To spark imagination: the American Film Institute
| dc.contributor.author | Harmon, Rebecca J. | en |
| dc.contributor.committeechair | Holt, Jaan | en |
| dc.contributor.committeemember | Hunt, Gregory K. | en |
| dc.contributor.committeemember | Small, Stephen W. | en |
| dc.contributor.department | Architecture | en |
| dc.date.accessioned | 2015-06-23T19:09:47Z | en |
| dc.date.available | 2015-06-23T19:09:47Z | en |
| dc.date.issued | 1989 | en |
| dc.description.abstract | The purpose of this thesis is to explore the role and influence imagination plays on a building for the arts. The American Film Institute is considered to be a building for the production and study as well as the presentation of film. Because imagination is the most important tool the film maker possesses and is that which the general audience becomes a part of, this thesis strives to produce a building which enhances this tool. Steel and glass have been chosen as two of the three primary materials in the film institute for their reflective properties as well as their specific properties to distort reflections. Concrete was chosen as the third primary material not only for its compressive strength, but for its many possible finishes and its compatibility (being non-reflective) with the other two primary materials. The institute will be created in such a way that even in their permanence they will provide for a changing space which will make for a re-occurring newness each time it is visited, thus sparking the imagination. To the user of the institute, the space will each time be new. It takes on this characteristic as its users encounter their own reflection as well as the reflections - sometimes distorted - of others. This is enhanced as movement occurs not always in a straight line nor only at one level. Shade and shadow from stationary light, as further enhance the imagination. “The spatial area, whatever it may be—room, stage, garden, street—is the screen; the moving objects and people are the picture-in-solution reconstituted as a transient entity in time and space.”³ | en |
| dc.description.degree | Master of Architecture | en |
| dc.format.extent | 39 leaves | en |
| dc.format.mimetype | application/pdf | en |
| dc.identifier.uri | http://hdl.handle.net/10919/53219 | en |
| dc.language.iso | en_US | en |
| dc.publisher | Virginia Polytechnic Institute and State University | en |
| dc.relation.isformatof | OCLC# 20821110 | en |
| dc.rights | In Copyright | en |
| dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en |
| dc.subject.lcc | LD5655.V855 1989.H376 | en |
| dc.subject.lcsh | New York (N.Y.) -- Buildings, structures, etc. -- Designs and plans | en |
| dc.subject.lcsh | American Film Institute -- Buildings -- Designs and plans | en |
| dc.title | To spark imagination: the American Film Institute | en |
| dc.type | Thesis | en |
| dc.type.dcmitype | Text | en |
| thesis.degree.discipline | Architecture | en |
| thesis.degree.grantor | Virginia Polytechnic Institute and State University | en |
| thesis.degree.level | masters | en |
| thesis.degree.name | Master of Architecture | en |
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