middle L:90% you have students or you yourself like to put background 494 00:30:23.859 --> 00:30:27.809 A:middle L:90% music on slide shows or, um, presentations or 495 00:30:27.809 --> 00:30:30.349 A:middle L:90% you just really love music. And, um, 496 00:30:30.359 --> 00:30:34.869 A:middle L:90% you want to to combine? Um, certain bits 497 00:30:34.869 --> 00:30:38.309 A:middle L:90% of music. There are people who are openly licensing 498 00:30:38.309 --> 00:30:42.859 A:middle L:90% music. There are universities that are openly licensing courseware 499 00:30:44.640 --> 00:30:45.970 A:middle L:90% . This is useful if you're teaching and you want 500 00:30:45.970 --> 00:30:49.359 A:middle L:90% to see how somebody else taught the material or you 501 00:30:49.359 --> 00:30:52.000 A:middle L:90% want to see what they aside, What kind of 502 00:30:52.000 --> 00:30:56.420 A:middle L:90% assessments did they, um, did they give to 503 00:30:56.420 --> 00:31:02.039 A:middle L:90% their students? And as you see on the very 504 00:31:02.039 --> 00:31:04.410 A:middle L:90% bottom, you can see the creative Commons license. 505 00:31:04.420 --> 00:31:08.849 A:middle L:90% Um, CC by NC s A. Um, 506 00:31:10.450 --> 00:31:14.670 A:middle L:90% these are really fun. How many of you are 507 00:31:14.680 --> 00:31:18.130 A:middle L:90% kind of amateur science geeks? Anyone? Okay, 508 00:31:18.140 --> 00:31:25.009 A:middle L:90% thank you for for being Yeah, mhm open to 509 00:31:25.009 --> 00:31:26.470 A:middle L:90% talk about that. All right, so I just 510 00:31:26.470 --> 00:31:27.970 A:middle L:90% want to show this to you, because I think 511 00:31:27.970 --> 00:31:30.400 A:middle L:90% it's really fun. Um, and this is one 512 00:31:30.400 --> 00:31:33.000 A:middle L:90% of my favorite ones, But if you if you 513 00:31:33.000 --> 00:31:38.609 A:middle L:90% know something about or you're interested in, um, 514 00:31:38.619 --> 00:31:42.160 A:middle L:90% finding out about how concentrated something is, You could 515 00:31:42.160 --> 00:31:45.529 A:middle L:90% add some of the Kool Aid to, um, 516 00:31:45.539 --> 00:31:48.829 A:middle L:90% this water, and then you can see what level 517 00:31:48.829 --> 00:31:52.079 A:middle L:90% of concentration Um, it has. And if it's 518 00:31:52.079 --> 00:31:55.349 A:middle L:90% too concentrated, you can add more water. Or 519 00:31:55.359 --> 00:31:57.309 A:middle L:90% if it's not concentrated enough, you can evaporate some 520 00:31:57.309 --> 00:32:00.420 A:middle L:90% of the water. And when you're done, you 521 00:32:00.420 --> 00:32:04.180 A:middle L:90% can serve up your Kool Aid. Um, so 522 00:32:04.190 --> 00:32:07.339 A:middle L:90% this is a really fun, um, really fun 523 00:32:07.339 --> 00:32:09.890 A:middle L:90% interactive example. It's relatively simple. They get a 524 00:32:09.890 --> 00:32:13.279 A:middle L:90% lot more complex to the degree that I do not 525 00:32:13.289 --> 00:32:15.700 A:middle L:90% understand. Um, do you have a Do you 526 00:32:15.700 --> 00:32:21.970 A:middle L:90% have a comment? Yes. You can serve it 527 00:32:21.970 --> 00:32:22.240 A:middle L:90% up with your three. I don't know if they 528 00:32:22.240 --> 00:32:25.059 A:middle L:90% print liquids yet, I guess. I guess we 529 00:32:25.059 --> 00:32:29.329 A:middle L:90% don't know that to me. Um, yeah. 530 00:32:29.339 --> 00:32:32.230 A:middle L:90% So, um, you can find Creative Commons license 531 00:32:32.230 --> 00:32:37.049 A:middle L:90% materials in YouTube. Of course, there are openly 532 00:32:37.049 --> 00:32:40.859 A:middle L:90% licensed textbooks, um, different places to find them 533 00:32:40.869 --> 00:32:44.269 A:middle L:90% . Um, if you're attending any of the open 534 00:32:44.269 --> 00:32:46.339 A:middle L:90% Education Week events, um, the Thursday and Friday 535 00:32:46.339 --> 00:32:50.910 A:middle L:90% events are all led by folks from the open textbook 536 00:32:50.910 --> 00:32:55.650 A:middle L:90% library at the University of Minnesota. um, there 537 00:32:55.660 --> 00:33:00.740 A:middle L:90% are. These probably are the three major places to 538 00:33:00.750 --> 00:33:05.400 A:middle L:90% look for English language, openly licensed materials. Um 539 00:33:05.410 --> 00:33:07.519 A:middle L:90% , Marlowe is from California state system. Joram is 540 00:33:07.519 --> 00:33:12.009 A:middle L:90% from the U K and O er comments is actually 541 00:33:12.019 --> 00:33:14.519 A:middle L:90% , um, the organization that that now hosts the 542 00:33:14.519 --> 00:33:19.750 A:middle L:90% National Science Digital Library content so you can find that 543 00:33:19.759 --> 00:33:22.240 A:middle L:90% content there as well. Um, Google also has 544 00:33:22.240 --> 00:33:27.450 A:middle L:90% an advanced search feature called Usage Rights. Um, 545 00:33:27.460 --> 00:33:30.460 A:middle L:90% which maps? It doesn't tell you. These are 546 00:33:30.460 --> 00:33:32.589 A:middle L:90% creative Commons licenses, but, um, they map 547 00:33:32.599 --> 00:33:36.339 A:middle L:90% to the CC licenses, um, so you can 548 00:33:36.339 --> 00:33:40.920 A:middle L:90% find open resources that you can reuse and in many 549 00:33:40.930 --> 00:33:46.069 A:middle L:90% cases, edit. Um, so let's talk about 550 00:33:46.079 --> 00:33:50.970 A:middle L:90% briefly about a definition. Um, when I know 551 00:33:50.970 --> 00:33:54.170 A:middle L:90% that we're talking about open licensing, um, broadly 552 00:33:54.180 --> 00:33:59.250 A:middle L:90% , um, we talk sometimes about open educational resources 553 00:33:59.259 --> 00:34:02.519 A:middle L:90% . Um, those would be resources that span a 554 00:34:02.529 --> 00:34:07.990 A:middle L:90% really wide range of types of works, everything from 555 00:34:07.000 --> 00:34:10.860 A:middle L:90% courses to course materials, modules, textbooks, some 556 00:34:12.239 --> 00:34:20.539 A:middle L:90% kinds of software videos. Other tools are considered to 557 00:34:20.550 --> 00:34:23.489 A:middle L:90% be educational, so it's almost anything and but the 558 00:34:23.489 --> 00:34:27.380 A:middle L:90% key is that the materials either need to reside in 559 00:34:27.380 --> 00:34:30.469 A:middle L:90% the public domain or they need to have an open 560 00:34:30.469 --> 00:34:34.420 A:middle L:90% license affixed to them be somehow marked so that you 561 00:34:34.420 --> 00:34:37.280 A:middle L:90% know what you're looking at. Um, I would 562 00:34:37.280 --> 00:34:40.860 A:middle L:90% love to just stop here and, um, hear 563 00:34:40.860 --> 00:34:45.800 A:middle L:90% from you about how you think he's what you might 564 00:34:45.800 --> 00:34:49.860 A:middle L:90% look for what you create that you might share, 565 00:34:50.340 --> 00:34:53.230 A:middle L:90% uh, or ideas that you have about what might 566 00:34:53.239 --> 00:35:00.309 A:middle L:90% be some possible applications of these concepts. So and 567 00:35:00.320 --> 00:35:07.260 A:middle L:90% thoughts? Yes. Oh, warrior. What is 568 00:35:07.260 --> 00:35:09.900 A:middle L:90% the border between noncommercial and commercial, for example, 569 00:35:09.900 --> 00:35:15.150 A:middle L:90% with anything with the music of genital isn't always, 570 00:35:16.739 --> 00:35:22.320 A:middle L:90% um, things that are used in the classroom are 571 00:35:22.329 --> 00:35:25.679 A:middle L:90% , by definition, on commercial. Ah, I 572 00:35:25.690 --> 00:35:30.500 A:middle L:90% think one of the biggest questions that I get is 573 00:35:30.510 --> 00:35:32.369 A:middle L:90% Well, one of the questions I get is whether 574 00:35:32.369 --> 00:35:39.389 A:middle L:90% or not someone can do a lecture, be paid 575 00:35:39.400 --> 00:35:44.400 A:middle L:90% and use creative Commons materials. And because they're making 576 00:35:44.400 --> 00:35:47.989 A:middle L:90% money off of their presentation, I think it falls 577 00:35:47.989 --> 00:35:52.170 A:middle L:90% outside of non commercial use. Um, anytime there's 578 00:35:52.179 --> 00:35:58.050 A:middle L:90% money evolved, um, with regard to fundraising. 579 00:35:59.239 --> 00:36:02.199 A:middle L:90% Mhm. Yeah, my sense is that everybody on 580 00:36:02.199 --> 00:36:07.610 A:middle L:90% the right, but but they're part of a nonprofit 581 00:36:07.610 --> 00:36:13.179 A:middle L:90% organization. Is that where you, um Well, 582 00:36:13.190 --> 00:36:15.980 A:middle L:90% what is the specific activity? Yes. You're being 583 00:36:15.980 --> 00:36:17.960 A:middle L:90% paid to teach. You're being paid in a nonprofit 584 00:36:17.960 --> 00:36:21.550 A:middle L:90% setting. This is your part of your work, 585 00:36:22.429 --> 00:36:29.380 A:middle L:90% but you're not. University enjoys a non. We're 586 00:36:29.380 --> 00:36:34.130 A:middle L:90% not a for profit company, right? So I 587 00:36:34.130 --> 00:36:37.300 A:middle L:90% guess an example of a non profit company who is 588 00:36:37.300 --> 00:36:39.090 A:middle L:90% making money off of this and could not use Creative 589 00:36:39.090 --> 00:36:43.420 A:middle L:90% Commons for that for a particular reason would be someone 590 00:36:43.429 --> 00:36:45.420 A:middle L:90% who wants to use images for fundraising purposes or something 591 00:36:45.420 --> 00:36:51.579 A:middle L:90% like that where there's a direct exchange of cash, 592 00:36:52.429 --> 00:36:55.250 A:middle L:90% that kind of commercial better. Uh huh. So 593 00:36:55.929 --> 00:37:00.239 A:middle L:90% , yes, I recognize the university does have we 594 00:37:00.239 --> 00:37:02.250 A:middle L:90% have a business model. We have to bring money 595 00:37:02.250 --> 00:37:08.340 A:middle L:90% in and pay people and retain employees. And that's 596 00:37:08.340 --> 00:37:12.190 A:middle L:90% probably not as clear cut as you like. Uh 597 00:37:12.190 --> 00:37:14.780 A:middle L:90% huh. So I can look more into that. 598 00:37:14.780 --> 00:37:15.539 A:middle L:90% If you want to talk about details, yes, 599 00:37:15.929 --> 00:37:20.030 A:middle L:90% there's a lot of fair use with education for video 600 00:37:20.030 --> 00:37:24.250 A:middle L:90% , and you can use it carries mhm. Mhm 601 00:37:24.929 --> 00:37:30.090 A:middle L:90% . So that would be copyrighted material that you would 602 00:37:30.090 --> 00:37:32.449 A:middle L:90% need to apply a fair use analysis to, um 603 00:37:34.230 --> 00:37:39.539 A:middle L:90% , the openly licensed things I need to think about 604 00:37:39.539 --> 00:37:44.420 A:middle L:90% whether or not the open license trumps the copyright in 605 00:37:44.420 --> 00:37:45.829 A:middle L:90% case in a case where you want to use something 606 00:37:45.840 --> 00:37:49.650 A:middle L:90% under fair use I'm not sure about that. So 607 00:37:50.630 --> 00:37:52.619 A:middle L:90% other thoughts. How would you use these kinds of 608 00:37:52.630 --> 00:37:54.750 A:middle L:90% things? So in the work that I do publishing 609 00:37:55.329 --> 00:37:59.340 A:middle L:90% , yeah, conferences and journals and, uh, 610 00:38:00.420 --> 00:38:07.409 A:middle L:90% the Yeah, Yeah, it's that open access seven 611 00:38:07.409 --> 00:38:12.760 A:middle L:90% things part of it. Because, as you said 612 00:38:12.760 --> 00:38:15.820 A:middle L:90% earlier, we are often asked to sign away rights 613 00:38:15.829 --> 00:38:21.639 A:middle L:90% moving using your panties. And yet we provide materials 614 00:38:22.019 --> 00:38:29.030 A:middle L:90% like the in some sense, the editorial Reverend neighbors 615 00:38:29.489 --> 00:38:30.539 A:middle L:90% . And ultimately, once upon a time, they 616 00:38:30.539 --> 00:38:32.289 A:middle L:90% actually produce the books. But they don't do that 617 00:38:32.300 --> 00:38:37.050 A:middle L:90% because it's all online. So there's very little that 618 00:38:37.059 --> 00:38:40.239 A:middle L:90% the publishers provide. So I'm interested again. Um 619 00:38:42.119 --> 00:38:44.789 A:middle L:90% , I know this is the right moment I'm interested 620 00:38:44.789 --> 00:38:50.449 A:middle L:90% in and hearing your view on the aspect to people's 621 00:38:50.449 --> 00:38:53.380 A:middle L:90% respect. One that arguments is off is that there's 622 00:38:53.380 --> 00:38:59.250 A:middle L:90% still in credibility gap people, publishing menus and things 623 00:38:59.250 --> 00:39:04.260 A:middle L:90% like that. So we can just Hmm. Um 624 00:39:04.269 --> 00:39:14.010 A:middle L:90% , sure. Okay. With regard to I think 625 00:39:14.010 --> 00:39:15.239 A:middle L:90% I probably know more about the book side than the 626 00:39:15.250 --> 00:39:19.250 A:middle L:90% journal side right now. And the colleagues who are 627 00:39:19.820 --> 00:39:22.409 A:middle L:90% talk with you for hours about the journal side. 628 00:39:23.420 --> 00:39:29.780 A:middle L:90% Some of the open publishing houses employ. They will 629 00:39:29.780 --> 00:39:32.050 A:middle L:90% pay their authors. They will pay their reviewers and 630 00:39:32.059 --> 00:39:37.920 A:middle L:90% have a very strict Uh huh. Quality control process 631 00:39:37.929 --> 00:39:44.110 A:middle L:90% for the protection of of some openly license works are 632 00:39:44.119 --> 00:39:45.199 A:middle L:90% created by one person, and they view it more 633 00:39:45.210 --> 00:39:49.989 A:middle L:90% as of open source code like here it is. 634 00:39:49.989 --> 00:39:52.139 A:middle L:90% It's unfinished. Add to fix it, Change it 635 00:39:52.150 --> 00:39:55.239 A:middle L:90% , make it better. Mm. It depends on 636 00:39:55.619 --> 00:40:00.639 A:middle L:90% the source. He was One other aspect out of 637 00:40:00.650 --> 00:40:04.429 A:middle L:90% her window is the fact that so much shouldn't be 638 00:40:05.610 --> 00:40:09.539 A:middle L:90% tenure review process. Abusive. Mhm quality publications. 639 00:40:09.550 --> 00:40:13.260 A:middle L:90% Yes, yes. And so there's. Right now 640 00:40:13.260 --> 00:40:16.309 A:middle L:90% , the system appears to be stacked against open sense 641 00:40:16.309 --> 00:40:20.739 A:middle L:90% that not recognize this in my field. Yes, 642 00:40:21.210 --> 00:40:24.940 A:middle L:90% okay, open publishing venues that will give you. 643 00:40:27.110 --> 00:40:30.480 A:middle L:90% I think that's changing. There are a number of 644 00:40:30.489 --> 00:40:32.360 A:middle L:90% Julie if you want to jump in. I couldn't 645 00:40:32.360 --> 00:40:37.489 A:middle L:90% hear. Oh, he's asking about the journal publishing 646 00:40:37.489 --> 00:40:39.170 A:middle L:90% environment, the open journal publishing environment, whether or 647 00:40:39.170 --> 00:40:44.110 A:middle L:90% not open journals are competitive in terms of quality with 648 00:40:44.119 --> 00:40:46.900 A:middle L:90% commercial journals, quality of peer review. So my 649 00:40:46.929 --> 00:40:49.630 A:middle L:90% point is a little bit different in the sense that 650 00:40:49.639 --> 00:40:52.670 A:middle L:90% because we are the referees, the we do all 651 00:40:52.670 --> 00:40:55.889 A:middle L:90% of the quality assurance that aspect of it and the 652 00:40:55.900 --> 00:41:00.269 A:middle L:90% publishing houses are the ones that actually became the copyright 653 00:41:00.280 --> 00:41:01.239 A:middle L:90% because they have done so. They came from the 654 00:41:01.250 --> 00:41:05.739 A:middle L:90% old regime where they did provide services and it did 655 00:41:06.309 --> 00:41:07.260 A:middle L:90% do a lot. They've got the statute in other 656 00:41:07.260 --> 00:41:10.349 A:middle L:90% words, for instance, publishing in nature. So 657 00:41:10.969 --> 00:41:14.269 A:middle L:90% they've got the statutes published in nature. That's a 658 00:41:14.280 --> 00:41:19.849 A:middle L:90% big deal. It's a big deal. Other others 659 00:41:19.849 --> 00:41:22.360 A:middle L:90% as well. And yet a lot of them have 660 00:41:22.369 --> 00:41:28.530 A:middle L:90% Priest Draconian. Take all your rights to produce starting 661 00:41:29.010 --> 00:41:32.090 A:middle L:90% so I'd like to see it would be more open 662 00:41:32.090 --> 00:41:36.269 A:middle L:90% and more fair. Obviously, I'm not precluding the 663 00:41:36.280 --> 00:41:37.940 A:middle L:90% fact that they find a business model where they can 664 00:41:38.710 --> 00:41:40.739 A:middle L:90% building on it, make the night they want me 665 00:41:43.010 --> 00:41:44.469 A:middle L:90% . But right now it's very much backed against the 666 00:41:44.469 --> 00:41:50.989 A:middle L:90% wall. Yeah. Uh, yeah, I don't 667 00:41:50.989 --> 00:41:54.280 A:middle L:90% really break out solutions. Students are finding workarounds, 668 00:41:55.909 --> 00:42:00.590 A:middle L:90% but I think their response to the high textbook costs 669 00:42:00.590 --> 00:42:02.980 A:middle L:90% indicates that there is the problem. Um, and 670 00:42:02.989 --> 00:42:07.570 A:middle L:90% so one of the things that we're exploring is whether 671 00:42:07.570 --> 00:42:10.340 A:middle L:90% or not there are some alternatives for some of the 672 00:42:10.340 --> 00:42:14.739 A:middle L:90% courses that we teach here at Tech, where we 673 00:42:14.739 --> 00:42:20.090 A:middle L:90% could save students money either by adopting replacing an existing 674 00:42:20.090 --> 00:42:22.809 A:middle L:90% textbook with something that's open, um, replacing an 675 00:42:22.809 --> 00:42:28.210 A:middle L:90% existing text book with something that's not a textbook with 676 00:42:29.000 --> 00:42:35.960 A:middle L:90% discrete learning objects and text and journal articles and these 677 00:42:35.960 --> 00:42:37.940 A:middle L:90% types of things or supplementing, of course, with 678 00:42:37.949 --> 00:42:42.110 A:middle L:90% openly licensed material is a way to, uh, 679 00:42:43.000 --> 00:42:45.809 A:middle L:90% use this kind to kind of dip your toe in 680 00:42:45.809 --> 00:42:49.659 A:middle L:90% the water and see Is this okay? So that's 681 00:42:49.670 --> 00:42:53.300 A:middle L:90% another application beyond the not having to do a fair 682 00:42:53.300 --> 00:42:59.440 A:middle L:90% use analysis and then the the first application. I 683 00:42:59.440 --> 00:43:01.960 A:middle L:90% would argue that these kinds of materials are much more 684 00:43:01.960 --> 00:43:07.099 A:middle L:90% flexible than commercially licensed materials because you can Uh huh 685 00:43:08.099 --> 00:43:12.050 A:middle L:90% , digitize them can distribute them. You can change 686 00:43:12.059 --> 00:43:14.739 A:middle L:90% them. You can change the images, change the 687 00:43:14.739 --> 00:43:19.010 A:middle L:90% examples, change the problem sets. You can change 688 00:43:19.010 --> 00:43:23.719 A:middle L:90% the formatting, whatever it takes to be a pedagogical 689 00:43:23.730 --> 00:43:29.059 A:middle L:90% , creative, um, person, uh, instructor 690 00:43:29.059 --> 00:43:30.900 A:middle L:90% in in your course you can do with these kinds 691 00:43:30.900 --> 00:43:35.139 A:middle L:90% of materials. So I think that's an opportunity that 692 00:43:35.139 --> 00:43:37.889 A:middle L:90% we don't often talk about. The the student savings 693 00:43:37.889 --> 00:43:42.739 A:middle L:90% numbers can be huge of seeing numbers anywhere from$60,000 694 00:43:42.750 --> 00:43:45.880 A:middle L:90% saved by university, up to$2 million saved by 695 00:43:45.889 --> 00:43:51.420 A:middle L:90% a university for adopting open license and open licensed materials 696 00:43:51.420 --> 00:43:54.289 A:middle L:90% in place of partial textbooks. So those are staggering 697 00:43:54.289 --> 00:43:58.010 A:middle L:90% , but I think even more than there's a possibility 698 00:43:58.019 --> 00:44:02.010 A:middle L:90% for learning innovation here and for publishing innovation. Two 699 00:44:02.489 --> 00:44:07.809 A:middle L:90% . To publish some of these materials using other people's 700 00:44:07.190 --> 00:44:08.989 A:middle L:90% , you know, pulling in other people's works. 701 00:44:09.489 --> 00:44:15.039 A:middle L:90% Exciting them, of course, but to not have 702 00:44:15.039 --> 00:44:19.360 A:middle L:90% to reinvent the wheels. Oh, we're talking about 703 00:44:19.360 --> 00:44:22.539 A:middle L:90% these concepts more. There are some faculty who have 704 00:44:22.550 --> 00:44:27.469 A:middle L:90% adopted or who have authored openly licensed materials for their 705 00:44:27.480 --> 00:44:31.469 A:middle L:90% classes. They're here tomorrow, Um, and at 706 00:44:31.480 --> 00:44:35.989 A:middle L:90% 3. 30 between 3. 30 and six for 707 00:44:35.989 --> 00:44:37.869 A:middle L:90% a panel discussion and a time of being able to 708 00:44:37.880 --> 00:44:40.210 A:middle L:90% chat with other folks who are interested in the same 709 00:44:40.219 --> 00:44:43.730 A:middle L:90% same ideas. Um, And then before that, 710 00:44:43.730 --> 00:44:45.940 A:middle L:90% we're going to hear from some students, Um, 711 00:44:45.949 --> 00:44:50.340 A:middle L:90% 12. 15 tomorrow, um, hear from students 712 00:44:50.340 --> 00:44:52.110 A:middle L:90% regarding their experience buying textbooks. What do they do 713 00:44:52.119 --> 00:44:54.480 A:middle L:90% ? What did they spend? What kind of impact 714 00:44:54.480 --> 00:44:57.119 A:middle L:90% did that have on them? Do they have to 715 00:44:57.119 --> 00:45:00.219 A:middle L:90% get a second job? Did they decide to go 716 00:45:00.219 --> 00:45:02.809 A:middle L:90% without what happened? As a result of that, 717 00:45:02.820 --> 00:45:07.440 A:middle L:90% they do something illegal to get their content. What 718 00:45:07.449 --> 00:45:10.510 A:middle L:90% ? What was their experience? And how can we 719 00:45:10.989 --> 00:45:16.070 A:middle L:90% , uh, encourage both there? How do we 720 00:45:16.079 --> 00:45:22.429 A:middle L:90% encourage their learning and meet the needs and address the 721 00:45:22.429 --> 00:45:23.869 A:middle L:90% needs that they have. So thank you very much 722 00:45:23.869 --> 00:45:27.750 A:middle L:90% for your time. Um, I would love to 723 00:45:27.760 --> 00:45:30.309 A:middle L:90% chat with you afterwards, and it's for a time 724 00:45:32.190 --> 00:45:38.280 A:middle L:90% . Yeah, yes. Uh huh. Doesn't mean 725 00:45:38.289 --> 00:45:42.860 A:middle L:90% that you pay work and you make available via becomes 726 00:45:42.869 --> 00:45:45.880 A:middle L:90% what recourse do you have? You discover it's not 727 00:45:45.889 --> 00:45:47.849 A:middle L:90% being used in different, right? Um well, 728 00:45:47.849 --> 00:45:52.989 A:middle L:90% the the licenses are legally binding because they are written 729 00:45:52.989 --> 00:45:55.719 A:middle L:90% in legalese. In addition to human, readable is 730 00:45:55.719 --> 00:46:00.380 A:middle L:90% what they call, um, so similar to a 731 00:46:00.389 --> 00:46:04.949 A:middle L:90% copyright infringement situation. You would have to sue the 732 00:46:04.949 --> 00:46:10.960 A:middle L:90% infringer, so there's not a easy way to do 733 00:46:10.969 --> 00:46:16.190 A:middle L:90% either. But that's the only do settlement you're going 734 00:46:16.190 --> 00:46:19.949 A:middle L:90% to get is your loss of income. So there's 735 00:46:19.949 --> 00:46:22.800 A:middle L:90% no associated loss of income. There's no point suing 736 00:46:23.139 --> 00:46:27.170 A:middle L:90% and that directly But you can contact save GSP and 737 00:46:27.170 --> 00:46:29.199 A:middle L:90% say this is not being used in accordance with the 738 00:46:29.199 --> 00:46:31.440 A:middle L:90% license. Can you go? Because I think they 739 00:46:31.440 --> 00:46:34.980 A:middle L:90% would honor the owner. I think they would honor 740 00:46:34.980 --> 00:46:37.889 A:middle L:90% that because you do have a legal um, you've 741 00:46:37.900 --> 00:46:45.199 A:middle L:90% clearly licensed your work. Mhm. I believe so 742 00:46:45.780 --> 00:46:46.190 A:middle L:90% . Well, I know it is. The question 743 00:46:46.190 --> 00:46:50.449 A:middle L:90% is whether it's respected the same way. Is there 744 00:46:50.449 --> 00:46:52.420 A:middle L:90% a lot of recipes that pay no attention to you 745 00:46:52.429 --> 00:46:57.079 A:middle L:90% and you say this is rights to it? My 746 00:46:57.079 --> 00:47:00.440 A:middle L:90% guess is it's respect. One more. No less 747 00:47:00.440 --> 00:47:08.900 A:middle L:90% than copyrighted sounds. Does everybody? Yeah, I 748 00:47:08.909 --> 00:47:17.900 A:middle L:90% think that's probably fair assumption. Mhm. All right 749 00:47:19.280 --> 00:47:21.039 A:middle L:90% , well, thank you. Hope to see you 750 00:47:21.050 --> 00:47:22.769 A:middle L:90% later on this week. And there are other people 751 00:47:22.769 --> 00:47:29.639 A:middle L:90% talking besides me, so Yeah, thank you very 752 00:47:29.639 --> A:middle L:90% much.