Transitions Of Light

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dc.contributor.authorCorrigan, Nicholas Aaronen
dc.contributor.committeechairTucker, Thomas Jamesen
dc.contributor.committeememberDuer, Zachary Raymonden
dc.contributor.committeememberKing, Nathanen
dc.contributor.committeememberNichols, Charles Sabinen
dc.contributor.committeememberUpthegrove, John Tanneren
dc.contributor.departmentArt and Art Historyen
dc.date.accessioned2022-06-22T16:30:06Zen
dc.date.available2022-06-22T16:30:06Zen
dc.date.issued2022-06-22en
dc.description.abstractMy work attempts to articulate how the format visual information is presented in changes our understanding of the visual information and our relationship to it. I explore analog and digital conversions, the audio and the visual sharing 3 dimensional space, and explore our relationship with screens, information and light. This paper discusses the ideas and underlying themes within my digital works that center around light as a form of information and communication. My work is also related to the transformation of technology that has occurred across many platforms throughout my lifetime. The most striking example is the telephone. The telephone has transitioned from an analog device on the wall that we speak into, to the phone we know today; a computer we carry around in our pocket with a screen we communicate through. This transformation of technology has changed our daily lives in ways past generations only dreamt of. We no longer log on or go online. We are always connected to a network of information, individuals and communities by an endless live stream of data. We live in an information super age, where we have access to nearly the entirety of knowledge humans have been able to acquire. Whether by reading by candle light, or a collection of pixels in the form of a screen, we use light to communicate all of these ideas and information. Social media, global positioning systems and on demand services have reached a point where our actions and nearly everything around us is tied to a computational system. My work attemps to bring this computational system into our physical space, where it can be acknowledged in the form of light and sound.en
dc.description.abstractgeneralWe live in an information super age, where we have access to nearly the entirety of knowledge humans have been able to acquire. Whether by reading by candle light, or a collection of pixels in the form of a screen, we use light to communicate all of these ideas and information. The format visual information is presented in changes our understanding of the visual information and our relationship to it. This paper discusses the ideas and underlying themes within my digital works that center around light as a form of information and communication.en
dc.description.degreeMaster of Fine Artsen
dc.format.mediumETDen
dc.identifier.othervt_gsexam:35135en
dc.identifier.urihttp://hdl.handle.net/10919/110876en
dc.language.isoenen
dc.publisherVirginia Techen
dc.rightsCreative Commons Attribution-NonCommercial 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/en
dc.subjectdigital arten
dc.subjectlighten
dc.subjectlight arten
dc.subjectnew aestheticen
dc.subjectpost digitalen
dc.subjecttechnologyen
dc.subjectprojection mappingen
dc.subjectspatialized audioen
dc.subjectTouchDesigneren
dc.subjectcreative technologyen
dc.titleTransitions Of Lighten
dc.typeThesisen
thesis.degree.disciplineCreative Technologiesen
thesis.degree.grantorVirginia Polytechnic Institute and State Universityen
thesis.degree.levelmastersen
thesis.degree.nameMaster of Fine Artsen

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