Writing Images: Blending Drawings and Code

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dc.contributor.authorKim, Alison Sujinen
dc.contributor.committeechairWebster, Daneen
dc.contributor.committeechairBurch-Brown, Carol S.en
dc.contributor.committeememberAbel, Troy D.en
dc.contributor.committeememberTucker, Thomas J.en
dc.contributor.departmentArt and Art Historyen
dc.date.accessioned2014-06-20T08:00:59Zen
dc.date.available2014-06-20T08:00:59Zen
dc.date.issued2014-06-19en
dc.description.abstractDrawing has long been known to show the thought process of the artist because of its physical immediacy and the way it encourages fast, informal iteration. In contrast the history of programming has been toward a universal language so that common challenges can be addressed in the same way. This MFA Thesis uses the principles of rule-based and generative art to cross the borders between drawing and coding.en
dc.description.degreeMaster of Fine Artsen
dc.format.mediumETDen
dc.identifier.othervt_gsexam:3053en
dc.identifier.urihttp://hdl.handle.net/10919/49026en
dc.publisherVirginia Techen
dc.relation.urihttps://wayback.archive-it.org/5315/*/http://www.alisujinkim.com/thesis/en
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectgenerative art rule-baseden
dc.titleWriting Images: Blending Drawings and Codeen
dc.typeThesisen
thesis.degree.disciplineCreative Technologiesen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.levelmastersen
thesis.degree.nameMaster of Fine Artsen

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