The music of architecture

dc.contributor.authorSheppard, Marilynen
dc.contributor.committeechairPiedmont-Palladino, Susan C.en
dc.contributor.committeememberHolt, Jaanen
dc.contributor.committeememberRitter, James W.en
dc.contributor.committeememberEmmons, Paul F.en
dc.contributor.departmentArchitectureen
dc.date.accessioned2014-03-14T20:48:47Zen
dc.date.adate2011-12-14en
dc.date.available2014-03-14T20:48:47Zen
dc.date.issued2011-12-28en
dc.date.rdate2011-12-14en
dc.date.sdate2011-12-02en
dc.description.abstractMusic, as a performing art, transports us to distant moments and spaces than those we are in the present time. A hundred musicians playing Bruckner's Scherzo on Symphony No. 7 could make us feel emotionally moved; it could make us feel joy, anger, anguish, delight, peace, fear, freedom. Music has the ability to change our mood, to make us go through a series of feelings. This, I believe, has to do with how it involves you in it. Arthur Schopenhauer also says: "The effect of music on the mind, so penetrating, so immediate, so unfailing, and also the after-effect that sometimes follows it, consisting in a specially sublime frame of mind, are explained by the passive nature of hearing just described" This penetrating component of music, so immediate, of which Schopenhauer speaks, is how the Sublime is experienced through it. Music could even elevate the soul of those who are most open to perceive it. What is that "sublime" moment that happens when you are listening to a live orchestra and get moved by the experience? Are we capable of achieving that moment through the use of architectural elements alone? I believe the answer is yes. There is more to the moment than just the music itself, and that a "sublime" moment can be experienced in many contexts. There are elements that are common to this experience, primarily the presence of the Four Classical Elements. With this in mind, I came to the idea that by including Air, Fire, Earth and Water into my project, then I would be a step closer to having the users go through a sublime experience.en
dc.description.degreeMaster of Architectureen
dc.identifier.otheretd-12022011-233544en
dc.identifier.sourceurlhttp://scholar.lib.vt.edu/theses/available/etd-12022011-233544/en
dc.identifier.urihttp://hdl.handle.net/10919/35914en
dc.publisherVirginia Techen
dc.relation.haspartSheppard_M_T_2011.pdfen
dc.rightsIn Copyrighten
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en
dc.subjectelementsen
dc.subjectclassical elementsen
dc.subjectfour elementsen
dc.subjectfoyeren
dc.subjectnotationen
dc.subjectsublimeen
dc.subjectconcert hallen
dc.subjectinstrumentsen
dc.subjectpianoen
dc.subjectAir on the G Stringen
dc.subjectBachen
dc.subjectBruckneren
dc.subjectarchitecturalen
dc.subjectmusicen
dc.subjectArchitectureen
dc.subjectmusicalen
dc.titleThe music of architectureen
dc.typeThesisen
thesis.degree.disciplineArchitectureen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.levelmastersen
thesis.degree.nameMaster of Architectureen

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