Snyder, Megan Elizabeth2023-06-072023-06-072023-06-06vt_gsexam:37803http://hdl.handle.net/10919/115353Popular culture texts such as films have become increasingly prevalent and powerful in dictating what we believe and know to be true. Throughout history, Asians and Asian Americans have been represented through disempowering portrayals that have evolved into stereotypes perpetuated in films. However, Asians and Asian Americans have worked to reclaim their identities and transform how they are portrayed in movies. Thus, this thesis examines four American films including "Breakfast at Tiffany's" (1961), "Memoirs of a Geisha" (2005), "Minari" (2020), and "Everything Everywhere All at Once" (2022). By conducting a modified critical discourse analysis of how these films portray Asian and Asian American identity, this thesis depicts how disempowerment in films is connected to negative stereotypes and representations, and how empowerment in films can provide prototypes that are more authentic representations of Asian and Asian Americans.ETDenIn CopyrightstereotypesprototypesAsiansAsian AmericansidentityThesis