ENGL5164: Black American Literature

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https://hdl.handle.net/10919/97457

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Browsing ENGL5164: Black American Literature by Subject "James Baldwin"

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    Decolonial Theory in James Baldwin's "No Name in the Street"
    Smith, Carli A.; Hartley, Ray (2020-05-05)
    James Baldwin’s No Name in the Street chronicles Baldwin’s experiences living in Paris during the Indochina War and the Algerian War before returning to American in the midst of the American civil rights movement. In this project, we seek to read No Name in the Street through a decolonial approach, with our definition of decolonialism inspired by Frantz Fanon’s The Wretched of the Earth. We frame this project in two sections: 1) Baldwin and international decolonialism (in Vietnam, Algeria, and Paris) and 2) Baldwin’s writing about decolonial theory in America when he returns from abroad, specifically regarding Malcolm X, Huey P. Newton, and the Black Panthers.
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    "Not Only in the Orient is White the Color of Death": Postcolonial Readings of James Baldwin's No Name in the Street
    Payne, Savannah; Whittemore, Rhys (Virginia Tech, 2020-05-03)
    James Baldwin, an African American novelist, activist, essayist, and playwright from Harlem, New York, rose to fame in the mid-20th century. His writings are fixated on the incessant interplay of race, identity, and nationhood in lived reality and in theoretical imagined spaces. This is especially true of No Name in the Street, a collection of nonfiction essays originally published in 1972. The events that Baldwin relates in No Name in the Street lend themselves particularly well to post-colonial theoretical approaches. As Baldwin moves, literally and theoretically, through real and imagined spaces of America and Western Europe, he dramatizes the racial and class struggles he observes and experiences. Frequently in No Name in the Street, Baldwin relies on principles we can identify as the tenets of post-colonialism, a theoretical approach that examines the workings of race, imperialism, capitalism, and class in the world and in the lived experiences of the colonizer and the colonized. No Name in the Street is a complex text that resists categorization, chronology, and restrictions of genre. Thus, in an attempt to present the text in a remotely sequential way, we have separated this project into three distinct and somewhat chronological sections based on the three most prominent locations in the text: New York, the American South, and the American West, respectively. We have presented the text through these locations, and in this order, to indicate Baldwin's emphasis on place while also retaining some of the events' chronology.