930 sqft of Architecture

dc.contributor.authorClark, David B.en
dc.contributor.committeechairDunay, Robert J.en
dc.contributor.committeememberSchubert, Robert P.en
dc.contributor.committeememberWheeler, Joseph H.en
dc.contributor.departmentArchitectureen
dc.date.accessioned2014-03-14T20:44:08Zen
dc.date.adate2010-10-15en
dc.date.available2014-03-14T20:44:08Zen
dc.date.issued2008-10-20en
dc.date.rdate2010-12-22en
dc.date.sdate2010-08-24en
dc.description.abstractThere is no primacy to Architecture. For centuries architects have posited formulaic approaches to creating spatial environments. Bold maxims for design have defined entire periods and styles of architecture, and each subsequent postulation attempts to disprove the former by challenging its theories against imperfect realizations. Yet nearly all have the same fault; they prioritize characteristics of architecture, attempting to design according to absolutisms of thought and process. I believe this to be a dangerous mode of operation, as absolutisms can be extremely complex and difficult to grasp conceptually, let alone to manifest into realities. Reducing architecture to processes of selection, generalization, singularities, and priorities is just clever ways of dealing with complexity in an attempt to make the intangible tangible. This "reduction" and "simplification" can only hold value as a tool for the study and analysis of architecture, not its practice and execution. Although architecture is universally conditional, it has been assigned universal qualities over time in theory and practice. I believe time requires that those qualities be subject to change and reinterpretation so that architecture may maintain proper relevance, barring one constant: all qualities must exist by virtue of the others and cannot be seen independently; one quality is no more than an aspect of the others. To better explore this notion, three criteria (qualities, generators) have been identified as a measure for critical analysis of three architectural research projects. They are built from a history of pre-defined criterion, named and redefined in an attempt to elevate a personal study and practice of architecture at a period in time. These projects have a high degree of personal influence and involvement, and so this becomes in a way a self-analysis in the study and practice of architecture. The intention of this compendium is to gain insight towards a personal definition of architecture through an analysis of architectural theory and precedence in comparison to work that is reflective of personal architectonics. In time, I hope it will have continued to develop.en
dc.description.degreeMaster of Architectureen
dc.identifier.otheretd-08242010-152140en
dc.identifier.sourceurlhttp://scholar.lib.vt.edu/theses/available/etd-08242010-152140/en
dc.identifier.urihttp://hdl.handle.net/10919/34745en
dc.publisherVirginia Techen
dc.relation.haspartClark_DB_T_2008.pdfen
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectSolar Houseen
dc.subjectFormen
dc.subjectPLUGen
dc.subjectMaterialen
dc.subjectTechnicsen
dc.subjectMeditation Roomen
dc.title930 sqft of Architectureen
dc.typeThesisen
thesis.degree.disciplineArchitectureen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.levelmastersen
thesis.degree.nameMaster of Architectureen

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