Plummer, Sarah E.2023-07-182023-07-182023-07-17vt_gsexam:38227http://hdl.handle.net/10919/115789Bread and Puppet Theater's use of performing objects offers an aperture to contemplate complex assemblages that blur lines between the human and the nonhuman. Drawing upon cultural studies, feminist materialism, circus studies, and puppetry studies, I consider both the bread and the puppets as they intersect with various assemblages and fields of interpretation. These configurations demonstrate how the objects embody (non)human, material, and conceptual aspects. Because of this ability to exist within the meshes of binaries, performing objects are well suited to challenge and expose other binaries and hierarchies through three categories of analysis — movement, difference, and intra-action — based on Karan Barad's work on matter. In addition to the theoretical framework, I conducted ethnographic interviews and rely on my own experience as an apprentice at Bread and Puppet in 2004, considering myself as co-constitutive actant within the scope of analysis. I examine the way the theater uses sourdough bread and puppets as performing objects to create meaning, express ideology, apply tension within constructs of power, and demonstrate a model for co-dependent living between humans and objectsETDenIn CopyrightBread and Puppet Theaterobjectsmaterialismprotestrod puppetssourdoughcircusCheap Artintra-actionassemblageperforming objectsolidarityDissertation