The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era

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dc.contributorVirginia Techen
dc.contributor.authorPrince, Stephenen
dc.date.accessed2014-02-17en
dc.date.accessioned2014-03-05T13:38:16Zen
dc.date.available2014-03-05T13:38:16Zen
dc.date.issued2004en
dc.description.abstractThe tools of digital filmmaking are transforming all aspects of cinema, including production, postproduction, and exhibition. In the process, they are altering the visual characteristics of the moving image and changing the viewer's perceptual understanding of the nature of cinema, leading to the emergence, for the first time in the medium's history, of filmic artifacts.en
dc.identifier.citationPrince, S. (2004). The Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Era. Film Quarterly, 57(3), 24-33. doi: 10.1525/fq.2004.57.3.24en
dc.identifier.doihttps://doi.org/10.1525/fq.2004.57.3.24en
dc.identifier.issn0015-1386en
dc.identifier.urihttp://hdl.handle.net/10919/25812en
dc.identifier.urlhttp://www.jstor.org/stable/10.1525/fq.2004.57.3.24en
dc.language.isoenen
dc.publisherUniversity of California Pressen
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.titleThe Emergence of Filmic Artifacts: Cinema and Cinematography in the Digital Eraen
dc.title.serialFilm Quarterlyen
dc.typeArticleen
dc.type.dcmitypeTexten

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