This creative, experimental contribution blends written words and sketches depicting our crip bodies engaging with various mobility technologies, including crutches, walkers, prosthetic limbs, and manual and power wheelchairs. By picturing and describing our crip bodies with varieties of technologies that we use, we use these pictures and corresponding narratives about disabled bodies in technology to tell a larger story about the constitution of disability with technologies, as well as the modes of mobility available to disabled bodies. Our visual and narrative elements serve to argue that disabled bodies have a wider array of mobilities and ways of being than are afforded to non-disabled bodies. We resist super-crippery and insist on cripborgery. Crip bodies are taken as sites of possibility, adaptation, and creative reflection.