Sahyoun, Mona FaysalLaney, JordanSzczurek, AnthonyKhreiche, MarioWard, ShelbyEngel, Sascha2021-08-272021-08-272016-04-14Sahyoun, M.F., 2016. Black Cultural Heritage and the Subversion of the Stereotypical Images of the Black Woman in Toni Morrison's Sula. Spectra, 5(1). DOI: http://doi.org/10.21061/spectra.v5i1.349http://hdl.handle.net/10919/104840One consequence of American slavery was the de-gendering of female slaves, divesting them of a traditional feminine gender identity that their White mistresses were encouraged to assume, thus rendering female slaves sexed yet genderless females. The female slaves are constructed as "breeder" rather than "mother" and promiscuous rather than chaste. While Angela Davis states in Women, Race & Class that, from the perspective of slaveholders, female slaves were no more than "breeders", Eugene D. Genovese records in Roll, Jordan, Roll: The World the Slaves Made that Europeans in the seventeenth and eighteenth centuries were appalled by the sexual traditions of West Africans and were persuaded that West Africans lacked morals and sexual restraints. The slavery system also fostered the later constructions of Black women as "mammies", "matriarchs", and the most recent stereotypes of "welfare mothers", and "hoochies". Such constructions revealed the dominant group's concern that Black women maintain a subordinate position. In this paper, I argue that Morrison in Sula draws on the tradition of other-mothering and community other-mothering, notions adapted from West African societies, as well as the practice of biological mothering in ways that successfully disrupt negative stereotypes about Black womanhood originating from slavery.328 KBapplication/zipenCreative Commons Attribution 4.0 InternationalArticle - RefereedSahyoun, Mona FaysalVirginia Techhttp://doi.org/10.21061/spectra.v5i1.349512162-8793