Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing

dc.contributor.author	Tanaka, Atau	en
dc.contributor.author	Knapp, R. Benjamin	en
dc.date.accessioned	2017-11-29T13:51:16Z	en
dc.date.available	2017-11-29T13:51:16Z	en
dc.date.issued	2002	en
dc.description.abstract	This paper describes a technique of multimodal, multichannel control of electronic musical devices using two control methodologies, the Electromyogram (EMG) and relative position sensing. Requirements for the application of multimodal interaction theory in the musical domain are discussed. We introduce the concept of bidirectional complementarity to characterize the relationship between the component sensing technologies. Each control can be used independently, but together they are mutually complementary. This reveals a fundamental difference from orthogonal systems. The creation of a concert piece based on this system is given as example.	en
dc.identifier.uri	http://hdl.handle.net/10919/80530	en
dc.language.iso	en_US	en
dc.publisher	NIME	en
dc.relation.ispartof	NIME 2002	en
dc.rights	In Copyright	en
dc.rights.uri	http://rightsstatements.org/vocab/InC/1.0/	en
dc.subject	Human Computer Interaction	en
dc.subject	Musical Controllers	en
dc.subject	Electromyogram	en
dc.subject	Position Sensing	en
dc.subject	Sensor Instruments	en
dc.title	Multimodal Interaction in Music Using the Electromyogram and Relative Position Sensing	en
dc.title.serial	Proceedings of the 2002 conference on New interfaces for musical expression	en
dc.type	Conference proceeding	en

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