"To Counterfeit the Soul": Portraiture at Historic Smithfield

dc.contributor.authorWirgau, Jessicaen
dc.contributor.editorCampbell, Hugh G.en
dc.contributor.editorCox, Claraen
dc.contributor.editorTaylor, Charles L.en
dc.date.accessioned2019-03-06T18:52:14Zen
dc.date.available2019-03-06T18:52:14Zen
dc.date.issued2007en
dc.description.abstractAn investigation of the artwork at Historic Smithfield within the context of American portraiture in the eighteenth and early nineteenth centuries and demonstrates the influence of British artists and culture.en
dc.format.extent22 pagesen
dc.format.extentSize: 9.8 MBen
dc.format.mimetypeapplication/pdfen
dc.identifier.issn1093-9652en
dc.identifier.issue1en
dc.identifier.urihttp://hdl.handle.net/10919/88139en
dc.identifier.volume11en
dc.language.isoen_USen
dc.publisherMontgomery County Branch Association for the Preservation of Virginia Antiquitiesen
dc.publisherPocahontas Press, Inc.en
dc.publisherVirginia Polytechnic Institute and State University, Department of Historyen
dc.rightsIn Copyrighten
dc.rights.holderThe Smithfield Reviewen
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectHistoryen
dc.subjectSouthwest Virginiaen
dc.subjectBlue Ridgeen
dc.title"To Counterfeit the Soul": Portraiture at Historic Smithfielden
dc.title.serialThe Smithfield Reviewen
dc.typeArticleen
dc.type.dcmitypeTexten

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