Borders, Art, and Imagination: Journeys with 'Maré from the Inside' and 'The Frontera Project'

This dissertation analyzes the possibilities and limits of art to perform upon borders in the Americas, and to open space for individuals to encounter, experience, and imagine them otherwise. I share the story here of my journeys with two touring transnational art groups working at and across borders: The Frontera Project and Maré from the Inside. The Frontera Project is a community-engaged bi-national performance of varied stories about the U.S.-Mexico border, that aims to complicate simplistic narratives of that border and build connection across difference. Maré from the Inside is an evolving multimedia exhibition addressing the Maré favela complex in Rio de Janeiro that grew out of a collaboration between 'outside' researchers and artists living in that neighborhood. I ask: how are artist/scholars experiencing and imagining borders? How does art perform and (re)shape social, cultural, and political borders? To this end, I place border/lands studies, performance studies, and feminist international relations in dialogue and draw on my ethnographic fieldwork across different sites in the United States, Mexico, and Brazil to examine the ways that politically engaged artists seek to navigate and shape multi-scalar borders. Overall, I argue that Maré and Frontera valorize artistic expression as a form of thought and open space for alternate border imaginaries that challenge existing social frames. They do this through varied performance strategies and processes of collective artmaking that involve careful consideration of the content of their work (whose stories to tell, what the stories contain, what images to use), in tandem with embodied performances that facilitate encounters at and across difference. I utilize collaborative, arts-based methods, drawing on the artists' insights, and further reflect on the possibilities of these methods to challenge prevailing approaches in international relations.