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Can architecture live in the passage of real time and memory? It has occured to me that movement must not be limited to action (horizontal and vertical.) For instance, the movement of people, light or objects are not the only consideration. In fact I have overlooked passive motion. Perhaps a design could link both passive and active motion as the design element. The independent African American Filmmaker creates a cinematic experience that lives in layers of time. In the end the film is sustained in the memory of the viewer.