The Darkening of the Other: Demarcating Difference in Cantar de Roldan, Cartas marruecas, and La reina del sur
dc.contributor.author | Weil, Amy Margaret | en |
dc.contributor.committeechair | Sierra, Sarah | en |
dc.contributor.committeemember | Austin, Elisabeth L. | en |
dc.contributor.committeemember | Cana Jimenez, Maria D. | en |
dc.contributor.department | Foreign Languages, Cultures, and Literatures | en |
dc.date.accessioned | 2018-12-19T09:00:32Z | en |
dc.date.available | 2018-12-19T09:00:32Z | en |
dc.date.issued | 2018-12-18 | en |
dc.description.abstract | This thesis analyzes the research of various historical and literary theorists in relation to identification of Otherness in three Spanish works: Cantar de Roldán, Cartas marruecas, and La reina del sur. Throughout the thesis, I analyze hwo the discourse of identification of Otherness has progressed throughout these three works. Each work was chosen as a cultural artifact of its time. I begin the thesis with Cantar de Roldán and analyze how variation in faith served as primary demarcation of Otherness. I then analyze Cartas marruecas and how race also becomes an identifier of Otherness; I end the thesis analyzing La reina del sur and the role of racial discourse as the primary identifier of Otherness. | en |
dc.description.abstractgeneral | This thesis analyzes the research of various historical and literary theorists in relation to identification of Otherness in three Spanish works: Cantar de Roldán, Cartas marruecas, and La reina del sur. Throughout the thesis, I analyze how the discourse of identification of Otherness has progressed throughout these three works. Each work was chosen as a cultural artifact of its time. I begin the thesis with Cantar de Roldán and analyze how variation in faith served as primary demarcation of Otherness. I then analyze Cartas marruecas and how race also becomes an identifier of Otherness; I end the thesis analyzing La reina del sur and the role of racial discourse as the primary identifier of Otherness. | en |
dc.description.degree | Master of Arts | en |
dc.format.medium | ETD | en |
dc.identifier.other | vt_gsexam:17833 | en |
dc.identifier.uri | http://hdl.handle.net/10919/86446 | en |
dc.publisher | Virginia Tech | en |
dc.rights | In Copyright | en |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en |
dc.subject | racial discourse | en |
dc.subject | Spanish literature | en |
dc.subject | Otherness | en |
dc.title | The Darkening of the Other: Demarcating Difference in Cantar de Roldan, Cartas marruecas, and La reina del sur | en |
dc.type | Thesis | en |
thesis.degree.discipline | Foreign Languages, Cultures, and Literatures | en |
thesis.degree.grantor | Virginia Polytechnic Institute and State University | en |
thesis.degree.level | masters | en |
thesis.degree.name | Master of Arts | en |
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