Kinetic Demonstrations

This thesis studies general architectural conditions in pursuit of the ideal through specific acts of drawn geometric constructs. It attempts to clear away superimposed doxa from architecture, making space for a demonstration of epistemic constructs. These projections of the ideal carry with them the basic autonomy of form. The demonstrations are a search for what is true in architecture. The purest form of architecture can be found in drawing; drawing is bound to the fundamental axioms of geometric construction. The explorations are situated in the space between the ideal and the natural. Several kinds of parallel projections are developed into a set of rationally constructed demonstrations culminating in the posting of an ideal city. Through the practice of drawing, five propositions emerge. Drawing in a kinetic dimension. Drawing as a reconciliatory act between potentiality and actuality. Drawing in question of perception. Drawing as a precursor to model making and photography.