After the Figure
| dc.contributor.author | Park, Stella Sophia | en |
| dc.contributor.committeechair | Thompto, Chelsea | en |
| dc.contributor.committeemember | Wu, Shuang | en |
| dc.contributor.committeemember | Ronan, Anne Elizabeth | en |
| dc.contributor.department | Art and Art History | en |
| dc.date.accessioned | 2026-06-16T08:02:01Z | en |
| dc.date.available | 2026-06-16T08:02:01Z | en |
| dc.date.issued | 2026-06-15 | en |
| dc.description.abstract | After the Figure is a body of work created through the lens of "Han," a Korean cultural concept that describes an unresolved resentment against injustices suffered, as well as feelings of sorrow as a result of historical violence endured by the country and its people. It is a concept that lives in an immaterial form but has been described as a physical affliction on the body—a pain felt in the innermost parts of the self. My work, through the lens of Han, addresses sexual violence and its violatory effects on the body. It aims to discuss how this violence affects an individual psychosomatically and how that manifests in the form of an abject body by using methods of construction and materials that evoke both visceral, reflexive response and deeper thought. | en |
| dc.description.abstractgeneral | After the Figure is an MFA thesis exhibition comprising a series of sculptures that address the concept of discomfort and the crucial role it plays in the recognition and discussion around sexual violence. This body of work draws from the Korean cultural concept of "Han", a feeling of unresolved injustices suffered at the hands of historical violence. It is influenced by the experiences of the South Korean comfort women, who were forced into sexual slavery under the Japanese military. My thesis writing and work explores how I can create artwork about sexual violence that brings about recognition of harder topics that tend to be concealed. | en |
| dc.description.degree | Master of Fine Arts | en |
| dc.format.medium | ETD | en |
| dc.identifier.other | vt_gsexam:47151 | en |
| dc.identifier.uri | https://hdl.handle.net/10919/143412 | en |
| dc.language.iso | en | en |
| dc.publisher | Virginia Tech | en |
| dc.rights | In Copyright | en |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en |
| dc.subject | Comfort Women | en |
| dc.subject | Feminism | en |
| dc.subject | Abject | en |
| dc.subject | Han | en |
| dc.subject | Sculpture | en |
| dc.title | After the Figure | en |
| dc.type | Thesis | en |
| thesis.degree.discipline | Creative Technologies | en |
| thesis.degree.grantor | Virginia Polytechnic Institute and State University | en |
| thesis.degree.level | masters | en |
| thesis.degree.name | Master of Fine Arts | en |
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