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Okay, what was your name again? You told

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me? And josh josh josh Joshua, Joshua Tunick

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You know I was missing getting

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them first and last names. Got mixed up right

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there. Think we're good to go and then so

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basically I'm going to ask you some questions and yeah

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, most likely just let you go when you start

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talking about something underneath. Super focused. That's fine

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. That's fine. Just so it's just a free

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for an interview. Yeah. And I got myself

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out of this. So if I ask you a

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question, like when did you come here? You

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wouldn't say a year. You'd say I came here

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. Right, right, just look at me,

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don't look at the camera. We're in good shape

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. Okay, so why don't we start with that

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when you're history with the school college? Well,

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I started In architecture in September of 1966 as a

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17 year old freshman. Uh very very naive kind

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of guy actually. We're in the old high school

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building which is now I think the architectural antiques a

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very exciting an intoxicating place. Great professors, great

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students, a lot of interest in an enormous amount

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of energy. And who was Burchard there yet?

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Burchard was dean. I'm not even sure where the

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dean's office was. It's not some place that we

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normally addressed. So the what we call the old

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high school building was our base of operations. Are

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home 24 7. Pretty much 24 7 new professors

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. Olivia Ferrari, Herbert Cromwell, Ascherman and Peter

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Green I believe were the four first year professors at

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the time that I started, Herbert Cromwell was my

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professor and I still talked with Herbert Cromwell occasionally.

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I saw him a couple of years ago. I've

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emailed him a couple of times but since then but

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he hasn't been back to the U. S.

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I don't believe since that time probably you really you

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hit it just right. You came with the people

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that would really shake things up. Yeah. This

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uh I think I was the kind of sucking first

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or second class. I think uh I think the

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team had been here either. It's really uncertain.

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They would never really reveal how long they had been

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here at the time. I think there was a

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mystery around. Oh how far really they might have

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been even ahead of us. They might have been

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learning just as we were learning about some of the

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concepts, ideas and strategies which they were promoting.

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But it was a a discovery oriented group of faculty

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and a an energetic group of students who are intent

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on learning and pursuing a lot of past. It

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was quite a bit of freedom in the past.

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You can pursue it. Did you feel like the

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program is kind of finding itself finally, we're here

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in reflection maybe when I when in reflection I would

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think that the program was just developing its groundings and

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it's it's founding basis. I believe it came and

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started with some strategies that came out of the bauhaus

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came exploring a variety of media, a not only

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a cerebral approach but also a physical approach. Trying

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to understand how pieces and parts of things inter relate

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dina relationships and then the subsequent explorations into those discoveries

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as you work your way through setting your own problems

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and then solving your own problems. Uh So so

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you Coco was built by 68. I'm not exactly

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sure when Kobe was built maybe 68, 70 72

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, somewhere along the time. So you didn't have

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classes in COBOL? Uh not at the time,

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not in my first two years. In my later

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years, I had some time ago I had a

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gap interruption between 69, 70 and 75. So

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I took five years off to find myself. It

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was the program was responsible for that. It was

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a combination of combination of economics. Mhm. The

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late 60s, the opportunities and the discoveries that I

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wish to make outside of academia. And I did

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not quite have the discipline for sustained continuation of the

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academic program. Either financially or mentally and even physically

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, I just wanted to do some other things.

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I completely understand. Great. So so the film

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is the focus going in and we'll see what it

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ends up being. The focus going in is really

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sort of the beginning of the film is this periods

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are up to that. No pre burgeon Ferrari where

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you know the school architecture came out of engineering and

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all of that. Yeah. And then the middle

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part is really this time that you were here.

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Virgin Ferrari and and a problem and all these guys

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. And then the last part is really gonna be

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where things are right now, projecting into the future

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. You're in a really unique position to really talk

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about at that time into now future. Yeah.

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My my progression through the university and Virginia text basically

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. And the College of Architecture, I'll contribute to

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that and the studies in Architecture and construction. It

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may be where I'm at now. So, so

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there's been some very good, very good people In

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my life that have helped me along. But I

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started in 66 and went to about 69 or 70

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. Little blurry. And when all that ended,

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it all melted together. I returned back in 75

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and went from 75 to 78. I returned back

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in 92 and got a master's degree from 90 to

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93. I started on the faculty and building construction

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in 93 and I've been here since 93 To 2011

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and so there's a little bit of a blur sometimes

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in things. So I have a couple of gaps

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of a five year gap and then I have a

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15 year gap. When did the building construction?

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Come on. That's building construction started in engineering.

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Much like much like architecture came out of engineering,

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building construction as a program we're graduating Students out of

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that was sometime in the late 40s. So it's

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a very old program, one of the oldest programs

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in the United States. The first graduate, I

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think came out around 46 47. Um, it

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at some point in time got, got used to

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be architecture engineering. I understand that became building construction

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became part of the College of Architecture. I think

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when the College of Architecture was created, because I

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know some students that were in it at that point

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in time and almost certainly were in the College of

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Architecture at that time. And so the bishop,

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this wasn't here when I was here. No,

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this building a bishop. Federal Hall was Opened in

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January 2007 or 2008. I'm not exactly sure.

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Again, four or five years, they get blurry

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. They, so we've been in this building three

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or four years, uh, before that, the

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building construction program was, as many people characterized it

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as the red headed step child of the college.

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We were shifted around. So building construction at one

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point was in the top of Patent Hall. Third

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floor architecture used to be in third floor, fourth

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floor Patent Hall. When I was a freshman,

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I went up there to look and see where these

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other guys were to see what was going to happen

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to me after I left the old high school building

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and a foundation. So I went up there to

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just tour around a little bit and see that.

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So I know that they were up there building construction

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was in the old Patent Hall, top of Patent

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Hall. They were moved over to the top floor

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of the infirmary in Henderson Hall. They were shuffled

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over into downtown. It was the old tech motel

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which is where Draper Road and Church Street. Draper

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Road in Church Street area, they were put above

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a little docks drug store, which is the corner

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of Draper Road in college at Union. They were

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stuffed back into a couple of other places around campus

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. They were also in the basement of Owens dining

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hall for a period of time. And I've heard

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I've heard stories about the ill. Yeah, yeah

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, cooking soup up in the dining hall and occasionally

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overflowed bubble over and drip down through some of the

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cracks into the building, construction classrooms and labs down

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below the back of birstall. We were in the

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back of birstall for a period of time. We

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then, at some point in time, our alumni

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said, we're just uh, we just want you

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guys to have a home, we want building construction

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to have a home. And so the building construction

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alumni got together and Mhm, partnered up, put

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some money, quite a bit of money up to

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create this building. This building is, yeah,

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a real public, private partnership with the private stimulating

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it. And a good bit of chunk of the

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money coming from private donations to make the, Make

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the building a reality. And we now have the

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building in place. The area right outside my office

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is a 24/7 access for the students. We think

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that's an important component. We think that's very similar

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to the way the architecture buildings operate. And I

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come from that history of of having a space in

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a place to go work anytime day or night.

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And I have a very, very, very strong

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sensitivity to locking people out of buildings because when we

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were students in the Ohio school building, the police

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used to come around and lock us out and then

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we used to hide under desk and in closets and

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wherever we could find. And when the police left

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, we would come back out of the out of

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the crevices and go back to work with little desk

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lamps, headlamps, whatever we could find to work

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with, pull all the shades down and then we'd

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get rated and run off and somebody would always hide

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out and unlock the door and sneak back in and

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we'll continue to work. And eventually the university policy

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was is that we just need to make this space

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open completely so that the students have a place to

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work because we're tired of trying to run them out

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and they're gonna come back anyway so we make that

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reality. But that's a good fun fun memory to

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have being chased out of the building because you're trying

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to do your academic work. Yeah. That's funny

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. Marcus Cooper jr was like that and I never

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made any sense to me coming from this. They

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kicked you out at one am are you kidding?

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I'm just getting started. Right. Right. A

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lot of us were just getting started or had been

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working for some of us for days maybe, but

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it was an exciting, exciting, very energetic time

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. So have you tried to take some of that

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? Some the lessons, you know, things that

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you learned ways to work and things like that.

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Right. Part of my, part of my teaching

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philosophy is that you, you have to self discover

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and so in architecture, the the efforts are a

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very brief problem set and then it's a discovery trip

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to determine what the problems are, what the limitations

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are, what the left and rights, tops and

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bottoms are so that you can build the solution set

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that you're after within that limited palette set, that

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experience that you have knowledge that you have and meeting

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the criteria that's set the most unique thing that I

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can attribute. That not attribute that to but parallel

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that with is the when an individual when I took

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my architectural registration exam, unlike many other exams,

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that design portion, you go in there and they

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give you five blank sheets of paper and these are

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17 by 22 or 20 to 24 inch pieces of

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paper and they expect you to fill them up in

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12 hours and they give you a very brief statement

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, a little bit of programming and then you're kind

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of on your own. And so one of the

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things that I try to instill in our students is

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that that problems come in. A lot of different

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guys is the solution sets are up to you to

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determine what the parameters are, that define the problem

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. So establish the problem and then hopefully attack the

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problem in some form of reasonable and appreciative solution.

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One that's just not completely out of the out of

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the realm of possibility, but one that's at at

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the realm of possibility and does push some of the

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limits and become creative innocence. So some of that

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philosophy does carry over into the way I approach the

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way students learn, which is to me a the

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form of discovery now. How do you No,

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this is relevant for the film, but I'm kind

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of curious and maybe maybe it's one it works out

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. Um, you know, you guys are here

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, architecture is over there, part of the same

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college, but there doesn't seem to be a whole

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lot of interaction that seems at least to me that

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somebody invested in this side as well. Miss stuff

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answer. Right? Uh, yeah. On the

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question of the interactivity between building construction students and architecture

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students over the years, there's been a series of

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endeavors to try to make that happen. The the

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to me and I've tried to do it, I've

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done some classes. We've we've done design build classes

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with fifth year students. Design build classes with third

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year students are third year architecture students and fourth year

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Bc students, 50 Year Architecture Students& 4th Year

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BC Students. And we've run into in those kind

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of interactive type things. We've run into some some

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maybe it's maybe it's a personality differential or maybe it's

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a behavioral differential. I sometimes equate that to the

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fact that there are people who are idea people,

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creative idea generators and then there are people who are

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implementing hers and begin to be doers. Uh huh

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. Our students, the Bc students are predominantly experiential

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types of learners. They like the hands on,

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they like to manipulate, they like to build and

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create things in that physical sense. The some say

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that it's not, it comes back around to what's

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practical and what's impractical and I think that's short selling

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. The relationship between design and construction. Uh it's

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it's been, it's been tried, it's been at

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times we think successful at other times it's been extremely

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unsuccessful. There are certain instances where I think that

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there is a, at times a component of arrogance

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relative to either side, from either a student aside

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and uh either architecture or construction students are both.

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And even at times, I think I've witnessed that

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at the faculty side and I'll leave it at that

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just a little bit. But for you on the

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off camera, if you want to do an off

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camera, I don't care how you handle it really

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. Um I'm too old to care how people handle

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these days, but there is uh from an architect's

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perspective, I understand architectural arrogance and although I think

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architectural arrogance has a purpose, architectural arrogance at times

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becomes the becomes the becomes becomes a hindrance and a

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distraction to getting a collaborative kind of endeavor going and

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architects have to have maintained arrogance because everybody wants to

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chop away at the creative aspects of the design,

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owners want to chop away at constructors want to chop

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away at it, consultants want to chop away at

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it. Subcontractors want to chop away at the public

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, wants to chop away at Yeah. And in

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order for that purity of the mindset that architects bring

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to the table, they have to fight continually.

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And if they don't have a bit of an arrogance

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about them, their solution sets will never be realized

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to the level that they're asked. Uh and that's

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a perspective that I have and that I see it

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may be erroneous, but it's one that that I

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perceive when I when I engage and deal with architects

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. Architects sometimes use a a very mysterious language that

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very few people are able to comprehend and understand their

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articulation works pretty well within the architecture and design community

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doesn't work very well outside the architecture and design community

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. And therefore people kind of think that there out

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of touch at times not to touch me. I

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think it's all extremely well put and I think that's

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yeah, that makes perfect sense. That's you know

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, why it's important. But also the challenge.

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Yeah, the challenge is a good word on approaching

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that kind of relationship between the design and construct.

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I've had I've heard both sides of the stories,

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I've heard the story that, you know, builders

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constructors if you wish, or just mechanics without a

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sense of creativity. Um I've heard the a reverse

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side. Architects know nothing about construction, I know

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nothing about how pieces and parts go together. And

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so I feel and I hope that I can make

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that kind of contribution that I worked very diligently to

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try to balance the fact that that there are contributors

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. And it's a collaborative endeavor to get successful projects

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built successful even at the routine region, local level

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and even successful national, what we might call landmark

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buildings are signature buildings. It takes an enormous collaborative

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endeavor to make those happen. And if you don't

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think that's the case, then you really are missing

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the boat. Yeah, I mean it's a very

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valuable perspective to be able to have from both.

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Well, the designers do know how to put things

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together. They may not know some of the very

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intricate details and and they may not may not have

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a sensitivity to some of the micro aspects of that

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, but the broader aspects of the relationships that the

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quality, quality too management of the delivery. Quality

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management in a different sense than quality management from a

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construction perspective, but how you do maintain the relationships

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and quality of the workmanship of the material and the

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quality of the inter relationships between the materials. They

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architects understand that. I think very, very well

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the ability to design the interface is I think in

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general, they understand those reasonably well, they understand

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tolerance levels reasonably well. So, so I don't

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take a lot of stock in anybody that ever tells

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me that architects don't know how to put buildings together

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. I think one of the, one of the

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things that I find very interesting is I don't know

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if, you know 100. Yeah, he actually

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bring some very attractive does he does. And this

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summer we had summer studio grant program. You know

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, there was a point where he's like, you

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know, there has to be in door opener there

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, where is the same newspaper going? There are

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things like that I think are so valuable for architects

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to understand, it doesn't have to come in and

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come out, but at some point you have to

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accept the reality that this can't be a pure thing

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if you're actually going to make it, it's coming

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off the page. And I anyway, so I

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guess one of my questions for us going forward,

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like projecting out as far as you want to project

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out, do you see, especially with design ability

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becoming a more viable delivery for public works and things

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, do you see need or? Mhm. I'm

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just wondering about the collaboration programs going forward in the

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future. The well maybe not even so far into

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the future because I think that right now the merging

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of design and construction is happening, it's happening at

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the, at the project delivery level that's happening with

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the design build, to see in that risk components

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that we're seeing being used significantly in construction right now

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. Uh, the battle for leadership in integrated project

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delivery has yet to really hit the, hit the

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table very hard I think, but where you're seeing

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it, not only in the professional levels, but

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you see it at the sub levels where students now

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are saying I need to know a little bit more

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about construction or I need to know a little bit

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more about design. So you're seeing that little tip

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of the spear starting to happen and subsequently to that

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, the construction professionals, the companies that do high

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end work and do a significant amount of construction management

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at risk and design build, recognize that the team

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needs in house. On the constructor side, the

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team in house needs an architectural, what I call

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a construction designer or a construction integrator or a design

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integrated the term that you whichever term you wish to

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look at. I like the concept of construction designer

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because that individual has now got a big gap to

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fill between what might be the design designer and the

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constructor of record if you wish and not even so

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much the designer, the design designer and then than

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a local designer. That's a, that's a real

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difference. I'm not talking about that. I'm talking

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about an individual that's able to bridge that world and

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that domain between the design speak in a construction speak

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and is able to say, okay, I need

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to figure out simply, you know, just in

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time, just in sequence documentation that's accurate to give

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me what I need when I needed and add value

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to the process. As opposed to documenting things that

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might protect me and litigation or might protect me when

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we run into uh, you know, why do

402
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you have this and not have this and areas and

403
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emissions kind of pieces and parts that we get into

404
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? So I'm seeing that I'm seeing the companies,

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particularly the constructors, construction companies are hiring architectural graduates

406
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to come into their organizations to interface between the design

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that they get and a construction that they need.

408
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A lot of it is coupled around the use of

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building information modeling right now and building information modeling is

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, is, has quite a bit of capabilities to

411
00:24:27.640 --> 00:24:32.410 A:middle L:90%
it. It's being used quite frequently in the front

412
00:24:32.410 --> 00:24:36.680 A:middle L:90%
end procurement process. Give you three very quick schematic

413
00:24:36.690 --> 00:24:38.680 A:middle L:90%
designs, different schemes and I can actually probably price

414
00:24:38.680 --> 00:24:45.599 A:middle L:90%
them and reasonably range of pricing such that it's accurate

415
00:24:45.599 --> 00:24:47.509 A:middle L:90%
reflection and we can begin to decide whether it's a

416
00:24:47.519 --> 00:24:48.440 A:middle L:90%
physical project to pursue. So I can give you

417
00:24:48.440 --> 00:24:51.299 A:middle L:90%
a couple of schemes and they're really easy to kind

418
00:24:51.299 --> 00:24:52.930 A:middle L:90%
of click off, right, and then I can

419
00:24:52.930 --> 00:24:56.029 A:middle L:90%
then translate those things down downstream. Right? And

420
00:24:56.029 --> 00:25:00.099 A:middle L:90%
then I can take the the other aspects of construct

421
00:25:00.099 --> 00:25:03.619 A:middle L:90%
ability, the interfaces between the systems that I need

422
00:25:03.619 --> 00:25:06.990 A:middle L:90%
to cram in a little small space between finished ceiling

423
00:25:06.990 --> 00:25:10.750 A:middle L:90%
and roof and so our floor. So we're able

424
00:25:10.750 --> 00:25:11.569 A:middle L:90%
to then come back and take a look and say

425
00:25:11.569 --> 00:25:14.309 A:middle L:90%
, okay, how's all my piping on my duct

426
00:25:14.319 --> 00:25:17.450 A:middle L:90%
work? All my diffusers on my uh wow,

427
00:25:18.640 --> 00:25:21.529 A:middle L:90%
come to, it's all that other stuff that's up

428
00:25:21.529 --> 00:25:22.420 A:middle L:90%
in the ceiling. How do I interface with all

429
00:25:22.420 --> 00:25:25.940 A:middle L:90%
of that And make sure I can minimize my uh

430
00:25:25.950 --> 00:25:29.869 A:middle L:90%
interference is therefore minimize minimize my going back and saying

431
00:25:29.869 --> 00:25:30.119 A:middle L:90%
, well, you know, you didn't design this

432
00:25:30.119 --> 00:25:32.930 A:middle L:90%
to fit or it's too deep, too big.

433
00:25:32.930 --> 00:25:33.910 A:middle L:90%
I got a dollar so we catch all of those

434
00:25:33.910 --> 00:25:37.599 A:middle L:90%
in advance so we can virtually do the virtual design

435
00:25:37.609 --> 00:25:41.480 A:middle L:90%
construct. So the world of virtual design and construct

436
00:25:41.569 --> 00:25:45.430 A:middle L:90%
is a world that's going to now now naturally create

437
00:25:45.430 --> 00:25:49.180 A:middle L:90%
a collaborative environment for the design and construction and we'll

438
00:25:49.180 --> 00:25:52.230 A:middle L:90%
get a common speak out of the refuge. Do

439
00:25:52.230 --> 00:25:56.599 A:middle L:90%
you see more classes together and you know, things

440
00:25:56.599 --> 00:26:02.269 A:middle L:90%
like them? I'm not sure that that we'll see

441
00:26:02.640 --> 00:26:06.079 A:middle L:90%
classes together. I do think that maybe in an

442
00:26:06.079 --> 00:26:10.289 A:middle L:90%
educational environment there may be some, some specific focus

443
00:26:10.289 --> 00:26:14.990 A:middle L:90%
that has to go on and maybe I've just been

444
00:26:18.440 --> 00:26:21.569 A:middle L:90%
, what's, what's the term that you use disenchanted

445
00:26:21.569 --> 00:26:22.960 A:middle L:90%
when some of the things that you think will be

446
00:26:22.960 --> 00:26:26.529 A:middle L:90%
successful aren't successful. We do and I do.

447
00:26:26.529 --> 00:26:30.130 A:middle L:90%
And I teach a design built, of course,

448
00:26:30.130 --> 00:26:32.630 A:middle L:90%
it's a four credit our course, it's a design

449
00:26:32.640 --> 00:26:33.440 A:middle L:90%
build. I've taught it for a few years.

450
00:26:33.799 --> 00:26:37.750 A:middle L:90%
We've done that as I said with the fifth year

451
00:26:37.759 --> 00:26:40.990 A:middle L:90%
architecture students in our fourth year Bc students. And

452
00:26:41.000 --> 00:26:42.069 A:middle L:90%
, and that was almost a disaster. And the

453
00:26:42.079 --> 00:26:45.230 A:middle L:90%
disaster was is that when you team these guys up

454
00:26:45.240 --> 00:26:48.890 A:middle L:90%
, you get designers, they get design block and

455
00:26:48.890 --> 00:26:52.089 A:middle L:90%
then you get students that are kind of mm waiting

456
00:26:52.089 --> 00:26:55.029 A:middle L:90%
for the design, which I tell them you are

457
00:26:55.029 --> 00:26:56.440 A:middle L:90%
a contributor and a collaborator for the design. So

458
00:26:56.440 --> 00:27:00.430 A:middle L:90%
you can't wait for the design. You contribute to

459
00:27:00.430 --> 00:27:03.400 A:middle L:90%
the design. So don't give me that, buying

460
00:27:03.400 --> 00:27:07.000 A:middle L:90%
that. Um, but the design blocks at times

461
00:27:07.000 --> 00:27:07.170 A:middle L:90%
, you know, the paper where you can't get

462
00:27:07.170 --> 00:27:10.519 A:middle L:90%
anything on the paper or you can't make that decision

463
00:27:10.519 --> 00:27:12.170 A:middle L:90%
. And so you're seeing some of those, some

464
00:27:12.170 --> 00:27:15.569 A:middle L:90%
of those kind of rubs on that fifth year was

465
00:27:15.569 --> 00:27:18.190 A:middle L:90%
not one of the most successful years to work with

466
00:27:18.200 --> 00:27:19.720 A:middle L:90%
that third year could be, but I think third

467
00:27:19.720 --> 00:27:22.150 A:middle L:90%
year in architecture is probably devoted at a different level

468
00:27:22.150 --> 00:27:26.369 A:middle L:90%
of discovery that doesn't make the interface. So maybe

469
00:27:26.369 --> 00:27:27.789 A:middle L:90%
the fourth year is one of those areas that might

470
00:27:27.799 --> 00:27:30.150 A:middle L:90%
be able to work in that kind of kind of

471
00:27:30.160 --> 00:27:33.700 A:middle L:90%
peace in part. I think it would be great

472
00:27:33.710 --> 00:27:34.890 A:middle L:90%
if we could and I do that every year.

473
00:27:34.890 --> 00:27:38.220 A:middle L:90%
But when the realities come back in that it's that

474
00:27:38.220 --> 00:27:45.559 A:middle L:90%
it's a yeah, it's just a balance. I

475
00:27:45.559 --> 00:27:47.680 A:middle L:90%
think it's a bit of balance on how you get

476
00:27:47.690 --> 00:27:49.079 A:middle L:90%
that thing balanced out. Our design build I think

477
00:27:49.089 --> 00:27:52.559 A:middle L:90%
works reasonably well, particularly if we're able to get

478
00:27:53.039 --> 00:27:56.470 A:middle L:90%
master students that have been in architecture and then our

479
00:27:56.480 --> 00:28:00.200 A:middle L:90%
master students that we put with our our undergraduate students

480
00:28:00.210 --> 00:28:03.680 A:middle L:90%
in a design build endeavor. And so each is

481
00:28:03.680 --> 00:28:06.380 A:middle L:90%
able to bring and contribute quite a quite a bit

482
00:28:06.390 --> 00:28:08.369 A:middle L:90%
to the parts and you get that inter relationship working

483
00:28:08.380 --> 00:28:15.299 A:middle L:90%
and that seems to be I think reasonably successful and

484
00:28:15.299 --> 00:28:17.279 A:middle L:90%
I think that there's a good appreciation for that.

485
00:28:17.279 --> 00:28:19.009 A:middle L:90%
So my suggestion might be if there was a suggestion

486
00:28:19.009 --> 00:28:23.940 A:middle L:90%
that I could make is that that maybe a few

487
00:28:23.940 --> 00:28:27.470 A:middle L:90%
of the master students might like to participate in that

488
00:28:27.480 --> 00:28:32.029 A:middle L:90%
endeavor that we have here. The rub becomes the

489
00:28:32.029 --> 00:28:33.960 A:middle L:90%
rub is the rub is somewhat of a control up

490
00:28:34.640 --> 00:28:37.769 A:middle L:90%
. Like I got my students, I don't want

491
00:28:37.769 --> 00:28:40.119 A:middle L:90%
my students going somewhere else. They don't have the

492
00:28:40.130 --> 00:28:41.380 A:middle L:90%
time to go somewhere else. They're not going to

493
00:28:41.390 --> 00:28:45.039 A:middle L:90%
be near me and my glamour or my uh my

494
00:28:45.049 --> 00:28:48.490 A:middle L:90%
glamour is not the right term but my mentor ship

495
00:28:48.490 --> 00:28:51.990 A:middle L:90%
is not gonna rub off. I do think that

496
00:28:51.990 --> 00:28:53.799 A:middle L:90%
architecture at times in the past and I don't know

497
00:28:53.799 --> 00:28:56.460 A:middle L:90%
if it's the case and you may have a better

498
00:28:56.940 --> 00:29:00.309 A:middle L:90%
better handle on this being a master students or masters

499
00:29:00.309 --> 00:29:03.490 A:middle L:90%
or PhD master student being a student is that that

500
00:29:03.490 --> 00:29:07.450 A:middle L:90%
there is instances in the past where there's this kind

501
00:29:07.450 --> 00:29:12.410 A:middle L:90%
of, it's a kind of a mentorship where you

502
00:29:12.410 --> 00:29:15.480 A:middle L:90%
have the master and you have the student and so

503
00:29:15.480 --> 00:29:18.450 A:middle L:90%
the master has a student following and the student following

504
00:29:18.450 --> 00:29:22.309 A:middle L:90%
wants the master. And so it's a, it's

505
00:29:22.309 --> 00:29:27.769 A:middle L:90%
that relationship unlike the Jedi warrior in the trainee.

506
00:29:29.839 --> 00:29:33.279 A:middle L:90%
Oh, I think, I think what, I

507
00:29:33.279 --> 00:29:36.599 A:middle L:90%
think it's interesting to see, I think this is

508
00:29:36.599 --> 00:29:38.369 A:middle L:90%
because I see a change happening over there and I

509
00:29:38.369 --> 00:29:42.009 A:middle L:90%
think a lot of the older professors think it's a

510
00:29:42.019 --> 00:29:45.859 A:middle L:90%
bad think there's younger faculty coming in who have more

511
00:29:48.140 --> 00:29:51.960 A:middle L:90%
field mentality and we actually have to do this now

512
00:29:52.440 --> 00:29:55.170 A:middle L:90%
as opposed to, I think sort of the lineage

513
00:29:55.940 --> 00:30:00.059 A:middle L:90%
of for our years, right, being blessed out

514
00:30:00.740 --> 00:30:03.299 A:middle L:90%
, wow. So I think there's some people who

515
00:30:03.299 --> 00:30:04.750 A:middle L:90%
think the collaboration would be a great thing and other

516
00:30:04.750 --> 00:30:07.670 A:middle L:90%
people who think they know you're going to get that

517
00:30:07.339 --> 00:30:11.339 A:middle L:90%
, you don't need that yet, and but I

518
00:30:11.339 --> 00:30:15.640 A:middle L:90%
was interviewing great cats from art and he said he

519
00:30:15.640 --> 00:30:18.559 A:middle L:90%
was disappointed to see there used to be much more

520
00:30:19.200 --> 00:30:22.210 A:middle L:90%
open, heard more architects, students would take our

521
00:30:22.220 --> 00:30:25.740 A:middle L:90%
classes, and he thought great, and it just

522
00:30:25.750 --> 00:30:27.210 A:middle L:90%
reminds me it makes me think of a similar thing

523
00:30:27.210 --> 00:30:30.559 A:middle L:90%
here, where, you know, it would be

524
00:30:30.039 --> 00:30:33.769 A:middle L:90%
seemingly nice, all of these, you know,

525
00:30:33.430 --> 00:30:37.650 A:middle L:90%
building the structure, people could take architecture right?

526
00:30:37.660 --> 00:30:41.119 A:middle L:90%
We've tried before to again, cross collaboration is an

527
00:30:41.119 --> 00:30:45.710 A:middle L:90%
important component of pieces and parts we've thought internally even

528
00:30:45.710 --> 00:30:49.730 A:middle L:90%
of trying to do uh course sequences so that we

529
00:30:49.740 --> 00:30:53.789 A:middle L:90%
have our courses tiered and structured so that there are

530
00:30:53.799 --> 00:30:57.720 A:middle L:90%
modules much like books in the library shelf. Right

531
00:30:57.730 --> 00:31:02.299 A:middle L:90%
. And so the individual faculty are the books on

532
00:31:02.299 --> 00:31:03.660 A:middle L:90%
the library shelf, you need this module in your

533
00:31:03.670 --> 00:31:07.440 A:middle L:90%
class and you need it at level 123 or four

534
00:31:07.450 --> 00:31:10.589 A:middle L:90%
, you go get that faculties expertise and you say

535
00:31:10.589 --> 00:31:12.619 A:middle L:90%
, okay, so this week or this two week

536
00:31:12.630 --> 00:31:15.970 A:middle L:90%
time frame, is that module therefore josh, You

537
00:31:15.970 --> 00:31:18.960 A:middle L:90%
have that module for two weeks, alright. Which

538
00:31:18.960 --> 00:31:22.490 A:middle L:90%
gives me two weeks to go do another module on

539
00:31:22.490 --> 00:31:25.759 A:middle L:90%
something else, or gives me a two week respite

540
00:31:25.769 --> 00:31:27.119 A:middle L:90%
in my day to day activities and at least that

541
00:31:27.119 --> 00:31:30.910 A:middle L:90%
one particular course. And and if you can build

542
00:31:30.910 --> 00:31:33.759 A:middle L:90%
the courses or build a content around there, I

543
00:31:33.769 --> 00:31:36.809 A:middle L:90%
see no reason why that kind of expertise could not

544
00:31:36.819 --> 00:31:41.450 A:middle L:90%
cross over into one versus the other eye for myself

545
00:31:42.000 --> 00:31:45.839 A:middle L:90%
, in the design aspects I can teach or I

546
00:31:45.839 --> 00:31:48.279 A:middle L:90%
can share with the students a bit about the the

547
00:31:48.279 --> 00:31:51.900 A:middle L:90%
strategy is an approach to how you might design a

548
00:31:51.900 --> 00:31:56.980 A:middle L:90%
particular project in in our design build kind of component

549
00:31:56.170 --> 00:31:57.490 A:middle L:90%
. I'm not going to go through a bunch of

550
00:31:57.490 --> 00:32:01.269 A:middle L:90%
design philosophy and components like that, but it's a

551
00:32:01.279 --> 00:32:04.579 A:middle L:90%
down to business. You've got a brief, you

552
00:32:04.589 --> 00:32:07.819 A:middle L:90%
dissect the brief, you approach the brief from from

553
00:32:07.829 --> 00:32:13.660 A:middle L:90%
your givens, you granulated your givens to minimize the

554
00:32:14.539 --> 00:32:17.519 A:middle L:90%
permutations that you have. You then established criterias to

555
00:32:17.519 --> 00:32:20.460 A:middle L:90%
move that out and these are the basic kind of

556
00:32:20.460 --> 00:32:22.880 A:middle L:90%
things you kind of left with guys. And so

557
00:32:22.880 --> 00:32:25.250 A:middle L:90%
you now have the aspects of being controlled in one

558
00:32:25.250 --> 00:32:29.250 A:middle L:90%
sense and being creative in another sense. So you

559
00:32:29.250 --> 00:32:31.349 A:middle L:90%
recognize the controls and then you can recognize the creativity

560
00:32:31.359 --> 00:32:37.130 A:middle L:90%
and in a design build, memorable design bills are

561
00:32:37.130 --> 00:32:40.589 A:middle L:90%
only those that have a memorable design and so you

562
00:32:40.589 --> 00:32:46.470 A:middle L:90%
can't sell design build short by saying that that design

563
00:32:46.470 --> 00:32:51.119 A:middle L:90%
is not an important component of it because those are

564
00:32:51.119 --> 00:32:52.940 A:middle L:90%
the memorable projects and those are the only ones that

565
00:32:52.950 --> 00:32:57.589 A:middle L:90%
goes go in people's brochures or on their websites to

566
00:32:57.589 --> 00:33:00.089 A:middle L:90%
say here's our design build project and if it doesn't

567
00:33:00.089 --> 00:33:04.349 A:middle L:90%
look good, it doesn't make the cut, doesn't

568
00:33:04.349 --> 00:33:07.109 A:middle L:90%
make the cut. So let me ask you this

569
00:33:07.160 --> 00:33:08.960 A:middle L:90%
because I don't know the answer to this and just

570
00:33:08.970 --> 00:33:13.660 A:middle L:90%
trying to think back the film and what Yeah,

571
00:33:14.140 --> 00:33:16.690 A:middle L:90%
think get in there. Do you know the history

572
00:33:16.690 --> 00:33:21.150 A:middle L:90%
of the construction? I know a bit of the

573
00:33:21.150 --> 00:33:25.170 A:middle L:90%
history of the construction program. It was uh huh

574
00:33:27.240 --> 00:33:29.970 A:middle L:90%
. Again the names names at the beginning of the

575
00:33:29.970 --> 00:33:35.460 A:middle L:90%
construction program was I think trying to get help me

576
00:33:35.460 --> 00:33:37.890 A:middle L:90%
a little bit on remembering the guys as Coco who

577
00:33:37.890 --> 00:33:38.789 A:middle L:90%
was before, you know, it was before Kogel

578
00:33:38.789 --> 00:33:45.029 A:middle L:90%
in a historical sense or I should too, and

579
00:33:45.029 --> 00:33:45.750 A:middle L:90%
it's on the tip of my tongue and I can't

580
00:33:45.750 --> 00:33:52.109 A:middle L:90%
recall specifically who that is curry Lynn curry there.

581
00:33:52.119 --> 00:33:53.190 A:middle L:90%
And I think it was co golden curry or curry

582
00:33:53.190 --> 00:33:57.430 A:middle L:90%
and Cody. Right, right, right. One

583
00:33:57.430 --> 00:33:59.420 A:middle L:90%
of the two of those guys, either cobra career

584
00:33:59.420 --> 00:34:00.579 A:middle L:90%
, I think it might have been cobalt uh,

585
00:34:00.589 --> 00:34:06.559 A:middle L:90%
decided that that right after the Second World War,

586
00:34:07.039 --> 00:34:09.840 A:middle L:90%
a group of home builders came to the university and

587
00:34:09.840 --> 00:34:12.170 A:middle L:90%
says, you know, we need a, we

588
00:34:12.170 --> 00:34:15.000 A:middle L:90%
need an educational program in construction because we got a

589
00:34:15.000 --> 00:34:16.820 A:middle L:90%
lot of stuff we're gonna have to build here after

590
00:34:16.820 --> 00:34:19.570 A:middle L:90%
the war. So there's quite a bit of construction

591
00:34:19.570 --> 00:34:21.420 A:middle L:90%
is going to take place after the war. We

592
00:34:21.420 --> 00:34:23.639 A:middle L:90%
need people personnel that are educated and trained. A

593
00:34:23.639 --> 00:34:27.559 A:middle L:90%
lot of people equate education and training as the same

594
00:34:27.559 --> 00:34:30.760 A:middle L:90%
thing, but we need people educated and trained in

595
00:34:30.760 --> 00:34:32.820 A:middle L:90%
construction. How about seeing where we can do a

596
00:34:32.829 --> 00:34:36.670 A:middle L:90%
program in that? Uh We don't need an engineering

597
00:34:36.670 --> 00:34:37.769 A:middle L:90%
degree. We don't need an architecture degree of what

598
00:34:37.769 --> 00:34:40.380 A:middle L:90%
we need is a basic construction degree, a little

599
00:34:40.380 --> 00:34:43.480 A:middle L:90%
bit of architecture, a little bit of engineering,

600
00:34:43.489 --> 00:34:45.530 A:middle L:90%
a good bit of business. Uh and then construction

601
00:34:45.530 --> 00:34:50.349 A:middle L:90%
component and that got the program started. So I

602
00:34:50.349 --> 00:34:52.159 A:middle L:90%
think it was kogelo Korea. Either one of those

603
00:34:52.159 --> 00:34:57.949 A:middle L:90%
to have to get exactly um that started worked its

604
00:34:57.949 --> 00:34:59.909 A:middle L:90%
way I think out of patent worked its way around

605
00:34:59.909 --> 00:35:02.860 A:middle L:90%
town as I spoke about before finally settled into here

606
00:35:04.320 --> 00:35:08.820 A:middle L:90%
. The heads of the program were, who started

607
00:35:08.820 --> 00:35:10.329 A:middle L:90%
it, who, who the original head was.

608
00:35:10.329 --> 00:35:14.269 A:middle L:90%
I don't know back in a in the early forties

609
00:35:14.280 --> 00:35:15.480 A:middle L:90%
or the late forties, early fifties, I don't

610
00:35:15.480 --> 00:35:17.429 A:middle L:90%
really know who that is and I don't know exactly

611
00:35:17.429 --> 00:35:20.679 A:middle L:90%
when Bill Favreau started, but he actually might have

612
00:35:20.679 --> 00:35:23.860 A:middle L:90%
been the original head of the program in the department

613
00:35:24.440 --> 00:35:28.210 A:middle L:90%
. Bill Favreau was in this department until he died

614
00:35:28.210 --> 00:35:31.210 A:middle L:90%
. And I think the The early 70s, maybe

615
00:35:31.280 --> 00:35:36.360 A:middle L:90%
sometime in the 70s. And then Vince Silin Berg

616
00:35:37.639 --> 00:35:40.010 A:middle L:90%
was followed behind him and became hit. The faculty

617
00:35:40.010 --> 00:35:44.030 A:middle L:90%
was three or 4 factors, three or four factors

618
00:35:44.030 --> 00:35:45.019 A:middle L:90%
for the longest time, three or four faculty.

619
00:35:45.019 --> 00:35:47.969 A:middle L:90%
And they rotated faculty of people who practiced. Some

620
00:35:47.969 --> 00:35:51.360 A:middle L:90%
architects and built ever, was an art history professor

621
00:35:52.340 --> 00:35:53.969 A:middle L:90%
. So an art history professor started the construction program

622
00:35:54.639 --> 00:35:59.849 A:middle L:90%
. Vince Hillenburg was an architectural graduate and an architect

623
00:35:59.849 --> 00:36:02.320 A:middle L:90%
enrichment. And so he ran the program from the

624
00:36:02.329 --> 00:36:06.809 A:middle L:90%
70s to 90s, early 90s. And then we

625
00:36:06.809 --> 00:36:14.780 A:middle L:90%
had a tumultuous period with with but with just poor

626
00:36:14.780 --> 00:36:16.150 A:middle L:90%
leadership at that point in time. And then Ivan

627
00:36:16.150 --> 00:36:21.909 A:middle L:90%
Belliveau came in in the 95 or so like that

628
00:36:21.909 --> 00:36:23.750 A:middle L:90%
mid 90s. And then he took the program on

629
00:36:23.750 --> 00:36:31.440 A:middle L:90%
until 2007 or so. Like that 6 2006 2007

630
00:36:31.440 --> 00:36:36.369 A:middle L:90%
when the school of construction was created and he took

631
00:36:36.369 --> 00:36:37.420 A:middle L:90%
the director head of the school construction and the building

632
00:36:37.420 --> 00:36:44.789 A:middle L:90%
construction department. He became wallet. So so that

633
00:36:44.789 --> 00:36:47.860 A:middle L:90%
little uh tom framing, that's basically that's the basic

634
00:36:47.869 --> 00:36:52.920 A:middle L:90%
timeframe Back in the bill. Favreau days. They

635
00:36:52.929 --> 00:36:53.389 A:middle L:90%
used to spend a lot of time out at the

636
00:36:53.389 --> 00:36:57.559 A:middle L:90%
airport is actually building out at the airport that BC

637
00:36:57.559 --> 00:37:01.869 A:middle L:90%
students built back in the 50s. And so they

638
00:37:01.869 --> 00:37:04.920 A:middle L:90%
had, they had classes that met out there by

639
00:37:04.920 --> 00:37:07.900 A:middle L:90%
the airport. They did they did some work like

640
00:37:07.900 --> 00:37:13.090 A:middle L:90%
that there. Origination was strongly for the home building

641
00:37:13.090 --> 00:37:15.210 A:middle L:90%
and the home building industry and that has matured over

642
00:37:15.210 --> 00:37:17.519 A:middle L:90%
a period of time to where we're at right now

643
00:37:17.519 --> 00:37:21.909 A:middle L:90%
, which is a to prom programs that we have

644
00:37:21.920 --> 00:37:23.570 A:middle L:90%
. We have a design and construction program, that's

645
00:37:23.570 --> 00:37:27.869 A:middle L:90%
what we call it. Design and construction. And

646
00:37:27.869 --> 00:37:32.840 A:middle L:90%
we have a hey a development, real estate and

647
00:37:32.840 --> 00:37:36.280 A:middle L:90%
construction options. So we have two options in our

648
00:37:36.280 --> 00:37:37.309 A:middle L:90%
program. One design and construction and the other is

649
00:37:37.309 --> 00:37:42.050 A:middle L:90%
development, real estate and construction. And we have

650
00:37:42.050 --> 00:37:44.300 A:middle L:90%
quite a few people who are in both. So

651
00:37:44.300 --> 00:37:46.719 A:middle L:90%
it's split. Probably pretty reasonable. Oh, for

652
00:37:46.719 --> 00:37:50.960 A:middle L:90%
a while, when residential construction was real hot,

653
00:37:51.530 --> 00:37:57.619 A:middle L:90%
Late 90s or early 2000s, residential construction was a

654
00:37:57.619 --> 00:37:59.900 A:middle L:90%
hot commodity and a lot of students were going into

655
00:37:59.900 --> 00:38:01.780 A:middle L:90%
that real high and hot on that. And now

656
00:38:01.780 --> 00:38:07.530 A:middle L:90%
that that's dropped off the deep that that endeavours dropped

657
00:38:07.530 --> 00:38:08.380 A:middle L:90%
a bit as well. We still have those two

658
00:38:08.389 --> 00:38:12.449 A:middle L:90%
options and we're still about equally split. But the

659
00:38:12.460 --> 00:38:15.070 A:middle L:90%
energy level that residential doesn't quite have the enthusiasm that

660
00:38:15.070 --> 00:38:19.070 A:middle L:90%
it did before please. You guys are still getting

661
00:38:19.079 --> 00:38:22.239 A:middle L:90%
jobs. I don't know about the architects, the

662
00:38:22.019 --> 00:38:25.750 A:middle L:90%
the some of the things that building construction has contributed

663
00:38:25.760 --> 00:38:30.389 A:middle L:90%
to in the past. The our student chapter of

664
00:38:30.400 --> 00:38:35.389 A:middle L:90%
the, of the International Honor Society for Construction.

665
00:38:35.400 --> 00:38:37.909 A:middle L:90%
We are the second chapter, we are the beta

666
00:38:37.909 --> 00:38:42.110 A:middle L:90%
chapter. So we're what we are actually the oldest

667
00:38:42.119 --> 00:38:45.690 A:middle L:90%
active chapter right now. The first chapter is,

668
00:38:45.699 --> 00:38:49.599 A:middle L:90%
is I believe it currently an inactive chapter. We're

669
00:38:49.599 --> 00:38:52.019 A:middle L:90%
the oldest active chapter. We've had a couple of

670
00:38:52.019 --> 00:38:57.829 A:middle L:90%
presidents of the International Honor Society for Construction, Nash

671
00:38:57.840 --> 00:39:01.510 A:middle L:90%
International President out of our department. We uh,

672
00:39:01.519 --> 00:39:05.170 A:middle L:90%
we are one of the founding members of the associated

673
00:39:05.170 --> 00:39:07.500 A:middle L:90%
schools of construction. Associated schools construction is now,

674
00:39:07.500 --> 00:39:12.179 A:middle L:90%
I believe it's 108 members or something. We want

675
00:39:12.190 --> 00:39:15.480 A:middle L:90%
one of the original six or 7 founding members of

676
00:39:15.489 --> 00:39:17.730 A:middle L:90%
the associated schools construction. So we have a long

677
00:39:17.739 --> 00:39:22.940 A:middle L:90%
history there. The end, a good bit of

678
00:39:22.940 --> 00:39:29.719 A:middle L:90%
the construction industry in Virginia uh is owned managed and

679
00:39:29.719 --> 00:39:32.340 A:middle L:90%
performed by graduates of our program over the last 60

680
00:39:34.320 --> 00:39:38.750 A:middle L:90%
, I guess it's 60 years. One of the

681
00:39:39.219 --> 00:39:44.139 A:middle L:90%
think this is my first year back was saying something

682
00:39:45.019 --> 00:39:45.460 A:middle L:90%
. If you're here to make money, you should

683
00:39:45.469 --> 00:39:47.480 A:middle L:90%
go over there, go over the building construction.

684
00:39:47.710 --> 00:39:52.840 A:middle L:90%
This is not. But at least they're being honest

685
00:39:52.219 --> 00:39:54.639 A:middle L:90%
. Yeah, well, everybody should make money this

686
00:39:54.639 --> 00:39:58.000 A:middle L:90%
way. I look at it and successful projects.

687
00:39:58.000 --> 00:40:00.010 A:middle L:90%
Everybody makes money on successful projects and it takes a

688
00:40:00.010 --> 00:40:04.599 A:middle L:90%
collaborative endeavor. The problem that you frequently run into

689
00:40:04.599 --> 00:40:07.050 A:middle L:90%
and I find in this whole design, construction kind

690
00:40:07.050 --> 00:40:08.230 A:middle L:90%
of component is a design build, helps in construction

691
00:40:08.230 --> 00:40:10.519 A:middle L:90%
management of risk, helps alleviate this. Is that

692
00:40:10.530 --> 00:40:14.369 A:middle L:90%
up until the day the contract is inked, the

693
00:40:14.369 --> 00:40:16.849 A:middle L:90%
designer has a tremendous amount of flexibility to be able

694
00:40:16.849 --> 00:40:21.619 A:middle L:90%
to make modifications, inclusions, additions, subtractions to

695
00:40:21.630 --> 00:40:23.780 A:middle L:90%
the documentation. Once the contract is inked, all

696
00:40:23.780 --> 00:40:25.820 A:middle L:90%
that kind of stops and what you didn't take care

697
00:40:25.820 --> 00:40:29.099 A:middle L:90%
of before the contract was inked. Now you've got

698
00:40:29.099 --> 00:40:32.269 A:middle L:90%
to deal with in a contractual obligation basis and you've

699
00:40:32.269 --> 00:40:36.929 A:middle L:90%
got to follow the letter of the law mostly unless

700
00:40:36.929 --> 00:40:37.239 A:middle L:90%
you want to walk around on the edges of the

701
00:40:37.239 --> 00:40:40.980 A:middle L:90%
contract. Um, so that creates that time,

702
00:40:40.980 --> 00:40:45.440 A:middle L:90%
some difficulty in a working relationship. And then there's

703
00:40:45.440 --> 00:40:47.840 A:middle L:90%
always the advocacy, the advocacy for the design and

704
00:40:47.840 --> 00:40:52.360 A:middle L:90%
that's a continuing battle that designers thanks my design,

705
00:40:52.369 --> 00:40:57.460 A:middle L:90%
my design, my design and the concept of design

706
00:40:57.460 --> 00:41:00.090 A:middle L:90%
intent I think is very important. And constructors I

707
00:41:00.099 --> 00:41:02.150 A:middle L:90%
believe understand that very well. The minute you begin

708
00:41:02.150 --> 00:41:05.510 A:middle L:90%
to, from an architectural perspective, the intent was

709
00:41:05.510 --> 00:41:07.230 A:middle L:90%
to do this. Now how do we go about

710
00:41:07.230 --> 00:41:09.659 A:middle L:90%
actually doing that? If we can have those conversations

711
00:41:09.670 --> 00:41:12.679 A:middle L:90%
after the contract is inked, we can have a

712
00:41:12.679 --> 00:41:15.159 A:middle L:90%
very successful project downstream. The intent is this?

713
00:41:15.280 --> 00:41:16.929 A:middle L:90%
Well, my intent was this Okay, well let's

714
00:41:16.929 --> 00:41:20.650 A:middle L:90%
see if we can't work these two intense out and

715
00:41:20.650 --> 00:41:22.420 A:middle L:90%
hopefully from a collaborative perspective to work out for success

716
00:41:22.429 --> 00:41:24.429 A:middle L:90%
, it happens. It's a, it's a small

717
00:41:24.429 --> 00:41:28.510 A:middle L:90%
world out there, the communities that were in the

718
00:41:28.519 --> 00:41:31.599 A:middle L:90%
design construction communities, no matter whether you're in Blacksburg

719
00:41:31.599 --> 00:41:35.550 A:middle L:90%
Virginia or you're in Washington, D. C.

720
00:41:35.559 --> 00:41:39.329 A:middle L:90%
Or new york city, those design construction communities are

721
00:41:39.909 --> 00:41:45.079 A:middle L:90%
pretty close titan, Everybody knows everybody, everybody knows

722
00:41:45.079 --> 00:41:46.809 A:middle L:90%
about everybody in it. So it's not like you

723
00:41:46.809 --> 00:41:50.829 A:middle L:90%
don't know somebody and you don't interact with somebody.

724
00:41:51.400 --> 00:41:53.309 A:middle L:90%
And as I tell my students, there are guys

725
00:41:53.309 --> 00:41:55.190 A:middle L:90%
in class right now that you will be across the

726
00:41:55.190 --> 00:41:59.460 A:middle L:90%
table on competing against known projects, there will be

727
00:41:59.460 --> 00:42:00.710 A:middle L:90%
guys in the classroom that you will be on the

728
00:42:00.710 --> 00:42:05.019 A:middle L:90%
same teams, competing against other guys in the classroom

729
00:42:05.699 --> 00:42:07.139 A:middle L:90%
and recognize that. And there will be guys in

730
00:42:07.150 --> 00:42:10.699 A:middle L:90%
Cobo Hall and Berta call that you will be collaborating

731
00:42:10.699 --> 00:42:15.719 A:middle L:90%
with on design construct projects. You will be doing

732
00:42:15.099 --> 00:42:19.300 A:middle L:90%
Construct projects on a traditional design bid, build that

733
00:42:19.309 --> 00:42:21.969 A:middle L:90%
people that are just now two or 34 400 ft

734
00:42:21.969 --> 00:42:23.320 A:middle L:90%
away from you are working on. So we really

735
00:42:23.320 --> 00:42:28.070 A:middle L:90%
need to recognize that it's a small community and it's

736
00:42:28.070 --> 00:42:31.300 A:middle L:90%
a relationship based kind of approach for success. Yeah

737
00:42:32.000 --> 00:42:37.230 A:middle L:90%
. But if the last think I'll ask is yeah

738
00:42:37.199 --> 00:42:40.760 A:middle L:90%
, Ferrari has come up a lot. And do

739
00:42:40.760 --> 00:42:44.590 A:middle L:90%
you have any stories or any anecdotes about any of

740
00:42:44.590 --> 00:42:46.670 A:middle L:90%
those guys are already perjured or any of the Oh

741
00:42:46.670 --> 00:42:50.440 A:middle L:90%
, I probably have a have a treasure trove of

742
00:42:50.440 --> 00:42:52.420 A:middle L:90%
stories and we could maybe talk about some more stories

743
00:42:52.429 --> 00:42:58.230 A:middle L:90%
at another time. The I will say about all

744
00:42:58.230 --> 00:43:02.030 A:middle L:90%
of the faculty that I've had the opportunity to study

745
00:43:02.030 --> 00:43:05.969 A:middle L:90%
under at Virginia Tech and all the faculty that have

746
00:43:05.980 --> 00:43:08.559 A:middle L:90%
had an opportunity to collaborate with Virginia Tech. Their

747
00:43:08.570 --> 00:43:13.559 A:middle L:90%
predominant interest is a success of a student. They

748
00:43:13.570 --> 00:43:19.420 A:middle L:90%
are here to change people's lives. The faculty are

749
00:43:19.420 --> 00:43:23.679 A:middle L:90%
here to change students lives and we hope we're successful

750
00:43:23.679 --> 00:43:25.909 A:middle L:90%
in changing their lives. And I will tell you

751
00:43:25.909 --> 00:43:30.070 A:middle L:90%
that Ferrari had a tremendous impact on my life and

752
00:43:30.070 --> 00:43:32.599 A:middle L:90%
changed portions of my life. Professor Crandall had a

753
00:43:32.610 --> 00:43:37.769 A:middle L:90%
tremendous impact on my life and changed parts of my

754
00:43:37.769 --> 00:43:42.309 A:middle L:90%
life in Berkshire had had an impact on my life

755
00:43:42.320 --> 00:43:45.429 A:middle L:90%
, not maybe as significant as those other two faculty

756
00:43:45.800 --> 00:43:49.630 A:middle L:90%
, but changed my life in Virginia Tech changed my

757
00:43:49.630 --> 00:43:52.980 A:middle L:90%
life. And I think that we, we should

758
00:43:52.989 --> 00:43:57.670 A:middle L:90%
always be cognizant of the recognition of those people who

759
00:43:57.679 --> 00:44:00.409 A:middle L:90%
help change your life and help make your life better

760
00:44:00.110 --> 00:44:04.750 A:middle L:90%
. And the Virginia Tech College of Architecture and Urban

761
00:44:04.750 --> 00:44:07.949 A:middle L:90%
Studies or as I like to call it because building

762
00:44:07.949 --> 00:44:12.510 A:middle L:90%
construction, architecture and urban studies has changed my life

763
00:44:14.789 --> 00:44:15.250 A:middle L:90%
. But I do have a few stories I could

764
00:44:15.250 --> 00:44:21.010 A:middle L:90%
probably tell you after. All right, That's great

765
00:44:21.789 --> 00:44:22.360 A:middle L:90%
. Great. Is there anything else you want to

766
00:44:22.360 --> 00:44:24.320 A:middle L:90%
say? No? Well, yeah, I can

767
00:44:24.320 --> 00:44:25.980 A:middle L:90%
tell you the in the old days when we got

768
00:44:25.980 --> 00:44:34.619 A:middle L:90%
started and you know, customs and customs, custom

769
00:44:34.619 --> 00:44:36.489 A:middle L:90%
take customs. Let me see if that's the right

770
00:44:36.500 --> 00:44:43.820 A:middle L:90%
word is at customs or what's that routines, Customs

771
00:44:43.820 --> 00:44:45.010 A:middle L:90%
. And I was the best. You can help

772
00:44:45.010 --> 00:44:47.349 A:middle L:90%
me figure out the word. But we started this

773
00:44:49.070 --> 00:44:51.630 A:middle L:90%
coffee drinking. We used to drink a lot of

774
00:44:51.630 --> 00:44:53.190 A:middle L:90%
coffee. The professors drank coffee. The professors would

775
00:44:53.190 --> 00:44:57.820 A:middle L:90%
go down to the Greeks where the seller is now

776
00:44:57.820 --> 00:45:00.260 A:middle L:90%
and they would drink coffee and then they would take

777
00:45:00.260 --> 00:45:00.820 A:middle L:90%
a student to let's go get a cup of coffee

778
00:45:00.820 --> 00:45:02.199 A:middle L:90%
. So you'll be working in there and pull you

779
00:45:02.199 --> 00:45:04.599 A:middle L:90%
right out of the, out of the lab.

780
00:45:04.610 --> 00:45:05.920 A:middle L:90%
Let's go get a cup of coffee. So you

781
00:45:05.929 --> 00:45:07.349 A:middle L:90%
go down and get a cup of coffee. Then

782
00:45:07.360 --> 00:45:08.769 A:middle L:90%
talk. Next thing. You know, they would

783
00:45:08.769 --> 00:45:12.000 A:middle L:90%
pull out a napkin out of the dispenser and start

784
00:45:12.000 --> 00:45:14.670 A:middle L:90%
eating on a napping. I think Virginia Tech invented

785
00:45:14.679 --> 00:45:19.280 A:middle L:90%
the design on a napkin process In the early mid

786
00:45:19.280 --> 00:45:21.940 A:middle L:90%
60s. All right. So we would do that

787
00:45:21.940 --> 00:45:22.739 A:middle L:90%
and bring that back. You talk about it and

788
00:45:22.739 --> 00:45:25.070 A:middle L:90%
you do those kinds of things. So whenever we

789
00:45:25.070 --> 00:45:30.579 A:middle L:90%
would have a an issue a designer's block or something

790
00:45:30.579 --> 00:45:31.139 A:middle L:90%
, we go get a coffee. So we'd go

791
00:45:31.139 --> 00:45:32.630 A:middle L:90%
down to the Greeks and we get a coffee.

792
00:45:32.630 --> 00:45:37.420 A:middle L:90%
So coffee became up a ritual and a custom that

793
00:45:37.420 --> 00:45:40.260 A:middle L:90%
we developed and incorporated into our thing. The design

794
00:45:40.260 --> 00:45:43.909 A:middle L:90%
on napkins was a piece and part that happened.

795
00:45:44.289 --> 00:45:47.010 A:middle L:90%
The classical Schaefer fountain pen that you had the ink

796
00:45:47.010 --> 00:45:50.769 A:middle L:90%
cartridge in that everybody used to draw with became a

797
00:45:50.780 --> 00:45:54.170 A:middle L:90%
kind of classical drawing to. And so so in

798
00:45:54.170 --> 00:46:00.000 A:middle L:90%
the early days there there was a strong camaraderie of

799
00:46:00.380 --> 00:46:02.889 A:middle L:90%
oh, role models of the faculty. The faculties

800
00:46:02.889 --> 00:46:07.099 A:middle L:90%
were role models for the architecture, young architecture students

801
00:46:07.099 --> 00:46:08.630 A:middle L:90%
to determine how they might want to carry on in

802
00:46:08.630 --> 00:46:10.840 A:middle L:90%
a design sense and how they may want to interact

803
00:46:10.840 --> 00:46:15.099 A:middle L:90%
with other people. The some of the aggression that

804
00:46:15.099 --> 00:46:17.329 A:middle L:90%
was shown sometimes and I'll call it aggression and some

805
00:46:17.329 --> 00:46:22.079 A:middle L:90%
people might call it assertiveness where where people just tell

806
00:46:22.079 --> 00:46:23.039 A:middle L:90%
you, the professor say that's a piece of crap

807
00:46:23.050 --> 00:46:24.900 A:middle L:90%
, they throw it on the floor and they stamp

808
00:46:24.900 --> 00:46:27.429 A:middle L:90%
on it and said, if you don't understand what

809
00:46:27.429 --> 00:46:30.829 A:middle L:90%
I'm talking about, you need to get another another

810
00:46:30.829 --> 00:46:34.340 A:middle L:90%
curriculum. And so at times those kind of might

811
00:46:34.349 --> 00:46:36.719 A:middle L:90%
be intimidating. I'm not sure we can do those

812
00:46:36.730 --> 00:46:38.840 A:middle L:90%
things these days, Maybe we can, those guys

813
00:46:38.840 --> 00:46:40.409 A:middle L:90%
were able to do it and get away with it

814
00:46:42.079 --> 00:46:44.739 A:middle L:90%
. And it's an appreciative aspect of life that we

815
00:46:44.739 --> 00:46:46.500 A:middle L:90%
could have. I don't know how your professors interact

816
00:46:46.510 --> 00:46:50.659 A:middle L:90%
with you on those things in building construction. We

817
00:46:50.659 --> 00:46:52.960 A:middle L:90%
have a real strong relationship with the students that it's

818
00:46:52.969 --> 00:46:59.420 A:middle L:90%
a building construction, particularly it's almost fraternity kind of

819
00:46:59.429 --> 00:47:01.190 A:middle L:90%
based thing in a sense that everybody is a member

820
00:47:01.190 --> 00:47:05.269 A:middle L:90%
. They know the members, their collegial with each

821
00:47:05.269 --> 00:47:08.000 A:middle L:90%
other, They collaborate a lot. They live and

822
00:47:08.010 --> 00:47:10.460 A:middle L:90%
work together. So it's a, it's a real

823
00:47:10.469 --> 00:47:15.210 A:middle L:90%
community, real strong community and that helps everybody go

824
00:47:15.210 --> 00:47:23.929 A:middle L:90%
a long way. The the two, this building

825
00:47:23.929 --> 00:47:27.469 A:middle L:90%
is quite nice for students. It's a wonderful building

826
00:47:27.469 --> 00:47:30.559 A:middle L:90%
, a wonderful opportunity for the students. So basically

827
00:47:30.559 --> 00:47:31.909 A:middle L:90%
those are kind of it josh. I could tell

828
00:47:31.909 --> 00:47:35.170 A:middle L:90%
you some stories of things the students used to do

829
00:47:35.179 --> 00:47:37.599 A:middle L:90%
where we climbed up on the roof of the,

830
00:47:38.079 --> 00:47:40.599 A:middle L:90%
what was the original Squires hall, where there was

831
00:47:44.079 --> 00:47:45.139 A:middle L:90%
a little spire up on the top and a couple

832
00:47:45.139 --> 00:47:47.900 A:middle L:90%
up there and we painted an A on it.

833
00:47:49.469 --> 00:47:51.039 A:middle L:90%
I'm surprised. I don't know how we didn't fall

834
00:47:51.039 --> 00:47:52.469 A:middle L:90%
off the roof. I think we had a rope

835
00:47:52.469 --> 00:47:52.489 A:middle L:90%
tied up there. I don't know if, I

836
00:47:52.489 --> 00:47:53.929 A:middle L:90%
don't know who the first guy was. They went

837
00:47:53.929 --> 00:47:57.050 A:middle L:90%
up there. I wasn't the first guy, but

838
00:47:57.050 --> 00:47:58.869 A:middle L:90%
we had a rope that we kind of pulled ourselves

839
00:47:58.869 --> 00:48:00.969 A:middle L:90%
up there, kind of tied off and we painted

840
00:48:00.969 --> 00:48:01.570 A:middle L:90%
this a and we kept a look at this.

841
00:48:01.570 --> 00:48:06.710 A:middle L:90%
If anybody was spotting us and big event the next

842
00:48:06.710 --> 00:48:07.130 A:middle L:90%
day we can go look at it when the sun

843
00:48:07.130 --> 00:48:09.719 A:middle L:90%
came up. Right. So we did that.

844
00:48:09.730 --> 00:48:12.880 A:middle L:90%
We built a, you know, a two ft

845
00:48:12.889 --> 00:48:15.389 A:middle L:90%
by two ft concrete cube on the drill field one

846
00:48:15.389 --> 00:48:17.500 A:middle L:90%
night in the dark of night with lookouts at each

847
00:48:17.500 --> 00:48:21.550 A:middle L:90%
end of the drill field to let us know with

848
00:48:21.550 --> 00:48:22.889 A:middle L:90%
a flashlight, if there were some somebody coming down

849
00:48:22.889 --> 00:48:25.539 A:middle L:90%
either either into the drill field or or from either

850
00:48:25.539 --> 00:48:28.869 A:middle L:90%
direction so we could all hit the ground so we

851
00:48:28.880 --> 00:48:31.730 A:middle L:90%
wouldn't be discovered. So those are some of the

852
00:48:31.739 --> 00:48:35.929 A:middle L:90%
events that we kind of did. There's a couple

853
00:48:35.929 --> 00:48:39.329 A:middle L:90%
of other kind of events but very exciting, very

854
00:48:39.329 --> 00:48:45.469 A:middle L:90%
intoxicating time of life, early Middle 60s, early

855
00:48:45.469 --> 00:48:49.099 A:middle L:90%
70s. And I think the old high school building

856
00:48:49.099 --> 00:48:52.590 A:middle L:90%
contributed to that a lot that it was just,

857
00:48:54.769 --> 00:48:57.650 A:middle L:90%
I went to. It really was a think tank

858
00:48:57.659 --> 00:49:00.139 A:middle L:90%
, do tank working the hallways. People had models

859
00:49:00.139 --> 00:49:05.309 A:middle L:90%
in the hallways building in the hallways just like it's

860
00:49:05.309 --> 00:49:07.489 A:middle L:90%
just a real real nice environment to work in.

861
00:49:08.269 --> 00:49:14.579 A:middle L:90%
Okay. Yeah. Mm That's right. Thank you

862
00:49:14.590 --> 00:49:16.179 A:middle L:90%
. When did you finish your degree? Nay nay

863
 -->  A:middle L:90%
.

