WEBVTT

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we are recording. All right. So, um

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, tell me your relationship to the to the college

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of Okay, I I had gone to school.

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Yeah. Corcoran Art School of Art University in the

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in university. Then I studied with all subside.

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Keen in Paris for a year. Met my wife

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on the way to Paris On the boat on the

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way of Yeah. So we we caught it.

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We didn't live together. We caught it in Paris

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. And so then, uh, proposed or in

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Paris Anyway, she accepted. So But she said

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we can't get married until you have a job.

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My father would not approve of me. Married somebody

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without a job. So I started writing, setting

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off those days that gobs and gobs of schools because

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I knew it had to teach in a college anyway

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, So we, uh, I was actually offered

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a job in New Hampshire, but she didn't want

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to live in New England. She did. She's

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a southern, and she just didn't think she'd like

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living in New England, which I'll be lovely to

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live, but she did. So I was offered

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this job here at Okay. We call it V

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P. R. At that Virginia Polytechnic Institute.

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And so I got the job and came down here

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. We stayed, and every time I would get

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nibbles to go other places I had a father in

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law said, Oh, Dean, you don't want

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to move He said, This campus is so beautiful

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. He said, I just loved it. Now

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that's the father in law persuaded me not to leave

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Blacksburg. So I never did take any of the

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job office I had outside of Blacksburg. So we

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stayed here. I thought we had 42 years,

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and I was brought here to teach sculpture to architects

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. I was the first person to teach sculpture tech

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. I'm using tech. Thank you, everybody and

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so. And my My first boss loved our click

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Kogel alcohol is named for clinical anyway, and we

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just got along nicely, you know? And he

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can, uh, he had me teaching everything on

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earth. I mean, I taught art history,

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and I talked basic design and architecture. He was

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really trying to turn into an arc tape. I

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wouldn't turn so and I thought drawing you name it

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. And so then, uh, then we got

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another department head. Who was Lynn Curry and Lynn

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just loved art. He would have loved being a

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painter. He loved art. So he pushed.

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I was doing all getting all these art courses going

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because people around the campus that want special art courses

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for their students, a lot of people home economics

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and whatever anyway, so I would create these and

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you courses and had no problem in getting them through

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because Lynn Curry just loved all the new articles is

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being offered, and at one time, Lynn was

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out of town or something. I know somebody was

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temporarily running the pop, and I won't use names

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, but he said, We'll just call everything architecture

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. We don't own art in the catalog. So

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Lynn came in just at that time this got He

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said, We are going to have art in the

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catalog. We're not gonna name articles, his architecture

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. So that saved art at that point was art

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Art was under the umbrella. Art was just that

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art was taught in architecture. There were four of

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us that thought are all the architects that have joy

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, basic draw a year of drawing and then they

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took water color and they you know they the early

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on the department here that the architectural heads thought it

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was important that they have art. And that was

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written in the crapper. Anyway, Uh, Lynn

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Curry left. I went to Chicago and let's say

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you should never left. But he he was trying

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to get moved too fast. As soon as he

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left, we became a college of architecture because he

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had pushed. Leonard pushed it that way. The

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department that way. And then he recommend Charles Purchase

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. Coming Charles Perch. It was a very fine

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dean, but all for architecture, just and he

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was, uh, he was a delightful person anyway

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, he and so we had all these guys.

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I built this curriculum and I said, Well,

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let's give a degree in art. Well, he

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didn't want to give it in architecture. I had

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to give it in the arts and sciences, So

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it really meant a lot stiffer course with the kids

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because the students, because they had to take all

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these basic arts and science courses that they would not

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have to take if we'd had it in architecture anyway

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. So that's when there was moved, and for

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a while I was under I was under two deans

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in architecture and also in arts and Sciences. And

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then and then I guess he really did want art

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and architecture. And so they found some more space

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over and coins dining hall underneath, and at one

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point he thought he abused that for basic design.

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But then he said no. He would take the

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R studios in Cobo Hall for basic design and put

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me in my program over and Owens, which we

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did. At that point, I moved into arts

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and Sciences. The problem when into our sense.

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And we we kept we did very well in arts

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and sciences as an art department, and it's so

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interesting that when they broke up arts and Sciences,

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that fact and I was no longer teaching. I

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retired in 92 but anyway, they voted to go

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into uh huh back into architecture, and Jack had

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given him the invitation. And so I was real

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pleased. A lot of people think I had something

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to do with that, didn't but I'm glad to

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take the other because I was just thrilled that they

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went back into architects because I think it's a good

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a combination. Yeah, I agree. And I

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think I guess this will be my next question.

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It seems from the research that I've done and talking

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to people, that when Burchard came in and he

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brought in Ferrari and they really changed the program,

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that the focus on things like drawing, being,

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being part of the curriculum went away and just sort

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of That's there. If you want it, you

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should seek it. But it was, and that

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seems like maybe well, he, Charles Birch had

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actually wanted me to create art at the junior level

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and just have art to be available. Well,

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I didn't feel like that was any kind of a

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program, so let's really kept them. I got

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all trouble getting a real program. A real degree

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started, and I just wanted to keep it and

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that we have a the school arts under Architects for

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Salads Group. Yeah, I think that it makes

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sense. I talked to Ray Cats as well about

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this, and, uh, he did a lot

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for the department. He raised her unusual person,

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I'll tell you, but he really did a lot

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for the park. He did a lot of people

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, outstanding artists and stuff. And when when we

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had programs, he would bring in some of these

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people. And so he really a lot of other

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people just wasn't interested in teaching their classes and doing

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their own work and not not push the problem,

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right? It a lot to push the program.

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And it seems like he's, um, seems like

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he would have fit in with that idea. Those

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ideas that were brought in by virtue or Ferrari seems

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like he would have been a good partner to that

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. But one thing he did say that I definitely

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felt going through the program was that there was no

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what I think what ended up happening, especially when

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it moved out. Architecture was that it just became

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prohibitive for architecture students to study art, which is

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so seemingly so, Yeah, which was really wrong

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. But it happened. And, uh, let's

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see, where are we? Um, Well,

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tell me about So you were hired under under Kogel

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. Tell me about that. Well, it was

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a very formal department at that time, All right

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? There were, You know, it was there

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were four people in mechanical equipment for people in design

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for four people in our you know, it was

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a very And then, uh, they had building

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heat also introduced building instructions. But I only had

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one person for years in building construction that was built

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Favreau and he just loved it. He loved his

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build construction program. And but then Birch it brought

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in a friend of his into building instruction which upset

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fibre because fibre really didn't have anything to do.

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You don't really have to know all this. It's

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all interesting. I warn everybody that we're doing probably

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a 30 to 40 minute film, and I'm interviewing

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probably 20 people. So, you know, a

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couple of minutes, you'll get a pop. Maria

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. Yeah, exactly. But it's for me.

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It's fascinating. I mean, I've done so much

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and it's been it's, you know, it's funny

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. I find that, you know, life just

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sort of seems to give you what you need when

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you need it. And I got really a lot

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of support for art during my career, which was

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wonderful. You know, you still have I had

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to fight for certain things, but you still got

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from people from, you know, like our new

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people. And they were very supportive and the dean

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of home economics, Lara Harper, at one point

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really saved our programs. We had a big meeting

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about our court system. She told the president right

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at lad. And no uncertain terms. She needed

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art for her students and that we had a good

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program going in. No way it should be done

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away with. But it was nice to have champions

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because I feel like a missioner being here in a

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again engineering school when I had been in, you

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know, little arts now, did you Did you

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find that? I guess that's a really good point

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. And I hadn't really thought about so were you

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surprised? I mean, tell me about being hired

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. Well, as an artist under architecture. Well

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, Mr Kogel, Clint Kabul loved our. So

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it was He was really supportive. So in and

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I had to make a living. So that was

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the main reason I was here. Was that like

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, 11? Because I wanted to marry my wife

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, didn't marry and and then we and and Blacksburg

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is a lovely town for Children. Are kids just

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got they had good schools and, uh, met

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bright people, you know, and it's and kind

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of he thought sculpture should be taught to architects.

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Yeah, but it was, you know, and

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then Lynn Curries, I said, was real supportive

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of army. He just loved the fact that we

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have the art program and Charles person. Never.

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I mean, I like Charles Burton, but he

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didn't want he didn't want the He wanted to have

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a bar house, school. He did more traditional

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school. Yeah, and that's what they got,

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right? I mean, that's really what I mean

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. And it seems like now things are kind of

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coming maybe a little bit full circle, I think

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so. I think it's getting a little more formal

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again, which I think at the college level is

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good. And, uh but But I did like

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Charles Burns. It's like, you know, I

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didn't he he was an enemy by enemy. And

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but that's what happened. So that's life. Tell

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me about how you feel about that interdisciplinary approach to

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architecture that the importance of sculpture and drawing I'm curious

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to hear. Oh, uh, uh huh.

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So many architects are knew personally that we're still we're

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a bid here. Take like the paint like they

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are like to do so I mean, but,

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uh, to me, like a friend of mine

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called the other day John Taylor Call me and cut

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. He gave me a little piece of sculpture and

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heat. He was an Arctic, but he'd love

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sculpture and this call to them looked a lot like

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that. And he called Riesling and was just so

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complimentary. And he's kept. He's had an architectural

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practice, but he's kept doing sculpture and he's teaching

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sculpture in the community college and that we'll see.

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I mean, it means that I really hadn't influenced

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. Well, let's talk about that. You started

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talking about that before we started filming, and I'm

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very interested in that. Tell me about teaching.

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I mean, it would have rewarding, you know

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? Well, at the time I started, I

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was There were a lot of X g is here

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, So a lot of us, some of our

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students were a year older than I was. And

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that was interesting because, you know, I was

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only 28 when I started teaching here, and I

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had a lot of students that were a little older

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when I first came here and they were just great

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, you know? And they have been in the

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service and I've been in the service, you know

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? And so we had a really, you know

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, in fact, went by Squires Hall when I

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was first here and I heard the thing I like

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. I like dancing. My wife likes dancing,

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and I heard that they invited faculty to these dances

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they had. So I went up to this German

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desk and Squires Hall. I said, You know

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, I'd like you to invite me towards one of

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your dances or some of your dances, and this

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young man said, Well, we can't have all

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freshmen. We can invite all freshmen to our dancers

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. That's what I'm teaching, but also looked young

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. I was blonde. Yeah, and slide.

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You know, that makes you look young. Opinion

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28 young to be. It's funny, I think

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. I think you know, like what? You

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know what my grandfather did by 28 inches? You

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know what, people? It's a different different mindset

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, right? 28 was You were You were an

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adult. You're right. Well, you don't have

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. You know, I've had a lot of education

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and three years in the army in C B,

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I and Indian China, which I love being an

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Indian and loving and China and wonderful. I would

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think as an artist for yeah, I just But

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I didn't like being in the Army. I mean

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, that's like being a slave. I mean,

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you have. No, I mean, you're not

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. I mean, yeah, yeah. No,

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I I I respect. I respect people deserve a

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great deal, but I can't imagine, you know

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, But I like I like the cadet corps.

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I like the cadets. And because I had when

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I first came here, all of the students work

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. It is. And, uh, except for

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those GS had come back and and always, And

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then, you know, they were nice and polite

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and very good. Dude, I mean, just

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very, very never miss clients, you know?

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I mean, uh, and it was almost an

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old boy's school when I came here, But where

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some girls always an architecture, there were some girls

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. One of the things I'm curious about since I

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think, you know, you're uniquely uniquely in a

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position to talk about really a nice span of time

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, the through the through the program and you've already

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touched on some of these things But I'm really curious

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how, through your eyes how you view the the

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changes over the years through the program through art and

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architecture. Well, like even though the program changed

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, I could tell you to have friends who architects

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. So, uh, you know, and we

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would have some good architects that came into our to

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take art. Oh, they're all so we still

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had We were still in touch with architectural students,

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which was nice, but do you feel like the

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the the inclusion of art in the curriculum produce better

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architects? I mean, are you willing to say

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something like that? Or how do you How do

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you view that? I thought, well, the

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in and teaching art when you had architectural students,

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you didn't have to inspire them. Our temple students

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had this real nice design since so that just made

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wonderful art students because you didn't have to teach them

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, designed you to stop them. Whatever it was

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, you know, sculpture. And but you didn't

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have to, uh, pump ideas into them at

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all. I mean, architects, basically a very

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idea ridden. They can't happen. I mean,

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they just full of ideas, and so, you

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know, I mean, I've always I've always had

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a finest. And of course, I had out

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there in the world. Kids and students. I

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taught that we're architects, and a lot of them

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got me commissions. That's what things. It's just

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been wonderful relationship. Yeah, and And my very

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best friends are architects. Yeah, well, I

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know. I mean, I can tell you Go

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ahead. No, that's I was gonna say,

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from from people I've spoken to and things I've read

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sculpture in particular for architects is a big thing.

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I think. You know, what I've heard is

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that what is three dimensional and its buildings or three

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dimensional or should be there. And they always talked

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about an architect of all time, but architects being

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paper architects or or real architects. And yeah,

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I think you know, I think a lot of

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architects who just know about elevations and that's all that

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I mean, they can, but a real good

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architects next three dimensionally like, you know, like

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, that beautiful thing that Frank all right, did

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the museum in New York. It's just I mean

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, that's just a gym Google, huh? Yeah

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. Well, I think that's really right. I

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mean, I think that it's interesting, too,

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because I think that's come full circle. I was

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talking to two the guy who runs a firm in

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Maine, and he said that they've had a lot

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of trouble getting hiring people who can think three dementia

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. But he said he sees that sort of the

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newer hires. The younger people seem to be able

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to do it again. And so it's interesting how

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that seems to be well, at one time.

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Even here, Technic almost quit doing models, and

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then it came back, fortunately and right, you

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know it began to have, because without model building

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, you can't see the three dimensional. They're just

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drawings. And they were all flat. Pretty much

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, yeah, yeah, I think there's still a

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lot of that. So how about this, Um

365
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, can you since you've known all these people,

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are there any real personalities that really stand out?

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Anybody that you just got a big kick out of

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or people you found really fascinating cold? There's been

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so many that yes, it's like, say,

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who's your favorite artist? People ask me who's my

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favorite, who's You can't do that because I just

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uh oh, I've had over the years, I

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had so many good students, both in art and

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architecture. I mean, just just excellent students and

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what I really enjoy. I enjoyed the students.

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All my life has to do I enjoy have a

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young man that works for me. Now, as

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in building construction, Well, he's just a gym

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, just, you know, Uh huh. I

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like young people and, uh, young people who

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will work. I don't like lazy young people,

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but in general, we didn't have lazy students in

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architecture. You're not a few, but not many

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, cause it just doesn't work. They've got to

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produce, so they can't do it. Yeah.

386
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Yeah, I think I learned that in film school

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, this idea that, you know, somehow you're

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going to be inspired, and it's just going to

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come out and yeah, you got to put in

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the hours. Well, I'm trying to think of

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anything else. You know, I guess the main

392
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thing that I'm really interested in Is this those earlier

393
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years where that you were really helping to create the

394
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program. Ah, so maybe can you talk a

395
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little bit about your collaboration with with COBOL and your

396
00:24:03.460 --> 00:24:07.519 A:middle L:90%
collaboration with Curry to sort of help shape. Well

397
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, then I think about, you know, there

398
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are other department heads they want certain courses for.

399
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I can't begin to tell you all the things I

400
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had to teach. I mean, it's unreal.

401
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Uh, like I had to create an industrial design

402
00:24:22.730 --> 00:24:30.049 A:middle L:90%
course and for one of the great ones and Mm

403
00:24:30.440 --> 00:24:32.160 A:middle L:90%
. And that was fun to do because I had

404
00:24:32.160 --> 00:24:34.319 A:middle L:90%
always I loved all those, you know, the

405
00:24:34.319 --> 00:24:37.150 A:middle L:90%
Raymond Loewy period and that kind of thing. And

406
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I had grown up with that, and I grew

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up in Washington, D. C. So I

408
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had a cosmopolitan life. I mean, and teachers

409
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I had We're just wonderful because they had been uh

410
00:24:52.599 --> 00:24:55.829 A:middle L:90%
huh. In all these various things. So I

411
00:24:55.839 --> 00:24:57.349 A:middle L:90%
really I was you know, I came up When

412
00:24:57.349 --> 00:25:00.200 A:middle L:90%
you in sculpture, we're supposed to do everything in

413
00:25:00.200 --> 00:25:03.480 A:middle L:90%
sculpture. So you did clay sculpture by some sculpture

414
00:25:03.480 --> 00:25:07.160 A:middle L:90%
card. Well, you know, you had to

415
00:25:07.160 --> 00:25:10.700 A:middle L:90%
do everything. And now people specialized. You know

416
00:25:10.700 --> 00:25:12.579 A:middle L:90%
, the big thing there is no How about someone

417
00:25:12.579 --> 00:25:15.309 A:middle L:90%
? So I just I only do this only,

418
00:25:15.940 --> 00:25:18.950 A:middle L:90%
but I didn't come up that way, which was

419
00:25:18.440 --> 00:25:22.789 A:middle L:90%
really lucky for me because I could do some of

420
00:25:22.789 --> 00:25:26.200 A:middle L:90%
these other courses and enjoy them. Like, you

421
00:25:26.200 --> 00:25:32.180 A:middle L:90%
know, you're still you're still sculpting. Still sculpts

422
00:25:32.299 --> 00:25:34.640 A:middle L:90%
piddling. But I love it. Go to my

423
00:25:34.640 --> 00:25:38.420 A:middle L:90%
studio every day and just do a little something Feed

424
00:25:38.420 --> 00:25:42.359 A:middle L:90%
my cats And like that, I love this country

425
00:25:44.839 --> 00:25:48.670 A:middle L:90%
. I have 60 acres down in Valladolid. Wow

426
00:25:48.440 --> 00:25:52.119 A:middle L:90%
, It's a beautiful piece of property. Yeah,

427
00:25:52.130 --> 00:25:56.190 A:middle L:90%
well, one thing that's become very clear to me

428
00:25:56.559 --> 00:25:59.039 A:middle L:90%
, they're all the people I've interviewed over the years

429
00:25:59.039 --> 00:26:03.529 A:middle L:90%
, and people I've spoken to is Children very important

430
00:26:03.529 --> 00:26:07.759 A:middle L:90%
in life having something that you absolutely love to do

431
00:26:08.839 --> 00:26:15.289 A:middle L:90%
. Oh, I feel blessed that because, you

432
00:26:15.289 --> 00:26:17.869 A:middle L:90%
know, I know so many people when they were

433
00:26:17.880 --> 00:26:21.019 A:middle L:90%
tired. When they have to get out of that

434
00:26:21.029 --> 00:26:22.859 A:middle L:90%
job, they don't have anything to do. But

435
00:26:22.440 --> 00:26:26.200 A:middle L:90%
that creates activity. We've got an artist or even

436
00:26:26.200 --> 00:26:27.970 A:middle L:90%
Arthur. You're just an artist forever. I mean

437
00:26:27.970 --> 00:26:30.210 A:middle L:90%
, you can to think about it. It's just

438
00:26:30.210 --> 00:26:36.359 A:middle L:90%
our Did you say anything about the C. CAC

439
00:26:36.369 --> 00:26:41.049 A:middle L:90%
for the people who came right? Well, what

440
00:26:41.049 --> 00:26:44.880 A:middle L:90%
about it? We we we belong, uh,

441
00:26:44.890 --> 00:26:48.710 A:middle L:90%
aren't part belong to Southeastern College Heart Conference and we

442
00:26:48.710 --> 00:26:56.990 A:middle L:90%
gave we actually hosted that at one point and no

443
00:26:56.140 --> 00:26:59.450 A:middle L:90%
, you know, on this. And they came

444
00:26:59.450 --> 00:27:02.740 A:middle L:90%
to the campus. And often these people tell me

445
00:27:02.740 --> 00:27:06.529 A:middle L:90%
it's the best conference we ever had. And now

446
00:27:06.529 --> 00:27:08.140 A:middle L:90%
we could go to cities for the most part because

447
00:27:08.150 --> 00:27:11.339 A:middle L:90%
I was one of the ones that said, I'm

448
00:27:11.339 --> 00:27:12.549 A:middle L:90%
a past president of C. K. I said

449
00:27:15.039 --> 00:27:15.779 A:middle L:90%
, you know, I'm in the account in the

450
00:27:15.779 --> 00:27:18.519 A:middle L:90%
country, and I think we ought to have these

451
00:27:18.529 --> 00:27:21.400 A:middle L:90%
meetings in in a city. So you see,

452
00:27:21.400 --> 00:27:25.519 A:middle L:90%
museums, the real art and not just campus are

453
00:27:25.529 --> 00:27:27.900 A:middle L:90%
, you know, And so we started going more

454
00:27:27.900 --> 00:27:33.089 A:middle L:90%
to cities. Fuck. A big Don't know anything

455
00:27:33.089 --> 00:27:37.440 A:middle L:90%
about the Francis Collection. That was That was broken

456
00:27:37.480 --> 00:27:40.660 A:middle L:90%
. I mean, they end up going bankrupt,

457
00:27:41.039 --> 00:27:42.359 A:middle L:90%
but it was a bit, but who came?

458
00:27:42.359 --> 00:27:48.359 A:middle L:90%
Fine. Came Clement Greenberg was here. No.

459
00:27:48.339 --> 00:27:51.309 A:middle L:90%
Well, Ray cast had a lot to do with

460
00:27:51.309 --> 00:27:55.059 A:middle L:90%
that conference. It had a lot to bringing people

461
00:27:55.059 --> 00:27:57.759 A:middle L:90%
in. And that's one reason was such a class

462
00:27:59.140 --> 00:28:02.910 A:middle L:90%
. What the hell was close here? I don't

463
00:28:02.910 --> 00:28:06.180 A:middle L:90%
think so. You know, who are the two

464
00:28:06.180 --> 00:28:07.660 A:middle L:90%
or three artists that came that did have national?

465
00:28:10.740 --> 00:28:14.180 A:middle L:90%
Uh, Adam, that's antique. I mean,

466
00:28:14.180 --> 00:28:18.430 A:middle L:90%
that's all right. Today, Ray can tell you

467
00:28:18.430 --> 00:28:22.359 A:middle L:90%
a lot. Yeah. You better be careful.

468
00:28:23.140 --> 00:28:27.259 A:middle L:90%
I can tell you. Mhm. Yeah, when

469
00:28:27.259 --> 00:28:30.170 A:middle L:90%
I'm off camera, I'll tell you a story.

470
00:28:30.539 --> 00:28:34.119 A:middle L:90%
Okay. Uh, so are you. So Yeah

471
00:28:34.130 --> 00:28:37.549 A:middle L:90%
, so you never You never preferred a medium for

472
00:28:37.549 --> 00:28:41.170 A:middle L:90%
sculpture. You sort of kept. Well, I've

473
00:28:41.170 --> 00:28:41.920 A:middle L:90%
always done a little bit of remember things. You

474
00:28:41.920 --> 00:28:45.559 A:middle L:90%
can look around this out of the sea. Uh

475
00:28:47.339 --> 00:28:51.099 A:middle L:90%
, I love carving. I like carving. And

476
00:28:51.109 --> 00:28:55.269 A:middle L:90%
I, President Fraser was in the art department,

477
00:28:56.539 --> 00:28:59.440 A:middle L:90%
and he got me to do these realistic sculptures of

478
00:28:59.440 --> 00:29:03.640 A:middle L:90%
these athletes that he was interested in. So I

479
00:29:03.640 --> 00:29:06.289 A:middle L:90%
did a lot of them. And so I kept

480
00:29:06.289 --> 00:29:12.029 A:middle L:90%
that realism going through because of that of that sort

481
00:29:12.029 --> 00:29:17.630 A:middle L:90%
of pushed by Fraser to do these and but the

482
00:29:17.630 --> 00:29:19.440 A:middle L:90%
other side key and I really learned to do Portrait

483
00:29:19.440 --> 00:29:23.410 A:middle L:90%
is I mean, he really as abstract as he

484
00:29:23.410 --> 00:29:26.670 A:middle L:90%
was, he still wants you to know how to

485
00:29:26.670 --> 00:29:33.359 A:middle L:90%
see and create from line. So he was I

486
00:29:33.369 --> 00:29:36.660 A:middle L:90%
did a portrait of Rosina when I was his student

487
00:29:37.339 --> 00:29:41.539 A:middle L:90%
, but he really pushed you into Ah, you're

488
00:29:41.539 --> 00:29:47.609 A:middle L:90%
seeing you know, And I had and I had

489
00:29:47.819 --> 00:29:52.220 A:middle L:90%
all through from grade school always have wonderful our teachers

490
00:29:52.230 --> 00:29:57.000 A:middle L:90%
just and I had from the time I was in

491
00:29:57.000 --> 00:30:00.940 A:middle L:90%
the first grade, I had teachers who recognized that

492
00:30:00.940 --> 00:30:02.359 A:middle L:90%
I was going to be a lot. I mean

493
00:30:02.369 --> 00:30:04.849 A:middle L:90%
, recognized I had some talent, so always got

494
00:30:04.849 --> 00:30:07.440 A:middle L:90%
pushed. And it was wonderful, you know,

495
00:30:07.440 --> 00:30:11.559 A:middle L:90%
and helped. That is wonderful, because I think

496
00:30:11.440 --> 00:30:14.119 A:middle L:90%
, yeah, not to get off on a tangent

497
00:30:14.119 --> 00:30:17.890 A:middle L:90%
. And education in this country has changed a great

498
00:30:17.890 --> 00:30:22.019 A:middle L:90%
deal. I mhm You're very lucky to have that

499
00:30:22.019 --> 00:30:25.569 A:middle L:90%
experience. Yeah, I don't I think there's so

500
00:30:25.569 --> 00:30:26.680 A:middle L:90%
many people that, as I said, they don't

501
00:30:26.680 --> 00:30:30.569 A:middle L:90%
want to have anything to do with something other than

502
00:30:30.569 --> 00:30:33.690 A:middle L:90%
one little thing. And that's made education a little

503
00:30:33.690 --> 00:30:37.970 A:middle L:90%
more narrow. You're right. They get to be

504
00:30:37.970 --> 00:30:42.009 A:middle L:90%
solved. Two special on. And you you carved

505
00:30:44.539 --> 00:30:45.640 A:middle L:90%
co goal. Right? Uh, I did a

506
00:30:45.640 --> 00:30:49.970 A:middle L:90%
sculpture of kogel and sculpture. Lynn Curry and I

507
00:30:49.970 --> 00:30:56.559 A:middle L:90%
did a sculpture of castles and castle Palestinians and,

508
00:30:59.710 --> 00:31:03.130 A:middle L:90%
well, you did the Walter Gropius, and supposedly

509
00:31:03.130 --> 00:31:07.190 A:middle L:90%
he never he never sat by any other sculpture or

510
00:31:07.190 --> 00:31:11.890 A:middle L:90%
any other or any paint. Sculpt or not Sculpture

511
00:31:11.900 --> 00:31:14.680 A:middle L:90%
. Yeah, well, he, uh Gropius was

512
00:31:14.680 --> 00:31:18.349 A:middle L:90%
fascinating. President Fresh got me to go up to

513
00:31:19.640 --> 00:31:22.740 A:middle L:90%
and they asked us out to the house and we

514
00:31:22.740 --> 00:31:25.670 A:middle L:90%
have a picture of us in the five Children on

515
00:31:25.670 --> 00:31:30.640 A:middle L:90%
their outside upstairs. Cambridge, Cambridge. Anyway,

516
00:31:30.799 --> 00:31:34.660 A:middle L:90%
so prince and end, I took that sculpture stand

517
00:31:34.660 --> 00:31:37.769 A:middle L:90%
. I took the clay and took everything, too

518
00:31:37.440 --> 00:31:40.900 A:middle L:90%
. And I had photographs of groping. So I

519
00:31:40.900 --> 00:31:44.349 A:middle L:90%
got a I got a start on from the photographs

520
00:31:44.349 --> 00:31:45.769 A:middle L:90%
, but I like to work from the river.

521
00:31:45.940 --> 00:31:48.329 A:middle L:90%
So I met with him. He took one of

522
00:31:48.329 --> 00:31:52.990 A:middle L:90%
his that is studio. He took one of the

523
00:31:52.990 --> 00:31:57.809 A:middle L:90%
rooms and made that into my sculptures video Just cleaned

524
00:31:57.809 --> 00:32:00.650 A:middle L:90%
it out. And I had to stand in the

525
00:32:00.650 --> 00:32:04.619 A:middle L:90%
end, my claim and he sat for me and

526
00:32:04.619 --> 00:32:07.460 A:middle L:90%
it was it was fascinating because I would I worked

527
00:32:07.460 --> 00:32:10.130 A:middle L:90%
hard on that portrait, but I really should have

528
00:32:10.140 --> 00:32:13.170 A:middle L:90%
kept the dire. But I just couldn't, right

529
00:32:13.839 --> 00:32:15.319 A:middle L:90%
. I was tired. I went interested and for

530
00:32:15.319 --> 00:32:17.490 A:middle L:90%
the stories he told me you were just a life

531
00:32:17.490 --> 00:32:22.019 A:middle L:90%
about his boyhood and I had had a rather large

532
00:32:22.029 --> 00:32:24.509 A:middle L:90%
problem. It knows that I had I had a

533
00:32:24.519 --> 00:32:29.769 A:middle L:90%
fairly prominent and his wife and he got me too

534
00:32:30.140 --> 00:32:30.619 A:middle L:90%
. Take it down. Something he thought was too

535
00:32:30.619 --> 00:32:34.950 A:middle L:90%
large. So I took it down and his wife

536
00:32:34.960 --> 00:32:37.809 A:middle L:90%
came in and she said, Oh, you know

537
00:32:37.809 --> 00:32:40.170 A:middle L:90%
, for final critiques, catch to his nose is

538
00:32:40.170 --> 00:32:44.259 A:middle L:90%
too small. She is that you've got to make

539
00:32:44.259 --> 00:32:47.410 A:middle L:90%
that big nose. I was so pleased. I

540
00:32:47.410 --> 00:32:52.859 A:middle L:90%
redid the nose to the the proportion that it was

541
00:32:53.339 --> 00:32:57.670 A:middle L:90%
. And he didn't say a word when she mhm

542
00:32:58.339 --> 00:33:00.930 A:middle L:90%
and they had a guest book and he had to

543
00:33:00.930 --> 00:33:05.359 A:middle L:90%
sign the guest book and all the page opposite my

544
00:33:05.359 --> 00:33:09.480 A:middle L:90%
page was Miro's pain. Yeah, signed right next

545
00:33:09.480 --> 00:33:14.880 A:middle L:90%
to Mr Miro. Is that interesting? That's amazing

546
00:33:14.890 --> 00:33:17.480 A:middle L:90%
. What I'll tell you for me. Making film

547
00:33:17.480 --> 00:33:22.039 A:middle L:90%
, making documentaries. The best part of it is

548
00:33:22.049 --> 00:33:24.170 A:middle L:90%
the people that I've gotten to meet like you.

549
00:33:24.910 --> 00:33:29.170 A:middle L:90%
Well, uh, cold will. Also, uh

550
00:33:29.740 --> 00:33:34.279 A:middle L:90%
, there was a desire. Uh huh. Comforts

551
00:33:34.279 --> 00:33:39.740 A:middle L:90%
of designs. Design school outside in Aspen, Colorado

552
00:33:39.819 --> 00:33:42.910 A:middle L:90%
. And Koga warned me to go. So I

553
00:33:42.910 --> 00:33:45.730 A:middle L:90%
did go out there, and, uh, it

554
00:33:45.730 --> 00:33:49.109 A:middle L:90%
was for our He really wanted me to be an

555
00:33:49.109 --> 00:33:53.150 A:middle L:90%
architect. Way I was, but so I went

556
00:33:53.150 --> 00:33:55.900 A:middle L:90%
out because I did teach basic design. So you

557
00:33:55.900 --> 00:34:00.460 A:middle L:90%
want me to have some design experiences? The doctor

558
00:34:01.039 --> 00:34:05.819 A:middle L:90%
was the one I selected to be with. Oh

559
00:34:05.819 --> 00:34:08.760 A:middle L:90%
, it was a joy. Yeah, the Arctic

560
00:34:09.539 --> 00:34:13.190 A:middle L:90%
and, you know, to have a class with

561
00:34:13.190 --> 00:34:16.349 A:middle L:90%
him every day and and I just love his work

562
00:34:16.349 --> 00:34:19.460 A:middle L:90%
. Anyway, I'm just crazy about his work.

563
00:34:20.440 --> 00:34:22.989 A:middle L:90%
And you can tell this house has a touch of

564
00:34:22.989 --> 00:34:27.360 A:middle L:90%
offer in. And it was just a joy.

565
00:34:28.039 --> 00:34:31.829 A:middle L:90%
Just the sheer joy. 10 days, a class

566
00:34:31.829 --> 00:34:36.050 A:middle L:90%
with Lord. And then I met fascinating people,

567
00:34:36.050 --> 00:34:38.010 A:middle L:90%
you know, they're architects, for the most part

568
00:34:38.019 --> 00:34:40.739 A:middle L:90%
, but from all of the countries that were there

569
00:34:40.739 --> 00:34:44.949 A:middle L:90%
. And it was a wonderful experience, and we

570
00:34:44.949 --> 00:34:46.860 A:middle L:90%
stayed and I fell in love with the area.

571
00:34:47.340 --> 00:34:51.059 A:middle L:90%
So we spent two something. Santa Fe. Okay

572
00:34:51.639 --> 00:34:53.760 A:middle L:90%
. I looked around Aspen. Couldn't find anything very

573
00:34:53.760 --> 00:35:00.550 A:middle L:90%
suitable for family on within my me and Sylvia Raney

574
00:35:00.739 --> 00:35:02.559 A:middle L:90%
. So when I went over to Santa Fe and

575
00:35:02.559 --> 00:35:07.619 A:middle L:90%
found a house in Santa Fe and Rosina came out

576
00:35:07.630 --> 00:35:13.579 A:middle L:90%
with two Children was three Children anyway, and we

577
00:35:13.579 --> 00:35:15.329 A:middle L:90%
lived in center site for summer. That was a

578
00:35:15.329 --> 00:35:20.090 A:middle L:90%
wonderful experience. Okay, I have to hear more

579
00:35:20.090 --> 00:35:22.849 A:middle L:90%
about this because nature is one of my one of

580
00:35:22.239 --> 00:35:25.170 A:middle L:90%
my favorite architects. He's inspired me a great deal

581
00:35:25.179 --> 00:35:28.469 A:middle L:90%
, so Oh, my God. I just love

582
00:35:28.480 --> 00:35:30.469 A:middle L:90%
. I mean, I just see him right now

583
00:35:30.239 --> 00:35:32.349 A:middle L:90%
. and, uh, I just fell in love

584
00:35:32.349 --> 00:35:36.849 A:middle L:90%
with it. So what can you share any?

585
00:35:36.860 --> 00:35:39.480 A:middle L:90%
This is for me. Can you share anything?

586
00:35:39.489 --> 00:35:45.190 A:middle L:90%
Did you recall from lessons things that he told you

587
00:35:45.190 --> 00:35:49.530 A:middle L:90%
that we're really stick with you? Well, the

588
00:35:49.530 --> 00:35:52.170 A:middle L:90%
main thing I remember is the sliding glass doors,

589
00:35:53.139 --> 00:35:58.050 A:middle L:90%
but, you know, he promoted and the idea

590
00:35:58.050 --> 00:36:01.139 A:middle L:90%
of a lot of light and sing out, you

591
00:36:01.139 --> 00:36:05.920 A:middle L:90%
know, having outside Come in. He promoted that

592
00:36:05.920 --> 00:36:07.909 A:middle L:90%
kind of thing. What? This house. It

593
00:36:07.909 --> 00:36:12.460 A:middle L:90%
was as a result, any. But it was

594
00:36:12.460 --> 00:36:15.250 A:middle L:90%
just a joy getting to know this great architect,

595
00:36:15.929 --> 00:36:17.329 A:middle L:90%
and he was just a trash. I had studied

596
00:36:17.340 --> 00:36:22.199 A:middle L:90%
with Zach King in Paris, and that was a

597
00:36:22.199 --> 00:36:29.110 A:middle L:90%
wonderful experience because he's a very famous stopped, But

598
00:36:29.110 --> 00:36:31.780 A:middle L:90%
then to have this class with this very famous architect

599
00:36:31.789 --> 00:36:36.829 A:middle L:90%
and whose whose work I just adored, I think

600
00:36:36.840 --> 00:36:39.019 A:middle L:90%
, uh, Frank Lloyd Wright I liked, but

601
00:36:39.019 --> 00:36:43.159 A:middle L:90%
I didn't adore Frank Lloyd Wright, like our door

602
00:36:43.159 --> 00:36:46.960 A:middle L:90%
door, a daughter in his clean lines and and

603
00:36:47.730 --> 00:36:52.369 A:middle L:90%
I just I mean, he just wow, and

604
00:36:52.380 --> 00:36:54.449 A:middle L:90%
he had a marvelous personality. I mean, just

605
00:36:55.329 --> 00:36:58.670 A:middle L:90%
, you know, he could He could just get

606
00:36:58.670 --> 00:37:00.019 A:middle L:90%
you to do anything he wants you to do.

607
00:37:00.019 --> 00:37:04.199 A:middle L:90%
I mean, he just just a pleasure. They

608
00:37:04.199 --> 00:37:07.860 A:middle L:90%
were really seminars that he was giving to us.

609
00:37:07.860 --> 00:37:09.519 A:middle L:90%
And we had a very small group, and it

610
00:37:09.519 --> 00:37:13.719 A:middle L:90%
was just wonderful. That was the best part of

611
00:37:13.719 --> 00:37:15.130 A:middle L:90%
living in Los Angeles for me was getting to see

612
00:37:15.139 --> 00:37:20.489 A:middle L:90%
his work. I mean, he I think he

613
00:37:20.489 --> 00:37:24.079 A:middle L:90%
captured an idea of modernity better than Oh, I

614
00:37:24.079 --> 00:37:28.760 A:middle L:90%
do too. Yeah, well, I'm glad you

615
00:37:28.760 --> 00:37:32.489 A:middle L:90%
like my my friend Arthur. I used I used

616
00:37:32.489 --> 00:37:39.340 A:middle L:90%
to a lot of landscape lectures to landscape groups and

617
00:37:39.340 --> 00:37:42.579 A:middle L:90%
a lot of them. I did, you know

618
00:37:42.579 --> 00:37:44.659 A:middle L:90%
, sculpture in the landscape. And then, you

619
00:37:44.659 --> 00:37:46.539 A:middle L:90%
know, that would be a target in general,

620
00:37:47.030 --> 00:37:50.840 A:middle L:90%
with the culture. I used a lot of North

621
00:37:50.840 --> 00:37:52.349 A:middle L:90%
Korea in it to say, You know, that

622
00:37:52.929 --> 00:37:58.070 A:middle L:90%
you could just have grass is designed and steps could

623
00:37:58.079 --> 00:38:01.670 A:middle L:90%
be designed and you know you can getting from the

624
00:38:01.670 --> 00:38:06.099 A:middle L:90%
grass into the house and going up and not just

625
00:38:06.099 --> 00:38:09.130 A:middle L:90%
little steps with realm but long steps. And oh

626
00:38:09.130 --> 00:38:15.289 A:middle L:90%
, I just love. Doctor used them constantly when

627
00:38:15.289 --> 00:38:20.469 A:middle L:90%
I talked to these women about landscape. That's great

628
00:38:20.480 --> 00:38:23.130 A:middle L:90%
. Wow, that's a nice, wonderful experience.

629
00:38:23.190 --> 00:38:27.760 A:middle L:90%
We'll see. And Cole gave me that experience he

630
00:38:27.760 --> 00:38:30.449 A:middle L:90%
woman and we drove. I drove out there.

631
00:38:30.119 --> 00:38:34.230 A:middle L:90%
I didn't have I mean, fly man anyway.

632
00:38:34.619 --> 00:38:37.440 A:middle L:90%
And I think getting much money for cooking there anyway

633
00:38:37.320 --> 00:38:43.760 A:middle L:90%
, Uh, the attack was never affluent in the

634
00:38:43.760 --> 00:38:46.039 A:middle L:90%
early years. Maybe they got a little more fluent

635
00:38:46.039 --> 00:38:50.329 A:middle L:90%
now, but it's it's hard to get grants and

636
00:38:50.329 --> 00:38:52.739 A:middle L:90%
art. It's hard to get any kind of grand

637
00:38:53.019 --> 00:38:57.150 A:middle L:90%
, and they weren't any many grants and art.

638
00:38:57.150 --> 00:38:59.139 A:middle L:90%
I mean, there were, You know, it's

639
00:38:59.139 --> 00:39:02.820 A:middle L:90%
not a grant world, but we're like the scientists

640
00:39:02.849 --> 00:39:06.789 A:middle L:90%
, you know, just not. Yeah, I

641
00:39:06.789 --> 00:39:09.949 A:middle L:90%
think that's the push now towards more research and in

642
00:39:09.949 --> 00:39:17.380 A:middle L:90%
architecture or about, you know, technology. Well

643
00:39:17.380 --> 00:39:19.980 A:middle L:90%
, anything else you want to. I mean,

644
00:39:19.989 --> 00:39:22.650 A:middle L:90%
I don't know. I've had such a full life

645
00:39:23.619 --> 00:39:27.739 A:middle L:90%
. That's why it's it's hard that it's hard to

646
00:39:28.619 --> 00:39:30.130 A:middle L:90%
. It's hard to stop, you know, there's

647
00:39:30.130 --> 00:39:34.289 A:middle L:90%
so many things like that, Um, but specifically

648
00:39:34.289 --> 00:39:37.090 A:middle L:90%
I guess, you know, for the for the

649
00:39:37.090 --> 00:39:42.840 A:middle L:90%
film about the 50th anniversary of the college, um

650
00:39:44.320 --> 00:39:47.440 A:middle L:90%
, anything else you want to add about how it's

651
00:39:47.820 --> 00:39:51.769 A:middle L:90%
evolved or changed, or I like the fact that

652
00:39:51.780 --> 00:39:55.800 A:middle L:90%
it's coming back more like the architectural program I was

653
00:39:55.800 --> 00:40:01.190 A:middle L:90%
in that is returning, believing that it is,

654
00:40:01.199 --> 00:40:07.619 A:middle L:90%
You know, because Birgit was of internationalist, shall

655
00:40:07.619 --> 00:40:08.829 A:middle L:90%
we say, if you want. I mean,

656
00:40:09.210 --> 00:40:13.460 A:middle L:90%
and he had a lot of foreign people come in

657
00:40:13.460 --> 00:40:16.800 A:middle L:90%
to teach in architecture, and a lot of egos

658
00:40:16.800 --> 00:40:20.449 A:middle L:90%
got involved in his program, You know, the

659
00:40:20.460 --> 00:40:28.139 A:middle L:90%
drill. And it was it was interesting. And

660
00:40:28.610 --> 00:40:32.639 A:middle L:90%
but he was a very dynamic person. And when

661
00:40:34.210 --> 00:40:37.269 A:middle L:90%
? Because when the building was being designed by Henry

662
00:40:37.269 --> 00:40:42.949 A:middle L:90%
Shriver Birch, it took over, and he made

663
00:40:42.949 --> 00:40:45.480 A:middle L:90%
it a virtual building. You don't have to touch

664
00:40:46.039 --> 00:40:49.300 A:middle L:90%
anything you don't want me to use. Just say

665
00:40:49.309 --> 00:40:52.909 A:middle L:90%
I should tell you that that's interesting. Yeah,

666
00:40:52.920 --> 00:40:57.500 A:middle L:90%
but I would want people seeing me. All right

667
00:40:57.510 --> 00:40:59.239 A:middle L:90%
, then I won't use. That's all You gotta

668
00:40:59.239 --> 00:41:01.440 A:middle L:90%
say anything you don't really use to say mhm,

669
00:41:01.809 --> 00:41:06.389 A:middle L:90%
don't use that. But you're a very attractive young

670
00:41:06.389 --> 00:41:07.280 A:middle L:90%
man, and you have a very nice way of

671
00:41:07.289 --> 00:41:12.070 A:middle L:90%
interviewing and you make me want it. Tell you

672
00:41:12.070 --> 00:41:16.630 A:middle L:90%
things I shouldn't tell. Let's see it. Mhm

673
00:41:17.010 --> 00:41:19.929 A:middle L:90%
. Yeah, well, you know, that's a

674
00:41:20.409 --> 00:41:25.230 A:middle L:90%
that's the people don't understand that there is a art

675
00:41:25.710 --> 00:41:31.789 A:middle L:90%
. The documentary filmmaking and the key is being interested

676
00:41:31.789 --> 00:41:36.219 A:middle L:90%
in the people that your interview I couldn't make a

677
00:41:36.219 --> 00:41:39.199 A:middle L:90%
film about about the subject that I wasn't extremely interested

678
00:41:39.199 --> 00:41:42.219 A:middle L:90%
in people who I wasn't thrilled to meet. I

679
00:41:42.219 --> 00:41:44.610 A:middle L:90%
mean, it's wonderful to meet you and talk to

680
00:41:44.610 --> 00:41:49.579 A:middle L:90%
you about that. And so you made me think

681
00:41:49.579 --> 00:41:52.909 A:middle L:90%
of a question, though. Um, so in

682
00:41:52.909 --> 00:41:59.780 A:middle L:90%
your opinion, um, because I I've studied the

683
00:41:59.789 --> 00:42:01.440 A:middle L:90%
history now, too, a great deal. And

684
00:42:01.449 --> 00:42:05.059 A:middle L:90%
there's a lot of people who feel that those burchard

685
00:42:05.059 --> 00:42:09.050 A:middle L:90%
Ferrari days we're really the heyday of the architecture program

686
00:42:09.050 --> 00:42:13.010 A:middle L:90%
. And you can see why, because of the

687
00:42:13.300 --> 00:42:15.119 A:middle L:90%
people, it was exactly and it was the change

688
00:42:15.119 --> 00:42:19.840 A:middle L:90%
in the curriculum. But I'm what I'm very curious

689
00:42:19.840 --> 00:42:23.590 A:middle L:90%
about is sort of these eternal truths of architecture and

690
00:42:23.590 --> 00:42:28.199 A:middle L:90%
art. So in your opinion, do you think

691
00:42:28.199 --> 00:42:30.849 A:middle L:90%
that because you said that he goes and I think

692
00:42:30.849 --> 00:42:34.610 A:middle L:90%
that's really a good way of saying it, that

693
00:42:34.610 --> 00:42:38.760 A:middle L:90%
it becomes somehow becomes about you're a student of a

694
00:42:38.760 --> 00:42:44.829 A:middle L:90%
particular teacher versus your student of the discipline. And

695
00:42:44.840 --> 00:42:49.809 A:middle L:90%
do you think that there's just so truths that need

696
00:42:49.809 --> 00:42:53.309 A:middle L:90%
to be taught versus you know? Well, I'll

697
00:42:54.699 --> 00:42:57.730 A:middle L:90%
I can tell you some stuff and you cut that

698
00:42:57.730 --> 00:43:00.400 A:middle L:90%
off. I'm not okay at all. The shadows

699
00:43:00.409 --> 00:43:02.269 A:middle L:90%
. Okay. Well, if you don't have anything

700
00:43:02.269 --> 00:43:06.139 A:middle L:90%
else you want to add to the well, I

701
00:43:06.139 --> 00:43:08.920 A:middle L:90%
think I think that there when I came here,

702
00:43:08.920 --> 00:43:13.230 A:middle L:90%
there were certain architects that were hired to teach architecture

703
00:43:13.699 --> 00:43:16.730 A:middle L:90%
and they had started with certain architects and they wanted

704
00:43:17.300 --> 00:43:21.500 A:middle L:90%
That could be it. I can tell you that

705
00:43:21.500 --> 00:43:24.030 A:middle L:90%
way I can tell you some other stuff. I'm

706
00:43:24.039 --> 00:43:28.230 A:middle L:90%
happy to cut it if you're happy to be done

707
00:43:28.800 --> 00:43:31.519 A:middle L:90%
. I don't think I've talked to love. Like

708
00:43:31.519 --> 00:43:32.880 A:middle L:90%
I said, you know, I can see you're

709
00:43:32.880 --> 00:43:34.809 A:middle L:90%
all things.

