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dc.contributor.authorSmallwood, Brianen
dc.date.accessioned2015-06-23T19:11:20Zen
dc.date.available2015-06-23T19:11:20Zen
dc.date.issued1994en
dc.identifier.urihttp://hdl.handle.net/10919/53385en
dc.description.abstractAs Bergson says, we do not perceive the thing or the image in its entirety, we always perceive less of it, we perceive only what we are interested in perceiving or rather what it is in or interest to perceive, by virtue of our economic interests, ideological beliefs, and psychological demands. We therefore normally perceive only cliches. But if our sensory-motor schemata jam or break, then a different type of image can appear, because it no longer has to be "justified." - Gilles Deleuze, "Cinema and Time," in The Deleuze Reader, ed., C. Bouncas (New York: Columbia University, 1993), p. 182.en
dc.format.extent[45] p.en
dc.format.mimetypeapplication/pdfen
dc.language.isoen_USen
dc.publisherVirginia Polytechnic Institute and State Universityen
dc.relation.isformatofOCLC# 31745213en
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subject.lccLD5655.V855 1994.S646en
dc.subject.lcshArchitecture -- Sketch-booksen
dc.subject.lcshInstallations (Art)en
dc.titleFrameworken
dc.typeThesisen
dc.contributor.departmentArchitectureen
dc.description.degreeMaster of Architectureen
thesis.degree.nameMaster of Architectureen
thesis.degree.levelmastersen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.disciplineArchitectureen
dc.type.dcmitypeTexten


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