Craft and Care: The Maker Movement, Catherine Blake, and the Digital Humanities

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dc.contributor.authorReed, Ashleyen
dc.contributor.departmentEnglishen
dc.date.accessioned2021-01-11T20:19:42Zen
dc.date.available2021-01-11T20:19:42Zen
dc.date.issued2016-04en
dc.date.updated2021-01-11T20:19:39Zen
dc.description.abstractThis article examines the popular Maker movement, the scholarly discourse of “critical making,” and the work of digital humanists through an analysis of the working relationship between William and Catherine Blake. It begins by examining the contemporary Maker movement, which claims to embrace William Blake as its “patron saint” even as it increasingly insists on the monetization of Makers’ creative labor. This pressure toward monetization—in which garage tinkerers become uncompensated R&D departments for large corporations—is accompanied by an emphatic gendering of Makers as male and productive rather than female and reproductive, erasing and effacing the care work that makes Making possible. Given the Maker movement’s appropriation of Blake as symbol, it is instructive to examine the collaborative creative processes of William and his wife Catherine, who facilitated Blake’s “making” at every stage, both as care worker and as laborer at the press. Recent scholarship on Catherine, however, falls into the same gendered binaries as discussions of the current Maker movement, a failing this essay remedies by proposing a model of Blakean ecology as a method for reimagining the Blakes’ lives. The essay concludes by examining Catherine’s presence and the role of care work in the William Blake Archive and calling for a critical digital humanities that foregrounds and rewards affective labor.en
dc.description.notes< AUDIENCE: International >< REFEREED: Yes >< PUBLICAVAIL: No >< USER_REFERENCE_CREATOR: Yes >< ACC_END: 2015-12-31 >< ACC_START: 2015-12-01 >< DTx_ACC: 12/2015 >< SUB_END: 2015-08-15 >< SUB_START: 2015-08-15 >< DTx_SUB: 15/08/2015 >en
dc.description.versionPublished versionen
dc.format.extentPages 23-38en
dc.format.mimetypeapplication/pdfen
dc.identifier.doihttps://doi.org/10.3828/eir.2016.23.1.4en
dc.identifier.eissn2049-6702en
dc.identifier.issn2049-6699en
dc.identifier.issue1en
dc.identifier.orcidReed, Ashley [0000-0002-0070-5364]en
dc.identifier.urihttp://hdl.handle.net/10919/101827en
dc.identifier.volume23en
dc.language.isoenen
dc.publisherLiverpool University Pressen
dc.rightsIn Copyright (InC)en
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.titleCraft and Care: The Maker Movement, Catherine Blake, and the Digital Humanitiesen
dc.title.serialEssays in Romanticismen
dc.typeArticle - Refereeden
dc.type.dcmitypeTexten
dc.type.otherArticleen
pubs.organisational-group/Virginia Tech/All T&R Facultyen
pubs.organisational-group/Virginia Tech/Liberal Arts and Human Sciencesen
pubs.organisational-group/Virginia Tech/Liberal Arts and Human Sciences/Englishen
pubs.organisational-group/Virginia Tech/Liberal Arts and Human Sciences/CLAHS T&R Facultyen
pubs.organisational-group/Virginia Techen

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