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dc.contributor.authorGriffith, Gareth Hungerforden_US
dc.date.accessioned2014-07-02T08:02:16Z
dc.date.available2014-07-02T08:02:16Z
dc.date.issued2014-07-01en_US
dc.identifier.othervt_gsexam:3143en_US
dc.identifier.urihttp://hdl.handle.net/10919/49268
dc.description.abstractThrough the use of bio-metric data and audio recordings this research explores the body as it engages the concert environment. With the help of wearable technology and digital audio recording devices, data from four concerts was documented. Additionally personal reflections were recorded at the conclusion of each concert. These documents serve as qualitative data and a point of comparison between the quantitative recordings. These records were then used in the construction of an interactive data visualization that allows further exploration of the data collected by means of a visual interface.en_US
dc.format.mediumETDen_US
dc.publisherVirginia Techen_US
dc.rightsThis Item is protected by copyright and/or related rights. Some uses of this Item may be deemed fair and permitted by law even without permission from the rights holder(s), or the rights holder(s) may have licensed the work for use under certain conditions. For other uses you need to obtain permission from the rights holder(s).en_US
dc.subjectdata visualizationen_US
dc.subjectconcerten_US
dc.subjectmusicen_US
dc.subjectbio-metricen_US
dc.titlePortrait of a Concerten_US
dc.typeThesisen_US
dc.contributor.departmentArt and Art Historyen_US
dc.description.degreeMaster of Fine Artsen_US
thesis.degree.nameMaster of Fine Artsen_US
thesis.degree.levelmastersen_US
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen_US
thesis.degree.disciplineCreative Technologiesen_US
dc.contributor.committeechairWebster, Daneen_US
dc.contributor.committeememberAbel, Troy D.en_US
dc.contributor.committeememberDee, Meaghan Anneen_US
dc.contributor.committeememberBurch-Brown, Carol Sueen_US


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