Synthetic Women: Gender, Power, and Humanoid Sex Robots

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Date

2023-05-16

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Publisher

Virginia Tech

Abstract

Drawing from gender studies, cultural studies, and feminist technoscience literature, this dissertation employs an interdisciplinary approach to analyze the androcentric imaginaries through which humanoid sex robots ("sexbots") emerge. Specifically, I utilize sexbots to interrogate and reflect on issues such as consent, whiteness, and humanity. By situating sexbots as proxies for feminized and racialized humans, I argue that the production, portrayal, and proliferation of sexbots are reflections of how we treat marginalized people, reifying existing hierarchal power relations. This project begins by analyzing the creation and dissemination of sexbots by popular sex technology ("sextech") companies. Critically surveying published papers, interviews, and research from various sexbot texts, I attend to gendered and racialized discourses of sexbot consent and companionship in human-sexbot relationships. Next, I analyze the overwhelming presence of whiteness with/in sexbots, exploring how anti-Black racism manifests in sexbots, and underscoring how both the present and "future" of sextech remains rooted in the past. Then, I catalog and dissect the published materials and interviews of prominent sextech creators, critically juxtaposing the marketing discourses of sexbots and evincing how both the sextech elite and science journalists—specifically writers I refer to as "sexbot journalists"—influence, change, and inform the meanings of sexbots. Finally, I turn to robots and robot alternatives found in feminist speculative fiction, utilizing these stories as a way of looking elsewhere in order to theorize what is possible for sexbots as well as our (current and future) relationships to these emerging technologies. At its core, this dissertation is an invitation to question white heteropatriarchy mediated through the controversial existence of sexbots. While synthetic women are the ostensible "subjects" of investigation—as well as commodities exchanged by creators and subsequently praised by enthusiasts—it is the "real" feminized and racialized humans who lie at the heart of this project. Through a much-needed feminist intervention, this project offers an in-depth analysis of humanoid sex robots and what they reveal about violence and power in the world around us.

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Keywords

cultural studies, feminist technoscience studies, feminist research on emerging technologies, feminist science fiction, humanoid robots

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