Browsing by Author "Weaver-Hightower, Rebecca"

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    Enshrining Gender in Monuments to Settler Whiteness: South Africa’s Voortrekker Monument and the United States’ This Is the Place Monument
    Prescott, Cynthia; Rees, Nathan; Weaver-Hightower, Rebecca (MDPI, 2021-03-02)
    This essay examines two monuments: the Voortrekker Monument in South Africa and the American This is the Place Monument in Utah. Similar in terms of construction and historical purpose, both employ gender as an important tool to legitimize the settler society each commemorates. Each was part of a similar project of cultural recuperation in the 1930s−1940s that chose as their object of commemoration the overland migration in covered wagons of a group of white settlers that felt oppressed by other white settlers, and therefore sought a new homeland. In a precarious cultural moment, descendants of these two white settler societies—the Dutch Voortrekkers of South Africa and Euro-American Mormons (Latter-day Saints or LDS) of Utah—undertook massive commemoration projects to memorialize their ancestors’ 1830s−1840s migrations into the interior, holding Afrikaners and Mormons up as the most worthy settler groups among each nation’s white population. This essay will argue that a close reading of these monuments reveals how each white settler group employed gendered depictions that were inflected by class and race in their claims to be the true heart of their respective settler societies, despite perceiving themselves as oppressed minorities.
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    Mobile Film Festival Africa and Postcolonial Activism
    Weaver-Hightower, Rebecca (MDPI, 2023-11-28)
    This paper enters into a debate of how new and potentially more accessible technologies might affect freedom of expression for heretofore disenfranchised peoples and postcolonial social and political development. This essay examines short films produced on camera phones by amateur African filmmakers for one of the many existent mobile phone film festivals: Mobile Film Festival Africa held in 2021. Mobile Film Festival, an annual and international festival of short-length movies, was founded in 2005 based on the principle “1 Mobile, 1 Minute, 1 Film”. Because of the highly destructive mining in Africa required to obtain the minerals necessary for mobile phone production, because of the Western narratives of progress mobile phone sales build upon, and because of the fact that mobile phones are instruments of capitalism that largely feed big Western countries, mobile phones are themselves tools of neocolonialism and digital colonialism. Thus, a film festival that markets itself as a means of social progress but that relies upon mobile phones in Africa provides an interesting and quite complicated case study. Two of the award-winning films from this festival recognize in different ways the complicated relationship between mobile phones and postcolonial activism.
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    'New' Media: Decolonial Opportunities or Digital Colonialism?
    Veracini, Lorenzo; Weaver-Hightower, Rebecca (MDPI, 2023-12-21)
    Can one colonise or liberate cyberspace, space that is not actually space [...]