Utopian Hope vs. Merely-Political Combat: Directionality for the Kingdom of God

Utopia, as a concept, has experienced a resurgence within literature of various genres, ranging from scholarly work inside the 'academy' to diverse accounts of utopian and/or dystopian imaginaries within diverse fictional stories. Identifying what utopia picks out conceptually, however, is challenging, not least due to the limitations inherent in the ways we perceive the world could be. In this dissertation, I first defend a 'processual' account of utopia, contrasting this way of thinking about the idea against any fixed or granular description of some candidate, concrete state of affairs. I then look at the primary methodology leveraged by most processual utopian theorists, namely: utopian hope. After considering this affective, performative stance against what I call 'merely-political' combat, I demonstrate how utopian hope, within processual accounts, turns out to be equivalent to religious faith. As such, processual utopian projects require a return to a mystical, transcendent field of play for both their theoretical and methodological constituents. The second half of my project attempts to outline a fledgling, practical methodology for processual utopia, first identifying a very counter-intuitive directional focus on the part of the privileged when pursuing utopian ends. This focus requires the privileged to consider alternate imaginaries for possible futures while additionally requesting assistance from the marginalized to appropriately parse them. I conclude by examining several instances of liminal 'utopias' that have occurred in the wake of tragic events. These are placed in conversation with fictional accounts of utopian effort in order to highlight why utopian performativity must begin from a space of mutual vulnerability.