Stitches on Display: Embroidery Exhibited by the Museum of Modern Art

dc.contributor.authorAtallah, Grace Elizabethen
dc.contributor.committeechairRonan, Anne Elizabethen
dc.contributor.committeememberMoseley Christian, Michelle Yvonneen
dc.contributor.committeememberSmith-Glaviana, Dina C.en
dc.contributor.departmentMaterial Culture and Public Humanitiesen
dc.date.accessioned2024-05-18T08:00:13Zen
dc.date.available2024-05-18T08:00:13Zen
dc.date.issued2024-05-17en
dc.description.abstractEngaging with both the materiality and visuality of the embroidered artworks by Marguerite Zorach and Elaine Reichek, this thesis analyzes the material acknowledgement, or lack thereof, of the embroidery medium in both the artists' own motivations and how the Museum of Modern Art represents and displays modern embroideries. Often perceived as old-fashioned, in both cultural and artistic frameworks there is at a times tremulous acceptance of the embroidery medium. Both Zorach and Reichek's embroideries are undoubtedly rooted in modernist ideas surrounding form, subject, and aesthetics. Expressed in thread, the concepts behind these artworks are closely stitched to the medium itself, enhanced by the textural and methodological process of embroidery. Despite this, the modes of display used by the MoMA exhibits portray a reluctance to fully embrace and acknowledge the importance of materiality in in the history of embroidery. Examining the inclusion of Zorach's The Circus in the 1938 Three Centuries of American Art exhibition alongside Reichek's 1999 solo exhibition Projects 67: Elaine Reichek displaying her When This You Seeā€¦ embroidery series, this thesis evaluates each artist's use of the medium and how the respective exhibitions framed the embroidered artworks.en
dc.description.abstractgeneralEmbroidery, often perceived as a domestic or craft practice, faces cultural and artistic reception challenges when being used as a medium for modern art. Using Marguerite Zorach and Elaine Reichek's embroidered modern artworks, this thesis analyzes how the artists' motivations are translated through the Museum of Modern Art's curatorial and conceptual framework. For these two artists, the materiality, physical processes, and cultural history of the embroidery medium provide grounding contexts for their individual artistic production. This emphasizes that artistic motivation for the use of embroidery is inherently tied to the physical and contextual qualities of the medium, rather than being a simply coincidental choice of medium. Despite this, the MoMA, while not wholly ignoring the material qualities of embroidery and the intimate connection between artist, materiality, and process, does not fully acknowledge and exhibit these closely stitched connections. Analyzing how the MoMA displayed Zorach's The Circus in the 1938 and Reichek's When This You Seeā€¦ embroidery series in 1999, this thesis delves into the cultural forces informing the MoMA's exhibition framing of embroidery alongside how each artist's use of the medium.en
dc.description.degreeMaster of Artsen
dc.format.mediumETDen
dc.identifier.othervt_gsexam:40354en
dc.identifier.urihttps://hdl.handle.net/10919/119015en
dc.language.isoenen
dc.publisherVirginia Techen
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectEmbroideryen
dc.subjectexhibitionsen
dc.subjectfine arten
dc.subjectmodern arten
dc.subjectMuseum of Modern Arten
dc.subjectMarguerite Zorachen
dc.subjectElaine Reicheken
dc.titleStitches on Display: Embroidery Exhibited by the Museum of Modern Arten
dc.typeThesisen
thesis.degree.disciplineMaterial Culture and Public Humanitiesen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.levelmastersen
thesis.degree.nameMaster of Artsen

Files

Original bundle
Now showing 1 - 2 of 2
Loading...
Thumbnail Image
Name:
Atallah_GE_T_2024.pdf
Size:
2.75 MB
Format:
Adobe Portable Document Format
Loading...
Thumbnail Image
Name:
Atallah_GE_T_2024_support_1.pdf
Size:
277.68 KB
Format:
Adobe Portable Document Format
Description:
Supporting documents

Collections