Frames of Time: Ephemeral Time, Anamorphic Time, Preserved Time--Through the Composition of Light, Material, and Form
| dc.contributor.author | Fulmer, Riley Elizabeth | en |
| dc.contributor.committeechair | Jones, James R. | en |
| dc.contributor.committeemember | Regan, Deidre | en |
| dc.contributor.committeemember | Ambrosone, John F. | en |
| dc.contributor.department | Architecture | en |
| dc.date.accessioned | 2025-06-27T08:00:54Z | en |
| dc.date.available | 2025-06-27T08:00:54Z | en |
| dc.date.issued | 2025-06-26 | en |
| dc.description.abstract | 'Frames of Time' explores how architecture, like photography, can frame and capture our perception of time. Through the manipulation of light, material, and composition, architecture becomes not just a container of moments, but an active participant in how they unfold and are remembered. Inspired by Ansel Adams' ability to preserve fleeting conditions within a lasting medium, this thesis seeks to extend his vision into a three-dimensional lived experience of time. Drawing from early explorations of visual perception--camera obscuras, anamorphism, reflective geometries, and apertures--this project investigates how architecture can frame moments of time. Three types of time considered in the design of the Gallery for Ansel Adams are ephemeral, anamorphic, and preserved time. | en |
| dc.description.abstractgeneral | Frames of Time is a design thesis that explores how architecture can shape the way we experience and remember time—much like photography. Inspired by the work of Ansel Adams, whose photographs capture fleeting natural moments in a lasting way, this project reimagines how buildings can do the same through light, materials, and spatial design. The project takes the form of a gallery designed for Ansel Adams, inviting visitors to move through spaces that reflect different kinds of time: brief, shifting moments (ephemeral time), altered or distorted perspectives (anamorphic time), and timeless, preserved experiences (preserved time). Drawing from tools of early photography—like camera obscuras and reflective surfaces—the gallery becomes more than a place to view images; it becomes an immersive experience where the building itself frames changing light and perception, encouraging a deeper awareness of our place in time. | en |
| dc.description.degree | Master of Architecture | en |
| dc.format.medium | ETD | en |
| dc.identifier.other | vt_gsexam:43988 | en |
| dc.identifier.uri | https://hdl.handle.net/10919/135733 | en |
| dc.language.iso | en | en |
| dc.publisher | Virginia Tech | en |
| dc.rights | In Copyright | en |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en |
| dc.subject | Architecture | en |
| dc.subject | Photography | en |
| dc.subject | Ansel Adams | en |
| dc.subject | Time | en |
| dc.subject | Light | en |
| dc.subject | Revelation | en |
| dc.title | Frames of Time: Ephemeral Time, Anamorphic Time, Preserved Time--Through the Composition of Light, Material, and Form | en |
| dc.type | Thesis | en |
| thesis.degree.discipline | Architecture | en |
| thesis.degree.grantor | Virginia Polytechnic Institute and State University | en |
| thesis.degree.level | masters | en |
| thesis.degree.name | Master of Architecture | en |