"The Pattern is Movement": Images of Timelessness and Patterns of Response in T.S. Eliot's Four Quartets
| dc.contributor.author | Dellinger, Elizabeth Aalseth | en |
| dc.contributor.committeechair | Gardner, Thomas M. | en |
| dc.contributor.committeemember | Swenson, Karen | en |
| dc.contributor.committeemember | Colaianne, Anthony J. | en |
| dc.contributor.department | English | en |
| dc.date.accessioned | 2017-07-01T08:01:21Z | en |
| dc.date.available | 2017-07-01T08:01:21Z | en |
| dc.date.issued | 2017-06-30 | en |
| dc.description.abstract | T.S. Eliot's Four Quartets is full of beautiful and resounding imagery, yet the art of unfolding these images, discovering the movement and drama taking place in and between them, often remains elusive. In this thesis, I approach this problem by offering a detailed reading of Eliot's four poems, tracing the repetition and subtle movements of these patterns of images and the connections between them. I show how in each poem, Eliot develops a set of images that uniquely depicts the entrance of the timeless into time; these images offer ways of framing the problem of responding to revelations of deeper reality, which I take to be the poem's central drama. At the same time, across the whole of the four poems, this reoccurring drama—the issue of the intersection of the timeless with time and the poet's response to this intersection—continues to develop, becoming more complex and layered in each of the poems. Unfolding the different but parallel movements that are enacted across the four poems gives us a better understanding of the way the poems work together as a whole, harmonizing with one another to expand and deepen the individual images and momentary expressions of emotion each poem conveys. | en |
| dc.description.abstractgeneral | T.S. Eliot’s Four Quartets is a complex and intricate series of poems. In this thesis, I draw on the work of key critics as I offer a detailed reading of these four poems, tracing the repetition and subtle movements of Eliot’s patterns of images and the connections between them. I show how in each poem, Eliot develops a set of images that uniquely depict revelations of deeper reality, the entrance of the timeless into time—I view the response to these revelations as the central problem of the poems. At the same time, across the whole of the four poems, this reoccurring drama—the issue of the intersection of the timeless with time and the poet’s response to this intersection—continues to develop, becoming more complex and layered in each of the poems. Following these pattern of response across the four poems gives us a better understanding of the way the poems work not only individually, but as a unified whole. | en |
| dc.description.degree | Master of Arts | en |
| dc.format.medium | ETD | en |
| dc.identifier.other | vt_gsexam:11927 | en |
| dc.identifier.uri | http://hdl.handle.net/10919/78299 | en |
| dc.publisher | Virginia Tech | en |
| dc.rights | In Copyright | en |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en |
| dc.subject | Four Quartets | en |
| dc.subject | T.S. Eliot | en |
| dc.subject | Modern poetry | en |
| dc.title | "The Pattern is Movement": Images of Timelessness and Patterns of Response in T.S. Eliot's Four Quartets | en |
| dc.type | Thesis | en |
| thesis.degree.discipline | English | en |
| thesis.degree.grantor | Virginia Polytechnic Institute and State University | en |
| thesis.degree.level | masters | en |
| thesis.degree.name | Master of Arts | en |
Files
Original bundle
1 - 1 of 1