Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute

dc.contributor.authorWisnioski, Matthew H.en
dc.date.accessed2014-01-31en
dc.date.accessioned2014-01-30T15:14:10Zen
dc.date.available2014-01-30T15:14:10Zen
dc.date.issued2013en
dc.description.abstractThis essay explores MIT's Center for Advanced Visual Studies to address two major absences in understandings of art/science/technology collaboration: 1) what drew scientists and engineers-not just elite policymakers and polymaths, but thousands in the rank and file-to the arts in the first place; and (2) what compelled the institutions of postwar technoscience to provide financial and material support for such endeavors? The essay employs the notion of "aesthetic virtue" to explain the linkage of the contradictory ideals of creativity and to demonstrate the vital role of institutionalization in an increasingly professionalized and academic domain of contemporary art.en
dc.format.mimetypeapplication/pdfen
dc.identifier.citationMatthew Wisnioski. "Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute." Configurations 21.1 (2013): 85-116. Project MUSE. Web. 30 Jan. 2014, 10.1353/con.2013.0006.en
dc.identifier.doihttps://doi.org/10.1353/con.2013.0006en
dc.identifier.issn1063-1801en
dc.identifier.urihttp://hdl.handle.net/10919/25226en
dc.identifier.urlhttps://muse.jhu.edu/journals/configurations/v021/21.1.wisnioski.pdfen
dc.language.isoenen
dc.publisherJohns Hopkins University Pressen
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectarten
dc.subjectTechnologyen
dc.subjectscienceen
dc.subjectCollaborationen
dc.subjectwaren
dc.titleWhy MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Instituteen
dc.title.serialConfigurationsen
dc.typeArticle - Refereeden
dc.type.dcmitypeTexten

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