Good and Radical Bread: Bread and Puppet Theater's Sourdough Traditions

dc.contributor.authorPlummer, Sarah E.en
dc.date.accessioned2025-01-29T13:56:45Zen
dc.date.available2025-01-29T13:56:45Zen
dc.date.issued2024-12-28en
dc.description.abstractThis article examines Bread and Puppet Theater’s bread, its relationship to puppetry, its role at performances, and its place as an ideological engine for this institution's cultural work. In this essay I argue that Bread and Puppet Theater mobilizes bread in the same way they use puppets, as a narrative tool and as a symbol drawing upon personal and global cultural understandings of bread.en
dc.description.versionPublished versionen
dc.format.mimetypeapplication/pdfen
dc.identifier.eissn1557-2935en
dc.identifier.issn1557-2935en
dc.identifier.issue1en
dc.identifier.urihttps://hdl.handle.net/10919/124425en
dc.identifier.volume20en
dc.language.isoenen
dc.publisherLiminalitiesen
dc.rightsCreative Commons Attribution-NonCommercial-ShareAlike 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/4.0/en
dc.titleGood and Radical Bread: Bread and Puppet Theater's Sourdough Traditionsen
dc.title.serialLiminalities: a journal of performance studiesen
dc.typeArticleen
dc.type.dcmitypeTexten
dc.type.otherArticleen
pubs.organisational-groupVirginia Techen
pubs.organisational-groupVirginia Tech/Liberal Arts and Human Sciencesen

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